Li Zhao Landscape Paintings

Original oil painting on linen by artist Michael Magrin. Framed.

New York City artist Eliot Candee Clark was well known for his impressionist landscapes. He was the son of painter Walter Clark. Many of his paintin...

Henry Ward Ranger (1858 - 1915) Stony Cove and Headland, 1910 Oil on canvas 28 x 36 inches Signed lower right Provenance: McDonough Gallery, New York William Macbeth Galleries, New York American Art Association, The Completed Pictures Left by the Late Henry Ward Ranger, 1917, Lot 72 A key person in the establishment of the Old Lyme, Connecticut art colony in 1899, Henry Ward Ranger is regarded as the leader of the Tonalist movement in America and was a leading painter in this country in the late 19th and early 20th-centuries. He was born in Geneseo and raised in Syracuse, New York, and in 1873, enrolled in the College of Fine Arts at Syracuse University, where his father was a professor of photography and drawing. Two years later, he became a re-toucher of paintings in his father's studio and did not earn a college degree. He also spent much time in New York City, where he was a writer of music criticism and visited galleries, where he had his first exposure to French Barbizon painting...

William John Hennessy On the Sands, Long Island Sound Signed and dated lower left; signed, dated, and titled on the reverse Oil on canvas 15 1/2 x 22 1/2 inches William John Hennes...

Ross Stefan (1934-1999) Arizona / Wisconsin Artist Image Size: 16 x 12 Frame Size: 19 3/4 x 15 3/4 Medium: Oil on Canvas "Indian Maidens" Biography Ross St...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1998 by a private collector, San Carlos, Palo Alto, and Oceanside, California; From the Santa Barbara Historical Society Signed "Carl Sammons" on lower right Description This luminous coastal landscape by Carl Sammons is a striking example of the artist’s signature plein air style, depicting the rolling coastal dunes and lush vegetation of California’s shoreline. Best known for his depictions of Carmel and Monterey, the composition and palette of this work suggest inspiration from the Monterey Peninsula dunes. Sammons’ ability to merge vibrant, clean color with a sense of atmospheric perspective is evident here in the interplay of bright, sunlit sands and the rich greens of windswept foliage. His vibrant yet naturalistic color harmonies, crisp edges, and keen sensitivity to light bring the fleeting beauty of the coastal environment to life. The hazy eucalyptus grove in the background adds a distinctive regional touch, situating the composition firmly within California’s coastal identity. Sammons’ paintings of California’s unique landscapes played a significant role in documenting the natural beauty of the state during the early 20th century. Connection to the Monterey Art Colony By the 1920s and 1930s, Sammons became closely associated with the Monterey art colony, an influential hub for plein air painters such as Armin Hansen (1886–1957), William Ritschel (1864–1949), and Percy Gray...

A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good intentions of critical theorists questioning the va...

Robert Harrison (Born 1949) San Antonio Artist Image Size: 30 x 40 Frame Size: 40 X 50 Medium: Oil on Canvas "GOLDEN FIELDS" Texas Hill Country Biography Robert Harrison (Born 1949) ...

Ross Stefan (1934-1999) Arizona / Wisconsin Artist Image Size: 7.5 x 6.5 Frame Size: 18 x 16 Medium: Oil "Pueblo" Biography Ross Stefan (1934-1999) Born in...

Oil on pannel by J.E. KARNEC, born in 1865 (in Austria after GERALD SCHURR), died in 1934. Painter of landscapes, seascapes, port landscapes, water landscapes. "Orientalist trend" (...

Sunlight on Snow, 1927 Oil on canvas, 24 x 30 inches (61 x 76.2 cm) Framed dimensions: 31 1/4 x 37 1/4 inches Signed lower left: Leith-Ross Provenance The CIGNA Museum and Art Collection, until 2004; Sotheby's, New York, December 15, 2004, lot 14; Thomas Colville Fine Art until the present Harry Leith...

Acquired by the gallery directly from the artist UNFRAMED: 16" x 24" FRAMED: 21.5" x 29" x 1.75" Signed "K Dempwolf" on lower left Artist Statement "This view with the massive oa...