Liu Guoyi Art

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

This large figurative oil painting is a reinterpretation of a painting by Otto Bache - King Christian X on horseback, 1894. A unique oil painting on the finest quality Belgian Linen™...

Torso. Original resin esculpture Fili Plaza reflects in his work the emotional world of Mediterranean culture, with its sensuality and luminosity. The nature of this universe offer...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

KAWS BFF 2017 (set of 2 individual works): each new, & unopened in original packaging. Standout KAWS Companion figures derived from KAWS’ large scale BFF sculpture in Los Angel...

Shit happens sometimes. In this piece, the artist wanted to create an unsettling and claustrophobic space where people feel most private and vulnerable. Inspired by artist Tala Madani, she created a cartoon figure to act as the voyeur, a bright and unwelcome disturbance that cannot be ignored. Samantha Van Heest...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. “Boss Dog 1” by Sanuj Birla is a bold and characterful exploration of attitude, humour, and contemporary sculpture. Crafted from resin and fibreglass, the tabletop sculpture depicts an iconic British Bulldog standing upright on its hind legs, its forearms confidently crossed while holding a spiked bat. The exaggerated pose and instantly recognisable subject give the work a commanding presence, transforming the familiar canine figure into a playful symbol of confidence and authority. Birla’s contemporary realist approach combines recognisable anatomy with a highly stylised sense of character. The Bulldog’s distinctive proportions and features are carefully modelled, while its human-like stance introduces an unexpected and humorous element. The smooth sculptural finish gives the figure a polished appearance, allowing its expressive silhouette and assertive posture to become central to the work’s visual identity. The figure’s pose creates a strong sense of structure and personality. Standing vertically on its hind legs, the Bulldog forms a compact yet imposing silhouette, while the crossed forearms reinforce its self-assured attitude. The spiked bat introduces a contrasting diagonal element, adding visual tension to the composition and enhancing the sculpture’s mischievous, larger-than-life character. Colour is central to the sculpture’s visual impact. Its sleek silver finish gives the figure a distinctly contemporary appearance, allowing light to move across the modelled surfaces and emphasise changes in volume and form. The restrained monochromatic palette also focuses attention on the Bulldog’s expression, posture, and sculptural details rather than distracting from them with additional colour. The sculpture’s carefully finished surface encourages close observation of its texture and modelling. From the characteristic folds and contours of the Bulldog to the sharper detailing of the spiked bat, Birla combines smooth surfaces with more defined elements to create visual and tactile contrast. The reflective qualities of the silver finish further accentuate these details as the sculpture is viewed from different angles. Yet “Boss Dog 1” is more than a contemporary representation of a British Bulldog. Through its anthropomorphic stance, crossed arms, and unexpected accessory, Birla gives the animal a distinctly human personality. Confidence and humour converge within the figure, turning the Bulldog into a playful character whose exaggerated authority invites both amusement and curiosity. With its distinctive silhouette, sleek silver finish, and playful combination of realism and character, “Boss Dog 1” is a striking contemporary tabletop sculpture...

Pull Shapes (Duet) is a diptych that subtly explores surrealism, focusing in on the intimacy of the bedroom space. Pillows are this central point of comfort in our day to day, and the artist wanted to play with scale, mystery, and the night table drawer. Samantha Van Heest...

Resin and music box mechanism multiple. Published by Seletti, Cicognara. This is a reproduction of Cattelan's monumental marble sculpture, L.O.V.E., 2010, now in the Piazza Affari,...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Blue Tit and Great Tit Diptych Overall size cm : H19 x W19 ‘Blue Tit’ is a limited edition giclee print of an ink and watercolour on paper. Numbered and sign...

Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham...

This work titled "Divine Assistance" is an original artwork by Jay Riggio made of paper, print, multi-layered UV resin and hand-shaped wood panel assemblage. The piece measures 15.5"h x 9"w x 1.5"d. Jay Riggio, a self-taught visual artist, was born in Long Island, New York in 1978. Utilizing original source material from discarded magazines and books, Riggio’s work brings new life to once forgotten imagery through complex, mixed media collages. His works depict dream-inspired stories through unique, surrealistic visual pairings: a reflection of the artist's interpretations on life, love, humor and the human condition. In addition to exhibiting work in galleries around the world, Riggio has done commercial illustrations for brands like Gather Journal, The New York Times, Brooklyn Magazine, Alice McCall...

This painting was inspired by the artists very first toy, a small blue giraffe, given to her as a day-old baby. It is something that has been around her whole life, and even though it is inanimate, there is a feeling of personification through the years of wear. Her brother as a baby would call giraffes “fa,” which is always a sweet memory she associate with this toy. Samantha Van Heest...

Mike Mitchell - Vermillion Flycatcher - Contemporary Artist Edition Details: Year: 2017 Class: Art Print Status: Official Released: 11/04/17 Run: 450 Technique: Giclee Paper: Cotton...