A painter and sculptor, Malvin Albright was born in Chicago, one of the twin sons of Adam Emory Albright, a famous Chicago figure painter of juvenile subjects, who often used Malvin and his brother Ivan Le Lorraine as models. Malvin's middle name, Marr, was after Wisconsin artist Carl von Marr, painting companion of his father. Malvin took the professional last name of Zsissly with which he signed much of his work. The reason for this is said to be that Adam Albright wanted his family to be represented at both ends of alphabetical art catalogs, and since he already had the front end covered, Malvin was chosen to become "Zsissly." Malvin studied at the Chicago Art Institute, the University of Illinois, the Pennsylvania Academy of Fine Arts and the Beaux-Arts Institute of Design in New York City with Albin Polasek and Charles Grafly. Malvin lived and worked in Warrenville, Illinois at the Albright Studios and also had many commissions in Chicago. He began as a painter and then turned primarily to sculpture. However, he continued to paint occasionally and did sketching in California, Arizona, New Mexico, Kansas and Texas. Malvin earned prestigious credentials including that of Academician of the National Academy of Design, Fellow of the Royal Society of the Arts and member of the National Sculpture Society.
A charming 1930s Modern watercolor of a reclining woman, studio interior scene
By Malvin Marr Albright
Located in Chicago, IL
A charming, 1933 American Scene studio scene watercolor of a reclining young woman in a red dress by notable Chicago Modern artist, Malvin Marr Albright (Zsissily). Image size: 12 ...
Watercolor, Graphite, Paper
'Lobsterman's Wharf, Maine' original lithograph signed by "Zsissly" Albright
By Malvin Marr Albright
Located in Milwaukee, WI
'Lobsterman's Wharf, Maine' is an original lithograph signed by Malvin Marr "Zsissly" Albright. While Malvin Marr – along with his better-known identical twin Ivan Albright – was known for his meticulous and unsettling magic realist compositions, he and his brother were also prolific in capturing landscapes of the coast of Maine where the two spent several consecutive summers away from Chicago over their lives. Sometimes these Maine landscapes and views would be painterly and seemingly antithetical to the careful realism of his other work; but in this example, however, the wharf is treated with the same macabre decay as his human subjects. In the composition, the shack...
Lithograph
$2,500
"Victoria" original lithograph signed by Malvin Marr "Zsissly" Albright
By Malvin Marr Albright
Located in Milwaukee, WI
The present print, "Victoria," is the most iconic example of the printmaking of Malvin Marr Albright, called Zsissly. The composition for the image comes from Albright's painting from about 1935, done while he was studying at the Art Institute of Chicago. We can see clearly in the image how he possesses the same skill for unsettling, magic realist images as his more famous twin brother Ivan Le Lorraine: The lady Victoria sits at a dining room table, surrounded by luxurious still-life objects. All the textures and surfaces of the image express a horror vacui as seen in his painted works, such as "The Trail of Time is Dust" at the Pennsylvania Academy of Fine Art. The door in this print recalls one of the more famous works by his brother, "That Which I Should Have Done I Did Not Do (The Door)" at the Art Institute of Chicago. 1947, after ca. 1935 original painting 8 1/2 x 13 inches, image 12 x 16 inches, sheet 16 1/4 x 20 1/2 frame Signed in pencil, lower right Title in pencil, lower left Published by Associated American Artists Inc. Unnumbered from the edition of 250 A painter and sculptor, Malvin Albright was born in Chicago, one of twin sons of Adam Emory Albright, famous Chicago figure painter of juvenile subjects, who often used Malvin and his brother Ivan Le Lorraine as models. Malvin's middle name, Marr, was after Wisconsin artist Carl von Marr...
Lithograph
$98Sale Price|38% Off
H 11.8 in W 8.25 in
Giovane Sopra Geremia (Gabriele Wohmann, Printmaking, Postwar British Art)
Located in Kansas City, MO
Anthony Canham Giovane Sopra Geremia From Folio "Endlich allein - endlich zu zwein" Color Lithograph 1976 Edition: 95 of 150 Signed and numbered in pencil along lower margin Size: 11...
Lithograph
$1,200
H 12 in W 9 in D 0.1 in
Carrie Bradshaw says good bye. From the Art, Culture & Society series
By Manuel Santelices
Located in Miami Beach, FL
Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...
Ink, Watercolor
Un Vase de Fleurs III (Flowers in a Vase)
By Frederic Menguy
Located in San Francisco, CA
This artwork "Un Vase de Fleurs III (Flowers in a Vase)" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Frederic Menguy, 1927-2007. It is...
Lithograph
$750
H 25 in W 21 in
Zen Minimalist Flowers Etching American Modernist Ed Baynard Pop Art Print
By Ed Baynard
Located in Surfside, FL
ED BAYNARD (American, 1940-2016) Flowers, Flowers in a Vase, Etching. 1979/1980, Hand signed, dated l.r., Hand numbered from small edition 12/24, Dimensions: 23 by 19 in. Framed 25 by 21 in Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton, Christo, Jan Dibbets, Minnie Evans...
Etching
$500
H 24 in W 19.5 in
Georgia O'Keeffe - Limited Edition Flower Poster with beautiful Friendship Quote
By Georgia O'Keeffe
Located in New York, NY
Georgia O'Keeffe, Red Poppy poster, with Friendship Quote, 1987 "Still - in a way - nobody sees a flower - it is so small - we haven't time- and to see takes time, like to have a fr...
Offset, Lithograph
$750
H 25 in W 21 in
Zen Minimalist Flowers Etching American Modernist Ed Baynard Pop Art Print
By Ed Baynard
Located in Surfside, FL
ED BAYNARD (American, 1940-2016) Flowers, Flowers in a Vase, Etching. 1979/1980, Hand signed, dated l.r., Hand numbered from small edition 12/24, Dimensions: 23 by 19 in. Framed 25 by 21 in Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton, Christo, Jan Dibbets, Minnie Evans...
Etching
Un Vase de Fleurs II (Flowers in a Vase)
By Frederic Menguy
Located in San Francisco, CA
This artwork "Un Vase de Fleurs II (Flowers in a Vase)" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Frederic Menguy, 1927-2007. It is ...
Lithograph
$355
H 18 in W 24 in
The Art of Saying Nothing - Original Figurative Surrealist Watercolor Artwork
Located in Los Angeles, CA
Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...
Paper, Watercolor, Graphite
$12,500
H 16.25 in W 10.5 in
Art Deco, L'ombre d'une jeune fille en fleur, Elegant French Woman with Monkey
By Jean-Gabriel Domergue
Located in Miami, FL
Perhaps a study or a preliminary work for for "L'ombre d'une jeune fille en fleur", Lot 46 - Christie's, New York (February 14, 2007) Private Collection, Miami Gouache and pencil...
Gouache
$520Sale Price|20% Off
H 12 in W 15 in D 1.5 in
Still Life of Two Pears in Acrylic on Archival Paper
Located in Soquel, CA
Still Life of Two Pears in Acrylic on Archival Paper Vibrant still life by California artist Christine Cohen (American, b. 1943). This piece is a close-up still life of two pears, a...
Acrylic, Archival Paper
$98Sale Price|34% Off
H 17.8 in W 23.8 in
Untitled I (Symbolic Gesture, Dove, Floral, Butterfly, ~34% OFF MUST GO)
By Anton Refregier
Located in Kansas City, MO
Anton Refregier Untitled Color Lithograph Circa early 1970s Size: 17.8 x 23.8 inches (45.2 × 60.5 cm) Edition: 190 of 275 Signed and numbered in pencil Gallery-issued COA provided A...
Lithograph
$2,655
H 32 in W 24 in D 0.75 in
Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas
By Irene Pattinson
Located in Soquel, CA
Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas Still life in a semi-cubist style by Irene Pattinson (American, 1909-1999). On a reddish-purple table, there is a plate with two apples, a bottle of wine, and an acoustic guitar. The guitar's headstock is shown extending from where the neck meets the body, implying a cubist interpretation of the scene. At the back of the still life arrangement, there is a (collage) newspaper with "Costa Rica!" in the headline. At the left of the composition, there is a curtain or cloth draped across part of the scene. Signed "Irene Pattinson" on verso. No frame. Canvas size: 32"H x 24"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance:The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works) Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963; Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...
Canvas, Oil, Newsprint