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Maxime Lalanne Art

French, 1827-1886
François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching of the port of Bordeaux in winter.
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Artist: Maxime Lalanne
Le Cours La Reine, from the series Rouen Illustré
Le Cours La Reine, from the series Rouen Illustré

Le Cours La Reine, from the series Rouen Illustré

By Maxime Lalanne

Located in Middletown, NY

Paris: A. Salmon, 1883. Etching with engraving on white laid paper, 6 1/8 x 9 3/4 inches (156 x 247 mm); sheet 9 1/4 x 12 1/2 inches (235 x 318 mm), full margins. In very good condi...

Category

Late 19th Century French School Maxime Lalanne Art

Materials

Laid Paper, Etching, Engraving

Château de Chaumont
Château de Chaumont

Château de Chaumont

By Maxime Lalanne

Located in Middletown, NY

Etching with drypoint on cream laid paper 4 x 6 1/2 inches (102 x 166 mm); sheet 5 1/8 x 7 5/8 inches (130 x 194 mm), full margins with a deckle edge. In good condition with light ye...

Category

Late 19th Century French School Maxime Lalanne Art

Materials

Laid Paper, Drypoint, Etching

Cusset
Cusset

Cusset

By Maxime Lalanne

Located in Middletown, NY

Paris: Cadart, c1860. Etching with engraving on Chine collé mounted to wove paper, 5 3/4 x 8 1/4 inches (141 x 210 mm); sheet 10 3/4 x 14 3/8 inches (273 x 365 mm), full margins. Ex-...

Category

Mid-19th Century French School Maxime Lalanne Art

Materials

Handmade Paper, Engraving, Etching

"Fribourg" original etching

"Fribourg" original etching

By Maxime Lalanne

Located in Henderson, NV

Medium: original etching. This impression on laid paper printed in 1868 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 4 5/8 x 7 1/4 inches (116 x 182 m...

Category

1860s Maxime Lalanne Art

Materials

Etching

La Charette
La Charette

La Charette

By Maxime Lalanne

Located in Middletown, NY

Etching with drypoint on white laid paper, 6 1/4 x 7 1/2 inches (160 x 190 mm); 10 x 13 1/2 inches (254 x 343 mm) full margins. In good condition with some minor scattered surface so...

Category

Mid-19th Century French School Maxime Lalanne Art

Materials

Handmade Paper, Engraving, Etching

Hollande
Hollande

Hollande

By Maxime Lalanne

Located in Middletown, NY

Paris: 1872. Etching with drypoint on cream laid Japon paper with deckle edges and a partial indiscernible watermark, 3 1/8 x 4 3/4 inches (80 x 120mm); sheet 6 1/8 x 9 1/4 inches (1...

Category

Mid-19th Century French School Maxime Lalanne Art

Materials

Handmade Paper, Engraving, Etching, Laid Paper

Le Bas-Meudon; Bords de la Seine
Le Bas-Meudon; Bords de la Seine

Le Bas-Meudon; Bords de la Seine

By Maxime Lalanne

Located in Middletown, NY

London: Seeley & Co., 1884. Etching with drypoint on cream wove paper, 6 1/4 x 9 1/4 inches (158 x 235 mm); 8 1/4 x 12 1/4 inches (210 x 311 mm), full margins with deckle edges....

Category

Late 19th Century French School Maxime Lalanne Art

Materials

Laid Paper, Drypoint, Etching

Une rue de Rouen
Une rue de Rouen

Une rue de Rouen

By Maxime Lalanne

Located in Middletown, NY

Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...

Category

Late 19th Century French School Maxime Lalanne Art

Materials

Laid Paper, Etching, Drypoint

The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne
The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne

The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne

By Maxime Lalanne

Located in Alamo, CA

This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...

Category

Late 19th Century Maxime Lalanne Art

Materials

Etching

Rouen
Rouen

Rouen

By Maxime Lalanne

Located in Middletown, NY

Paris: Seeley & Co, 1884. Etching with drypoint on cream wove paper, 6 1/4 x 9 1/4 inches (158 x 235 mm); 8 1/4 x 12 1/4 inches (210 x 311 mm), full margins. In very good condition....

Category

Late 19th Century French School Maxime Lalanne Art

Materials

Drypoint, Etching

Un Tir aux Bastions
Un Tir aux Bastions

Un Tir aux Bastions

By Maxime Lalanne

Located in Middletown, NY

Etching with drypoint on delicate Japon paper, 4 x 6 inches (101 x 152 mm); sheet 8 x 9 1/4 inches (204 x 235 mm), full margins. Likely a proof impression before the addition of the ...

Category

Mid-19th Century French School Maxime Lalanne Art

Materials

Handmade Paper, Engraving, Etching

Vue prise du port de Dive (Calvados)
Vue prise du port de Dive (Calvados)

Vue prise du port de Dive (Calvados)

By Maxime Lalanne

Located in Middletown, NY

Paris: c1870. Etching with drypoint cream laid paper with a GF watermark and a deckle edge, 6 x 9 1/2 (152 x 240 mm); sheet 12 1/4 x 18 1/4 inches (311 x 464 mm), full margins. Mino...

Category

Mid-19th Century French School Maxime Lalanne Art

Materials

Handmade Paper, Engraving, Etching, Laid Paper

Plage a Villers
Plage a Villers

Plage a Villers

By Maxime Lalanne

Located in Middletown, NY

Paris: c1870. Etching with drypoint on Chine collé mounted to watermarked Pur Fil wove paper 6 x 9 1/2 (152 x 240 mm); sheet 11 x 16 1/4 inches (280 x 414 mm), full margins. One-inc...

Category

Mid-19th Century French School Maxime Lalanne Art

Materials

Handmade Paper, Engraving, Etching

Animaux au Pâturage, from the series Rouen Illustré
Animaux au Pâturage, from the series Rouen Illustré

Animaux au Pâturage, from the series Rouen Illustré

By Maxime Lalanne

Located in Middletown, NY

Paris: A. Salmon, c1883. Etching with engraving on white laid paper, 6 1/8 x 9 3/4 inches (156 x 247 mm); sheet 9 1/4 x 12 1/2 inches (235 x 318 mm), full margins. In very good cond...

Category

Late 19th Century French School Maxime Lalanne Art

Materials

Etching, Laid Paper, Engraving

Paris, Vue Prise du Pont St Michel - Etching by Maxime Lalanne - 1870s

Paris, Vue Prise du Pont St Michel - Etching by Maxime Lalanne - 1870s

By Maxime Lalanne

Located in Roma, IT

Vue Prise du Pont St Michel is an artwork realized by Maxime Lalanne in the 1870s. Etching. Image size:22x29 Good conditions. Realized for the "Société des Aquafortistes. Born ...

Category

1870s Modern Maxime Lalanne Art

Materials

Etching

Traditional Village, Church of Essomes - Original etching
Traditional Village, Church of Essomes - Original etching

Traditional Village, Church of Essomes - Original etching

By Maxime Lalanne

Located in Paris, IDF

Maxime Lalanne (1827 - 1886) Traditional Village, Church of Essome Original etching Printed signature in the plate On vellum 32 x 48 cm (c. 13 x 19 in) Very good condition, minor d...

Category

Mid-19th Century Modern Maxime Lalanne Art

Materials

Etching

Cusset (Environs de Vichy) - Etching by Maxime Lalanne - 1864 ca.

Cusset (Environs de Vichy) - Etching by Maxime Lalanne - 1864 ca.

By Maxime Lalanne

Located in Roma, IT

Etching on laid paper Signed and dated in plate lower left: Maxime Lalanne 1864 Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société...

Category

1860s Modern Maxime Lalanne Art

Materials

Etching

Aux Environs de Paris - Etching by Maxime Lalanne - 1860s

Aux Environs de Paris - Etching by Maxime Lalanne - 1860s

By Maxime Lalanne

Located in Roma, IT

Aux Environs de Paris is a black and White etching realized by Maxime Lalanne in the 1860s.  Titled in the lower Image Size: 32x23 Very good impression. Realized for the "Société...

Category

1860s Modern Maxime Lalanne Art

Materials

Etching

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Four Figures and a Head, on Giant Phallus by Claes Oldenburg erotic nude scene
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The Doorway.
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The Doorway.

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Five Locations

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$4,000

H 39.5 in W 30 in

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Located in Berkeley, CA

Color spitbite aquatint with chine colle. Edition of 50

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21st Century and Contemporary Contemporary Maxime Lalanne Art

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Chas Laborde - Paris - Capucine's Boulevard - Original Etching
Chas Laborde - Paris - Capucine's Boulevard - Original Etching

Chas Laborde - Paris - Capucine's Boulevard - Original Etching

By Chas (Charles) Laborde

Located in Collonge Bellerive, Geneve, CH

Chas Laborde - Paris - Capucine's Boulevard - Original Etching Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris Chas LABORDE Charles Laborde was born in Buenos Aires on August 8, 1886. He was the youngest of the five sons of Adolphe-Sylvestre Laborde-Pinou, a Basque-Bearne millionaire who had made a fortune selling spirits to the Indians and luxury goods imported from France to wealthy Argentines. The family returned to France when Charles was six months old. His mother died when he was two. He spent his childhood at their family château d’Escout outside Oloron-Sainte-Marie in the Pyrenees. His brothers went to a boarding-school, his father was often in Paris on business, and little Charles was left to his devices. Though it was a lonely childhood, he was a darling of his generous and magnanimous father. Charles got his early drawing skills from a village artist and found support in his brother Jean-Felix. Charles frequently accompanied his father visiting artisans and helped him choose de luxe objects to be sold in Argentine. He first attended the Rollin college in Paris, then a lyceum in Pau, where he lived with full board and lodging after his father’s death in 1901. From childhood Charles wanted to be an artist and tried several pseudonyms for himself: Ch. Laborde, Carlos Laborde,Carlos Edrobal and Carl Lab. He started wearing a velvet suit and a large hat. At 17, the timid shortsighted teenager wearing big glasses was expelled from college for smoking and drinking alcohol and went to Paris into the custody of his elder brother Jean-Felix, who carried on his father’s business. Charles enrolled in the prestigious l’Académie Julian, studying under Henri Royer and Marcel Baschet. Simultaneously he was a pupil of William Bouguereau and Luc-Olivier Merson at l’École des Beaux-Arts. The latter was famous for being the designer of the 50 and 100 franc banknotes, and he believed that he was teaching a “little Daumier”. In England, where he went every year from 1905 to 1914 with the family of his friend Cooper, a classmate at l’Académie Julian, he found not only his pseudonym Chas (short for Charley), but also the land of his dreams. Peculiarities of London and its inhabitants were reflected in drawings of William Hogarth and Thomas Rowlandson, whose album The Microcosm of London (1808) prompted Charles to make his London Streets Scenes (1928). Owing to those trips Charles took a liking to the atmosphere of England and its reserved and terse humor. In 1905 the château d’Escout and the Buenos Aires Commercial Fund were sold. After coming into inheritance, Laborde became financially independent and obtained an atelier in Montmartre at 11 bis Rue des Saules. His neighbors were de la Butte, Francis Carco and Pierre Mac Orlan, who sympathized with the easy-going young man with a positive attitude to life. His friend Pierre Falke...

Category

1920s Modern Maxime Lalanne Art

Materials

Etching

Early Banana Peel Sunrise Print, Contemporary Etching, 2010s, Framing Available
Early Banana Peel Sunrise Print, Contemporary Etching, 2010s, Framing Available

Early Banana Peel Sunrise Print, Contemporary Etching, 2010s, Framing Available

By David Onri Anderson

Located in Columbus, OH

“I had been eating bananas every day for several years when I finally got the idea to start paying homage to this source of energy and inspiration in my life. I love how banana peels...

Category

2010s Contemporary Maxime Lalanne Art

Materials

Etching, Archival Ink

Previously Available Items
Traditional Village, Church of Essomes - Original etching
Traditional Village, Church of Essomes - Original etching

Traditional Village, Church of Essomes - Original etching

By Maxime Lalanne

Located in Paris, IDF

Maxime Lalanne (1827 - 1886) Traditional Village, Church of Essome Original etching Printed signature in the plate On vellum 32 x 48 cm (c. 13 x 19 in) Very good condition, light d...

Category

Mid-19th Century Modern Maxime Lalanne Art

Materials

Etching

Maxime Lalanne art for sale on 1stDibs.

Find a wide variety of authentic Maxime Lalanne art available for sale on 1stDibs. You can also browse by medium to find art by Maxime Lalanne in etching and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the modern style. Not every interior allows for large Maxime Lalanne art, so small editions measuring 7 inches across are available. Customers who are interested in this artist might also find the work of Charles Courtry, Pierre Quentin Chedel, and Eugene Corneau. Maxime Lalanne art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $150 and tops out at $460, while the average work can sell for $150.

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