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March Avery Figurative Paintings

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Artist: March Avery
"Taking in the Nets" March Avery, 1967 Abstracted Sea Scape With Fishermen
"Taking in the Nets" March Avery, 1967 Abstracted Sea Scape With Fishermen

"Taking in the Nets" March Avery, 1967 Abstracted Sea Scape With Fishermen

By March Avery

Located in New York, NY

March Avery Taking in the Nets, 1967 Signed, titled and dated on the stretcher Oil on canvas 16 x 22 inches March Avery was born in New York in 1932 to painters Milton Avery and Sally Michel. Guided by her famous father, she began painting as a child—although as she would tell it, “I think I was painting in utero.” She had her first solo exhibition in 1963. Now in her late eighties, the artist continues to work six days a week in her lifelong neighborhood, Greenwich Village. Avery’s oil paintings, sketches, and watercolors carry forward certain stylistic characteristics of the family oeuvre, what art historian Robert Hobbs...

Category

1960s March Avery Figurative Paintings

Materials

Canvas, Oil

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Impressionistic Summer Landscape with Road Painted 1889
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World War II Invades Central Park

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Neighbors

Norman BarrNeighbors, 1939

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H 22 in W 26 in D 1 in

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Located in Los Angeles, CA

Neighbors, 1939, oil on canvas, signed and dated lower right, 22 x 26 inches Norman Barr was an American Scene painter and muralist known for his poignant depictions of working-clas...

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A Laborer Resting

Robert GilbertA Laborer Resting, 1930

$8,500

H 36 in W 30 in D 2 in

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By Robert Gilbert

Located in Los Angeles, CA

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Jim Rey b.1938. CA/CO artist. Oil on canvas, "Watching the Wild Ones" 24 x 36
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By Marcel Dyf

Located in Belgravia, London, London

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20th Century Impressionist March Avery Figurative Paintings

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Six O'Clock

Thomas CraigSix O'Clock

$12,500

H 20 in W 30 in D 2 in

Six O'Clock

Located in Los Angeles, CA

Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...

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Materials

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Located in Hallein, AT

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March Avery figurative paintings for sale on 1stDibs.

Find a wide variety of authentic March Avery figurative paintings available for sale on 1stDibs. You can also browse by medium to find art by March Avery in canvas, fabric, oil paint and more. Not every interior allows for large March Avery figurative paintings, so small editions measuring 27 inches across are available. Customers who are interested in this artist might also find the work of Ian Hornak, Robert Riggs, and Bernie Fuchs. March Avery figurative paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $40,000 and tops out at $40,000, while the average work can sell for $40,000.