$1,200
1940's Abstract Composition Jazz Lithograph Pencil Signed and Dated WPA Artist
By Konrad Cramer
Located in Surfside, FL
Konrad Cramer, 1888-1963 was a painter, photographer, printer, and illustrator. Based in the fertile Woodstock, New York, artistic community along with Yasuo Kuniyoshi and Russell Le...
Lithograph
Colored Drawing No. 6 (Reclining Woman)
By Konrad Cramer
Located in Myrtle Beach, SC
Konrad Cramer, 'Colored Drawing No. 6' (Reclining Woman), monotype, 1931. Signed and dated in pencil beneath the image, lower right. Annotated 'Colored D' (drawing), No 6' in pencil, lower left sheet corner. A fine, spontaneous work, on cream laid paper, with full margins (1 1/8 to 1 3/4 inches); original brown paper hinges in the top left and right sheet corners, in excellent condition. Image size 5 3/8 x 10 7/8 inches; sheet size 8 1/2 x 13 7/8 inches. Matted to museum standards, unframed. A monotype is the printmaking technique of drawing or painting on a smooth, non-absorbent surface. The surface or matrix can vary from a copper etching plate...
Monotype
NIGHT NUDE
By Milton Avery
Located in Portland, ME
Avery, Milton. NIGHT NUDE. Woodcut, 1953. Edition of 25 in black and white (there were a further 25 printed in black and blue). Signed, dated and numbered "6/25" in pencil, and also ...
Woodcut
Joan Miro - Abstract Lithograph
By Joan Miró
Located in Collonge Bellerive, Geneve, CH
Joan Miro Miro Abstract Lithograph Artist: Joan Miro Plate III from “Miro Lithographs I” Medium: Lithograph on Rives vellum Year: 1972 Image Size: 10" x ...
Lithograph
$796Sale Price|20% Off
H 15 in W 11 in
Ellsworth Kelly, Lotus, from Derriere le Miroir, 1982
By Ellsworth Kelly
Located in Southampton, NY
This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Lotus, originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Trib...
Lithograph
$1,513
H 9.06 in W 7.88 in D 0.04 in
Plate VI, from Joan Miro by Jacques Prévert and Georges Ribemont-Dessaignes
By Joan Miró
Located in Collonge Bellerive, Geneve, CH
Plate VI, from Joan Miro by Jacques Prévert and Georges Ribemont-Dessaignes, a book published by Maeght and Printed by Mourlot in 1956. Reference: Mou...
Lithograph
Joan Miro - Original Colorful Lithograph
By Joan Miró
Located in Collonge Bellerive, Geneve, CH
Joan Miro - Moon Bird, Sun Bird - Original Lithograph 1964 From the journal "XXe Siecle" Unsigned edition of unknown size Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Refere...
Lithograph
Joan Miro - Original Abstract Lithograph
By Joan Miró
Located in Collonge Bellerive, Geneve, CH
Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe III Year: 1976 Edit...
Lithograph
Joan Miro - Original Abstract Lithograph
By Joan Miró
Located in Collonge Bellerive, Geneve, CH
Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1981 E...
Lithograph
$795
H 15 in W 22 in
Alexander Calder Lithograph Print, Abstract Style, 1968, Derriere le Miroir #173
By Alexander Calder
Located in Washington, DC
Artist: Alexander Calder Medium: Lithograph Title: Untitled Portfolio: Derriere le Miroir #173 Year: 1968 Edition: Unnumbered Signed: Unsigned Sheet Size: 15" x 22" Image Size: 15" x...
Lithograph
$1,375
H 39 in W 24.5 in D 0.05 in
Original "Wonderful Copenhagen" vintage travel poster
Located in Spokane, WA
Original vintage poster: WONDERFUL COPENHAGEN created by the artist Viggo Vagnby. This antique poster is archival linen-backed, in excellent condition, and ready to frame. No da...
Lithograph
Joan Miro - Original Abstract Lithograph
By Joan Miró
Located in Collonge Bellerive, Geneve, CH
Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1972 E...
Lithograph
$750
H 25 in W 21 in
Zen Minimalist Flowers Etching American Modernist Ed Baynard Pop Art Print
By Ed Baynard
Located in Surfside, FL
ED BAYNARD (American, 1940-2016) Flowers, Flowers in a Vase, Etching. 1979/1980, Hand signed, dated l.r., Hand numbered from small edition 12/24, Dimensions: 23 by 19 in. Framed 25 by 21 in Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton, Christo, Jan Dibbets, Minnie Evans...
Etching
$3,650
H 40 in W 28 in D 1 in
Original U. S. Marines World War 1 antique recruiting poster, linen backed
By Sidney Harry Riesenberg
Located in Spokane, WA
Original U. S. Marines enlistment antique poster. World War I recruitment poster by *Sidney H. Riesenberg* ranks among the most potent visual achievements of U.S. wartime art. Arch...
Lithograph
Sold
H 19 in W 12.5 in
1940's Abstract Composition Jazz Lithograph Pencil Signed and Dated WPA Artist
By Konrad Cramer
Located in Surfside, FL
Konrad Cramer, 1888-1963 was a painter, photographer, printer, and illustrator. Based in the fertile Woodstock, New York, artistic community along with Yasuo Kuniyoshi and Russell Lee, Cramer was both educator and artist. He ran a summer school for miniature camera photography in the 1930s and later taught one of the first American college courses in photography at Bard College. Although he began as a painter of abstract, geometric forms in bold colors, Cramer is most known as a photographer. Konrad Cramer was born and raised in Wurzburg, Germany. Cramer studied to be an artist at the Karlsruhe Academy under Ludwig Schmidt-Reutte and Ernest Schurth. He became interested in the German avant-garde early in his schooling, he was a member of the Blaue Reiter, exposed and encouraged by the experimental works of Wassily Kandinsky and Franz Marc. An additional influence on Cramer's artistic development was the Cubist landscapes of Paul Cézanne. Florence Ballin Cramer opened a gallery on 57th Street in 1919, encouraged by the sculptor Elie Nadelman. Florence Gallery exhibited and sold the works of living artists. Although it only survived briefly, it was the first New York gallery to show works by Yasuo Kuniyoshi, Alexander Brook, Ernest Fiene, and Stefan Hirsch. Cramer then settled with his wife in Woodstock, New York, where Ballin had painted with the Art Students League each summer since 1906. Cramer established a reputation as one of Woodstock's most modern painters with an impressive series of abstract paintings exhibited at the MacDowell Club in 1913. In the 1920s Cramer developed a personal representational style which blended modern and regional influences. Cramer received a Rockefeller grant in 1920 to study educational methods for craftsmen in Germany and France. In 1922 he took a teaching position at the Woodstock School of Painting and helped establish the Woodstock Artists Association, where he served as a director. While teaching and painting, Cramer also applied his artistic talent to illustration and textile design. Konrad Cramer first exhibited at the Whitney Studio Club in 1924 and participated in the Whitney Museum of American Art's first and second biennials in 1933 and 1935. He was also included in the 1935 exhibition Abstract Painting in America at the Whitney. Cramer was later included in the Whitney Museum exhibition Pioneers of Modern Art in America in 1946. In the 1930s Cramer participated in many other museum invitationals, including: the Carnegie International (1929, 1933, 1937, 1938); the Pennsylvania Academy of the Fine Arts (1934, 1936), and the Corcoran Gallery of Art (1935, 1937). In 1934 Konrad Cramer and his wife travelled to Mexico where they produced many paintings and drawings. Back in Woodstock in 1935, Cramer briefly joined the (WPA) Federal Art Project, administering the regional program in Woodstock. In the mid-1930s Cramer took up photography to clarify aesthetic issues in his painting. Cramer had gotten to know Alfred Stieglitz upon his arrival in America in 1911 and wrote an essay about 291 Gallery for Stieglitz's magazine Camera Work in 1914. Through Stieglitz and then in the 1930s fellow Woodstockers like Russell Lee, Cramer became interested in the possibilities of photography and began working with it as an artistic medium. In the 1950s Cramer collaborated on a traveling exhibition and book of abstract photographs with Manuel Komroff...
Lithograph