La Barge Tables

The "Teoca" coffee table is part of ADN Studio´s Volcan collection. This collection seeks to go back to basics. It is a subtle and refined interpretation of the archetypical modern f...

A French Louis XVI Style 'Belle Époque' oval giltwood carved center table with marble top. The ornately decorated apron topped with a veined white marble top and raised on four flute...

Louis Philippe period mahogany center table with original shaped conforming marble top, with beaded frieze, raised on turned, beaded and gadrooned urn-form pedestal, on acanthus car...

Hollywood Regency carved giltwood and biomorphic glass coffee table, in the manner of P.E. Guerin. This elegant cocktail table features a 3/4 thick curved glass top held aloft by fo...

A baker brass and faux bamboo Hollywood Regency cocktail table. Faux bamboo base with a glass and brass oval top 16.5" x 44" x 21".

SATURDAY SALE This LaBarge brass and glass cocktail table is a nice size medium-scale version of the larger model I've had before. Neoclassical design brass table having six sides, ...

Mid-Century modern polished brass square side-table with smoked glass top.

Hollywood regency-style coffee table in brass and glass, Maison Janssen style Nice and good quality 'imitation' of the famous Maison Jansen coffee tables from the 1950's. The fumé ...

This vintage 1970 square coffee table, designed by John McGuire, boasts a 60" x 60" glass top, 3/4" thick with a 1" bevel, offering a sleek and spacious surface. The distinctive base...

Oval Art Deco center table.

Mid-Century Modern Artedi travertine coffee or cocktail table with brass support and beveled glass top. Distinct striations throughout the impressive...

Mura low table is created in collaboration with Toronto-based glass design and fabrication atelier Jeff Goodman Studio (JGS). It pairs STACKLAB’s signature solid-bronze Jupiter leg castings with a droplet-shaped top of kiln-fused Temple glass. The table’s name derives from the Japanese word for “unevenness, irregularity, inequality” Temple glass is a handmade product invented by JGS for the Bahá’í Temple of South America, capable of withstanding the rigorous weather fluctuations and seismic activity of the Andes mountains near Santiago, Chile. In the proprietary fabrication process, rods of glass are broken. The glass fragments are arranged in the kiln bed in JGS’s randomized River Rock pattern, then fired and cooled for a week. This process yields a distinctive mottled motif of milky translucent veils within a transparent field. The slab is polished, then cut to size with a water jet. Because the glass is handmade, each table top takes three weeks to carve and polish, a process that is impossible to duplicate, making each Mura table unique. “Our studios share a love of controlled, but partially unknown, outcomes,” says STACKLAB Founder and Creative Director Jeffrey Forrest. “Our disciplined methods allow us to ‘let go’ as we approach the finish line and observe what happens, from a careful arrangement of glass rods settling in the kiln to a computer code interpreting inputs about form.” “STACKLAB came to us with the idea of shaping the edge of Temple glass with a beautiful ribbon line,” says JGS Executive Director Sylvia Lee. “This is the first piece we’ve done in carved, sculptural Temple glass; earlier applications were always with straight edges. STACKLAB is helping push us into exploring the material more deeply and at a large scale. That’s exciting.” As for the Jupiter leg, it is a study in creating a completely asymmetrical, yet aesthetically cohesive, geometry. The shape is readily castable, yet differs in every elevation, section and plan view. The sand-casting process produces faintly perceptible irregularities that enhance the leg’s tactile appeal. The planetary name pays homage to the subtitle of Mozart’s last symphony, a favorite of the client who commissioned the first Jupiter table...