Marcel Bloch Art

This work is presented more as a concept piece since it's condition is destresed. Signed lower right Illustrator Hazel Frazee was a Female Illustrator in the first quarter of the 20...

This beautiful Italian 18th Century old masters oil painting on oval canvas with giltwood frame is attributed to Solimena and features a religious scene. In this splendid oval-shaped painting are depicted Saint Dominic...

Stone statue in the temple at Madura, India, 1914 Signed with initials top right Pencil on paper, 21.2 x 16.7 cm Literature: Ernst Braches en J.F. Heijbroek, W.O.J. Nieuwenkamp,B...

CHRISTOFFEL LUBIENIECKI (1659-1729) Pair of portraits of a gentleman and a lady, both in silk kimono, before a country house (circa 1680) Indistinctly signed “C.......” on a box under the man’s left hand Oil on canvas, 79.5 x 67 cm each Both sitters are portrayed wearing a silk “Japanese” coat. During the second half of the seventeenth the Japanese silk coat, an adapted Japanese kimono, became a real vogue in the Dutch elite. The exclusive Dutch trade contacts with Japan can explain the popularity of the kimono-style silk coats in the Netherlands. Everybody who could afford one, dressed in such a fashionable and comfortable coat and, like the present sitters, some proud owners had themselves portrayed in a “Japanese” coat often together with an oriental carpet to underline their standing and international connections. These portraits are the work of the Polish-born portraitist Christoffel Lubieniecki (also known as Lubienitski, Lubinitski or Lubiniecki) Lubieniecki was first trained in Hamburg under Julian Stuhr and after 1675 in Amsterdam under Adriaen Backer and Gerard de Lairesse. He specialized in landscapes, generally of an Italianate character, and in portraits. The loving execution of these contented burghers, enjoying the garden vistas of their country house, places him alongside Amsterdam portraitists such as Constantijn Netscher and Michiel van Musscher...

Ida Bagoes Ketut Diding, Artist on bali 1937 Signed with initials, dated and titled, bottom centre Black chalk on paper, 29 x 31 cm Literature: Ernst Braches en J.F. Heijbroek, W....

This contemporary figurative painting "Embrace your strengths" featuring a woman with long black hair wearing a dark blue blouse on a red background makes part of my series dedicate...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...

This modern painting, titled "Beauty Moment," illustrates a woman seated in an armchair, wrapped in a red bath towel, as she indulges in her morning beauty routine to prepare for a b...

This artwork makes part of my new period in my artistic expression. This painting dedicated to "Women" series is a special one since it is all about my strong deep personal transfor...

Oil on canvas 30 x 25 ⅛ inches; 762 x 638 mm Verso: after Sir Joshua Reynolds, a self-portrait Not signed Painted c. 1758 Collections: Philip Gell (1775–1842), Hopton Hall, Derbyshire; By inheritance at Hopton Hall to his daughter, Isabella, who married William Pole Thornhill, who renounced Hopton and its contents in favour of his kinsman, Henry Chandos-Pole-Gell (1829–1902); By descent to his son, Brigadier General Harry Chandos-Pole-Gell (1872–1934), who sold Hopton Hall in 1918 and moved the family to Newnham Hall, Northamptonshire; By descent to his son, Lt Colonel John Chandos-Pole (1909–1993), Newnham Hall; Thence by descent until 2015, when acquired By descent to 2015; Lowell Libson & Jonny Yarker Ltd. Literature: Algernon Graves and Walter V. Cronin, A History of the works of Sir Joshua Reynolds P.R.A., London, 1901, IV, p. 1394. David Manning...

Title: Woman Next To Window Medium: Oil on canvas Size: 11.5 x 7.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This p...