Mauro Reggio Paintings

Manhattan Bridge 100 x 100 cm, framed 103 x 103 cm (frame is included in price) Oil paint on canvas Gineke Zikken likes to paint outside ' in the subject she shows in her works' . B...

Winter in the village. oil on canvas and cardboard, 34x45 cm Winter landscape with old barn Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National...

In this large-scale composition, Sophie Dumont continues her exploration of the abstract library as a metaphor for memory, time, and structured thought. The painting is organized aro...

Provenance Acquired by the gallery directly from the artist. Signed "Obermeyer" on lower right FRAMED: 20.375" x 32.25" x 1.5" UNFRAMED: 12" x 24" Artist Statement "Each year, La...

Incredible quality American school portrait painting. Oil on canvas. Framed. No signature found.

Mirrich (2019) is a vibrant mixed media work by Inés Silvalde, created with acrylic paint, relief paste, and marker on panel. Measuring 27 x 21 x 3 cm and presented in a natural wood...

A wonderful realistic portrait of the Penobscot, a mid-19th century coastal sidewheel steamer, rendered in Cameron’s hallmark marine portrait style - technically meticulous, historically informed, and visually serene. Executed with crisp linework and a soft, luminous palette, the ship is shown in profile navigating calm Atlantic waters under both steam and sail, her red paddle box emblazoned boldly with her name. Commissioned in 1843 by Menemon Sanford’s Steamship Line and constructed in New York, the Penobscot was a near twin to her sister ship, the Kennebec, but became especially prized for her seaworthiness. Measuring 228 feet in length with a 48-foot beam and twin 14-foot paddlewheels, she carried schooner rigging fore and aft, providing the added stability necessary for coastal and offshore passages. Initially assigned to the Maine coastal excursion routes, she would later be reassigned to the elite New York–Philadelphia line and eventually sold and renamed Norfolk for pre-Civil War service along the southern coast. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...

Henry Frederick Lucas Lucas British, (1848 1943) Thistle Oil on canvas, signed & dated (18)97, further inscribed & dated verso Image size: 13.5 inches x 17.5 inches Size including ...

Light shimmers across the river’s surface, casting fleeting patterns over smooth stones beneath. The gentle motion of the water contrasts with the quiet permanence of the riverbed, c...

Alejandro Rubio Valley Landscape, 2025 Oil on canvas 18 x 24 inches This one-of-a-kind oil painting on canvas is stretched across wooden stretcher bars.

An impressive, panoramic view of the River Stour looking towards Harwich and Felixstowe in Suffolk. It is very much a snapshot of times gone by with the hay barge loaded with hay. F...

British, 19th Century Signed: L. Clipston (Lower, Right) " Sunset in the Scottish Highlands ", circa 1880s Oil on Canvas Laid on Board 10 1/2" x 22 1/2" Housed in a 3" Period O...