Max Papart Wall Decorations

Desenho (Man Painting) - The painting shows someone who begins a drawing, looking on the paper with a pen in the hand. Álvaro Siza describes the very special moment of taking the decision to make a painting, facing the white paper. A reproduction of his situation, doing this series of paintings: not knowing what to do until the decision to draw was being made. Then the idea of mythology came to his mind. “It is, in some way, an expression of my personal moment making drawings. But it is not a self-portrait, I am quite different than this man. It is not a specific person on purpose, because everyone makes drawings. Maybe not everyone does it, but everyone could do it.” Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

Lèger, Fernand, (French, 1881-1955): "Composition aux Dominos" Lithograph. Lèger was a French painter, sculptor, and filmmaker and was considered a forerunner of Pop Art. This lithog...

Cavalo de Troia (The Trojan Horse) - The drawing is a representation of the wooden horse, developed by Odysseus, which the Greeks used during the Trojan War to enter the city of Troy. The Trojans pulled the horse into their city as a victory trophy, not knowing there was a selected force of men hiding inside, who came out after reaching the city. Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

This is a beautiful custom-framed lithograph by Hungarian-born French artist, Marcel Vertes, entitled "Circus Queens". The piece is signed, Vertes, in the lower right corner and numbered, "30/50" in the lower left corner. The image itself measures 23" high x 16" wide. The frame is a 2" thick 2 toned framed, black and a subtle cerused-like grey. It was originally sold through the Vincent Price...

Olle Bonnier (1925–2016) Color lithograph Abstract composition from 1957 with dynamic movement and contrasting color fields, characteristic of Bonnier’s experimental approach to pos...

Josef Albers from Formulation: Articulation, 1972. Silkscreen prints, Folio II / Folder 6 . Floated in 12 karat white gold gilt frame using all acid free archival materials. #176 of ...

Richard Anuszkiewicz (1930-2020) Inward Eye #10 from the Inward Eye Series, 1970. Pronounced it ah-noo-SHKEV-ich. Silkscreen 25 19/20 × 19 3/4 inches Edition of 100, #56/100. Acid f...

Pop Art screen-print on silver metallic board featuring graphic magenta, blue, orange bullseye targets. Signed Peter Gee 1967. Professionally framed in a white wood frame with glare ...

Vivid color and intricate design are the focal points of this aquatint colored etching print numbered 2 of 4. Signed I.P.I.

Yellow curled figure a silkscreen by Robert Mangold. Produced by Pace Editions, New York, 2002. Signed and Numbered 10/10 in pencil. Full sheet. 29 3/8" X 36" Framed using acid free ...

A very engaging and somewhat scarce work by the Bronx, NY-born controversial American artist Arnold Meches. This piece is one of his from his most recognizable works the chair series that he did in the 1950s/60s and perhaps a bit of a precursor to Andy Warhol's 1967 "Electric Chair" image albeit somewhat less provocative. Signed and dated (1969) in pencil by the artist in the lower right margin. Arnold Mesches...

Åke Arenhill (1920–2018) Color lithograph. Abstract composition with stylized cosmic figures and graphic forms in red, gold and black tones, characteristic of Arenhill’s poetic visu...