Mario Russo Art

This exquisite lithograph by David Hockney (born 1937), titled Letter G, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

Peter Fischli / David Weiss Untitled (Airport Paris) 2008 Offset lithograph on three sheets Each sheet: 51 1/4 x 32 5/8 inches; 130 x 83 cm Edition of 100 Signed and numbered in ink ...

2012 Offset lithograph in colours on wove paper 80 x 60 cm Signed in black in by Tracey Emin Published by Turner Contemporary Accompanied by a gallery Certificate of Authenticity Tr...

"Champagne et Caviar" Print 40 x 35 inch Ed. of 50 by Gerard Marti Lithograph Not framed. Ships rolled in tube Signed and numbered by the artist. “Champagne et Caviar” is a striki...

Nan Goldin Lydia Lunch at the Russian Baths, 268 East 10th Street, 1985 poster, 2018 Offset lithograph poster (unsigned, unnumbered and unframed) 17 × 22 inches Published by The Kitchen in 2018, on the occasion of their Gala honoring Nan Goldin and Lydia Lunch Provenance Acquired from The Kitchen on the occasion of their 2018 Gala Also accompanied by Certificate of Guarantee from Alpha 137 Gallery Excerpt from The Kitchen description of this event: “During the late ‘80s and early ‘90s, icons Goldin and Lunch were vanguards of post-punk New York. Both women have presented their work at The Kitchen throughout the years, consistently returning to premiere new works that went on to exemplify their careers. Goldin’s portraiture of her close-knit circle of friends in New York became emblematic of her generation’s grappling with the social issues of the time, from the epidemic of drug addiction to the AIDS crisis. Lunch is revered as a radical progenitor of No Wave music, fronting the influential Teenage Jesus and the Jerks and collaborating with acts like JG Thirlwell, Birthday Party, and Sonic Youth. Lunch has a broad artistic practice, also working in film, visual art, writing, and spoken-word. Goldin and Lunch have also collaborated on numerous occasions. For instance, the cover of Lunch’s 1995 album Drowning In Limbo featured a portrait of her taken by Goldin. Lunch also posed for Goldin’s project for The Village Voice’s short-lived fashion insert Vue in 1985. Shot as part of an editorial called “Masculine/Feminine,” the image of a reclining Lunch at Russian baths in the East Village was ultimately not included in the final layout, and we were pleased to be present the image for the first time as a limited-edition print in support of The Kitchen. At The Kitchen in November 1980, Goldin presented slides as part of Dubbed in Glamour, a three-day event of “spectacle and extravagance” organized by Edit deAk that featured primarily women artists. Introduced by Cookie Mueller, who served as the master of ceremonies, these slides were an early version of Goldin’s landmark work The Ballad of Sexual Dependency, which continued to take shape during the next few years. The Bush Tetras, who performed at this year’s gala, also participated in Dubbed in Glamour. In 1994, Goldin returned to The Kitchen to premiere three slideshows for the first time in the United States as part of the winter lecture series curated by Ira Silverberg. The first slideshow developed from her 1992 award-winning book The Other Side, which lauded the drag queens she lived with and among in New York. During the ‘70s, when Goldin first moved to the city, the people she lived with became not just her subjects, but also her chosen family. The second slideshow was a series of intimate self-portraits. The evening concluded with a collection of Goldin’s images that traced her relationships to her close friends Alf Bold, Gilles Dusein, and Cookie Mueller and celebrated the joy of their lives and the pain of their deaths from AIDS. In 1985, Lunch first appeared at The Kitchen as part of the two-night screening series of experimental short films, Super 8 Motel. She and Richard Kern...

Jonathan Borofsky 2779494: The Olympic Runner Los Angeles 1984 Olympic Games (Hand Signed with Olympic Committee COA), 1982 Offset Lithograph on Parson'...

Keith Haring Against all Odds 1990 Four works from the Against All Odds, 20 Drawings series, 1990 Lithographs Ed of 500 28 x 24 in with frame 8 x 10 1...

2015 Colour offset lithograph on 250 gsm glossy wove paper 70 x 50 cm Edition of 500 Signed and dated in pen by Tracey Emin Published by Emin International Tracey Emin (born 1963) ...

This exquisite lithograph by Joan Hernandez Pijuan (1931–2005), titled Sin titulo (Untitled), from the album Ediciones Poligrafa, Barcelona - Redfern Gallery, London, originates from...

This lithograph is one of Tracey’s incredible intimate pieces that explores all elements of life where she puts herself into the artwork as part of her unique autobiographical style....

Al Hirschfeld A & E Biography 10th Anniversary, ca. 1994 Lithograph on Arches cover paper Signed and numbered 173/400 in graphite pencil on the front 19 × 15 inches Unframed This undated print was published on the occasion the 10th Anniversary of A & E's (the Arts & Entertainment network) acclaimed "Biography" documentary series. It is hand signed and numbered 173/400 by the legendary Al Hirschfeld. This lithograph depicts Marilyn Monroe, Muhammad Ali, Leonardo Da Vinci, New York's Governor Nelson Rockefeller, President Ronald Reagan, F. Scott Fitzgerald, General George C. Patton, Jacqueline Kennedy Onassis, Peter...

This first edition exhibition poster was created for David Hockney's Complete Prints show at Galerie Mikro in Berlin in 1968. It features the artwork Two Boys Aged 23 or 24 from the ...