Maurice Rouzée Figurative Paintings

"Blessed" Part of "Nude in Interior" series. Original work on colored paper, with pencil and blue ultramarine tempera on red colored paper, inspired by Matisse...

Marie Gardeski grew up in Grand Rapids, Michigan. She received her BFA from the Maryland Institute College of Art and her MFA from the Cranbrook Academy of Art, and currently lives i...

Signed lower right, 'Storer' for Inez May Storer (American, born 1933) and dated 1978. Inez Storer first studied at the San Francisco College for Women, the San Francisco Art Institute and the University of California at Berkeley. She later earned a bachelor's degree at Dominican College in San Rafael and, in 1971, a graduate degree in at California State University in San Francisco. From Inverness, California, north of San Francisco and working from a studio in Point Reyes, Inez Storer creates mixed-media narrative paintings, collages and assemblages in naive-sophisticated style, which she describes as Magic Realism: "I am a visual raconteur. I use paint to tell stories." Most of these stories are explorations of the human condition with characters who seem allegorically to be walking tightropes. She gets many ideas from her studio collection of old postcards, toys, photos and other random items that she often incorporates into her work. Inez Storer is also known for her prints and drawings. Storer was born in Los Angeles to German parents who left that country in 1933 to avoid Hitler. Her father got a job in Hollywood with Billy Wilder as an art director, and her mother was an actress and dancer. Inez spent much time as a child on movie sets. She was raised a Catholic as her parents wanted no one to know her mother was Jewish and uses Catholic imagery in her work. In 1974, she met Andrew Romanoff, a Russian artist who became her second husband. In this marriage, she became a part of Russian royalty because Andrew was the grand nephew of the Czar Nicholas II, Russia's last emperor...

This contemporary painting in ink, gouache and pencil on archival paper, is composed of solid shapes, botanical, animal and figurative shapes suggesting strong female characters. Av...

Honore Sharrer (1920 - 2009) Woman Listening Signed lower right Caseine on paper 15 x 20 inches Provenance: Forum Gallery, New York Private Collection ...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5. Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137. Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220. Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190. Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369. Executed sometime in the 1380s or 1390s by a close associate of the Master of the Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe. The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences. This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him. The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs. This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse. The Resurrection of Christ was one of the most significant late medieval panel...

Explorer is Ink and Watercolor Pencil on paper, 24x16 framed to 30x22 Krzysztof Pastuszka is a dynamic artist and graduate of School of Visual Arts. He currently lives in Brooklyn. ...

Hank Aaron, nicknamed "Hammer" or "Hammerin' Hank", was an American professional baseball right fielder who played 23 seasons in Major League Baseball, from 1954 through 1976, primarily with the Braves Organization. Hall of Fame Induction 1982 Ted Williams was an American professional baseball player and manager. He played his entire 19-year Major League Baseball career, primarily as a left fielder for the Boston Red Sox from 1939 to 1960; his career was interrupted by military service during World War II and the Korean War. Induction into The Hall of Fame 1972 Stanley Frank Musial, nicknamed Stan the Man, was an American baseball outfielder and first baseman. He spent 22 seasons in Major League Baseball, playing for the St. Louis Cardinals, from 1941 to 1944 and from 1946 to 1963. Hall of Fame Induction 1969 Willie Howard Mays Jr., nicknamed "The Say Hey Kid", is an American former professional baseball center fielder. He spent almost all of his 22-season Major League Baseball career playing for the New York/San Francisco Giants before finishing his career with the New York Mets Hall of Fame Induction 1979 Margie Lawrence...

Signed lower right, 'Storer' for Inez May Storer (American, born 1933) and dated 1979. Inez Storer first studied at the San Francisco College for Women, the San Francisco Art Institute and the University of California at Berkeley. She later earned a bachelor's degree at Dominican College in San Rafael and, in 1971, a graduate degree in at California State University in San Francisco. From Inverness...

Drawn from life this model is obviously at ease which has allowed Angela to present a relaxed and subtle figurative work. Her colors are warm and this is a beautiful, graceful piece....

Herbert Alphonso Dixon, AKA Rap, was an outfielder for the Negro Baseball League on several different teams for a total of sixteen seasons. He had the honor of being the first African American player to hit a home run at the famed Yankee Stadium in 1930. Lawrence has captured the ball player here in all his glory. The watercolor is floated in a cream shadowbox and framed in black measuring 34 x 15 inches. Margie Lawrence Rap Dixon...