Lutfi Romhein Art

Quis Mihi Iniuriam Facet Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises his profession as a sculptor. Only when his work would measure up to his own standards, he decided to present it to the rest of the world...

After Fernando Botero – CAT, Bronze, Marble Base, Great for Home or Office Edition of 50 This beautifully executed bronze sculpture is an After Fernando Botero work, created in fai...

Architectural concrete head sculpture combining hand-tinted cement, blue-gray chromatic layers and an inserted band of natural chestnut wood. Proxecto XVIII is a unique work by Spani...

Windswept Face Of A Man Marble Sculpture Signed, on wooden base. Leon Saulter (1908 - 1986) was active/lived in California born in Poland. Moved to US in 1921. Leon Saulter is known for sculptures, paintings also writer. Born in Poland on March 31, 1908. By the 1930s, Saulter was active on the Federal Art Project while a resident of Los Angeles. Exhibitions: Painters & Sculptors of LA, 1936-40; Artists Union (LA), 1939; Stendahl Gallery (LA), 1941; LACMA, 1940, 1943, 1946 Santa Barbara Museum; Bonita Union High School (Spirit of Youth Learning Industry); David Starr Jordan School, Long Beach (Head). Museums: University of Wyoming Art...

A classical-style Greek sculpture depicting the torso of a woman in marble, wearing a draped dress with detailed folds in the fabric. The dress features a gathered neckline, short pu...

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - a fantastic quality and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble genre scenes and allegorical figures as well as copies of antique and Renaissance sculpture catered to a prominent international clientele which included European and Russian aristocracy, and the Industrial fortunes being made in England and Americas drove considerable export demand. In 1861 the studio was awarded the medal for 'Ercole con cinghiale sulla spalla' (Hercules with boar on shoulder), 'Due Cani' (Two dogs) and 'Cinghiale' (Boar) sculptures at the National Exposition in Florence. In 1874 he exhibits his works in London and in 1876 in Philadelphia. Bazzanti frequently returned to the subject of 'After the Bath' or 'The Bather' in his works, having carved examples of the bathing Venus after the Antique and in dynamic and dramatic compositions such as the present sculpture. The finely-detailed work relates closely to popular figures produced by Bazzanti’s contemporary, Cesar Lapini, whose La Sopresa depicts a young woman stepping back from approaching waves. The sculptor’s penchant for realism is on full display with the contrasting matte and highly-polished finishes of the gently lapping waves at the figure’s feet, to the jutting rocks and soft skin. Elegant handling of textures is further exemplified in the draped fringe of the cloth. This monumental and Fine work is illustrated in situ at Bazzanti’s studio circa 1900 among other fashionable works of the period. Notes: Pietro Bazzanti was also known as Pietro Barzanti. There are conflicting dates of Pietro Bazzanti/Barzanti's birth/death year. Some auction houses and art galleries have described 'Pietro Barzanti' as Italian, 1842–1881 and Pietro Bazzanti as Italian, 1825-1895. However, according to Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78, 'Pietro Barzanti' was in fact 'Pietro Bazzanti' one and the same, and it questions his year of his birth/death as "Firenze (?), ?, ?." thus we believe that the Italian, 1825-1895 description is the most plausible. Literature: Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78. Auctions: Another example of this sculpture, probably also Pietro Bazzanti but almost a foot shorter (Height 44¾ in. (113.5 cm), unsigned and without its pedestal, was sold at Christie's New York, 19th Century Furniture, Sculpture, Works of Art and Ceramics Sale...

Profundus Bronze Sculpture Nude Boy Contemporary Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy p...

David Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at ...

Sorbe Small Bronze Sculpture Nude Boy Drinking Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high sc...

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Alia Mihi Mens Est Bronze Sculpture Contemporary Nude Boy Marble Stone This sculpture need to be ordered. We will cast a brand new one for you. The edition is 4 pieces. The next scu...

The modern Sculpture " Stronghold ” is a unique metal piece made from a burnout mold by David Marshall in 2021, sand cast in aluminium and wood in our foundry, handcrafted by the Art...