Michael Pauker Interior Paintings

Artist: Elisabeth Hahn (German 1924-2021) Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studies ...

Flowers in Vase by Lucie River (French female artist b. 1910) titled and inscribed verso signed oil on canvas, unframed canvas: 26 x 32 inches inscribed verso provenance: private col...

"Damsel" is a work of art that immediately draws the viewer's attention to the glorious charm of the woman at its center. Adewale's portrayal of her low-cut hairstyle is a powerful statement that challenges conventional norms of beauty. With her hair styled so boldly, the subject exudes a sense of self-assuredness, breaking free from societal expectations and embracing her uniqueness. The woman's choice of a vibrant yellow dress further reinforces the celebration of feminine allure. Yellow, a color often associated with happiness and positivity, complements the woman's radiance, illuminating the canvas with her inner glow. This striking hue symbolizes her inner strength and vibrant spirit, echoing the confidence and dynamism that emanate from her presence. The blue background, in contrast, serves as a calming and harmonious setting, providing a perfect backdrop for the woman's portrayal. The serene blue not only accentuates her poise and elegance but also serves as a reflection of her depth and wisdom. It suggests that beneath her external charm lies a profound reservoir of inner grace and strength, making her all the more captivating and multidimensional as a subject. "Damsel" is more than just a beautiful portrait; it is a celebration of the richness and diversity of womanhood. Adewale's brushwork masterfully captures the subtle details of her facial features, highlighting the delicate contours of her lips and the gentle curves of her cheekbones. The artist's attention to detail emphasizes the individuality and uniqueness of the subject, celebrating the fact that each woman possesses her own distinct brand of charm and beauty. This artwork is not merely a passive representation but a self-conscious portraiture that actively engages the viewer. As we gaze upon the woman in "Damsel," we become participants in this celebration of femininity. Adewale invites us to appreciate and honor the beauty that exists within all women, encouraging us to recognize and celebrate the allure that each woman carries in her own unique way. In its essence, "Damsel" is a testament to the empowering nature of art. It breaks away from conventional stereotypes and standard definitions of beauty, presenting a woman who embraces her identity unapologetically. The artwork's appeal lies not only in its visual aesthetics but also in the powerful message it conveys to society, urging us to appreciate and cherish the diverse expressions of feminine charm. In conclusion, "Damsel" by Busari Adewale...

Floral painting. Flowers in a vase. Mortimer Borne, Printmaker, painter, sculptor, and educator was born in Rypin, Poland in 1902 and emigrated to the US in 1916. He studied at the National Academy of Design, The Art Students League, The Beaux-Arts Institute of Design, and with Charles Webster Hawthorne, founder of the Cape Cod School of Art in Provincetown. Painted in a thick impasto style similar in technique to Samuel Rothbort and David Burliuk. Borne himself taught at The New School for Social Research in New York City from 1945-1967. From the 1920s through the 40s he was a prolific producer of New York City cityscapes and genre scenes. In later decades, he adopted a more modernist style apparently influenced by Picasso, producing color drypoints of abstracted figures. His works were widely exhibited in museums in the U.S. and abroad from 1931 and later, including the Art Institute of Chicago, the American Institute of Graphic Arts, Museum of Modern Art, Metropolitan Museum of Art, Corcoran Gallery of Art, New York Public Library, Carnegie Institute, and Royal Society of Painters, Etchers and Engravers in London. He taught at The New School for Social Research in New York City from 1945-1967, and at the Tappan...

Green Room (2022), oil painting on canvas, earth tones, interiors, greenhouse, windows, human figure, potted plants, wooden floor "Green Room" by Delilah Ray Miske...

Still Life by Christian Duriaud (French b. 1943) signed and dated, oil on canvas inscribed verso canvas: 20 x 24 inches provenance: private collection, France condition: very good ...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Original painting on canvas. Hand signed on front by Ferjo. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers wil...

Sylvia van Opstall Train Blue Revisted 90 x 90 cm Framing is possible Additional pictures of the painting will be placed soon. The artist Sylvia van Opstall comes from all kinds o...

Oil on canvas. Signed Aress. Oil mesures 33x24 cm. Frame mesures 48x39 cm.

“Morning Light” epitomizes the abundance of Spring with its bustling bouquet of white lilies, yellow roses, and a sliced open, ready to be eaten pink grapefruit. Despite the levity of the scene, Lucas has challenged herself with space, making a clear contrast between subject and background. She is consciously rejecting the “ironed on” effect of a subject onto a canvas, a trap to which lesser artists might succumb. Artist Bio Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also received instruction and support from wonderful and generous members of the East End artistic community. Working exclusively in oils, Lucas sets out almost daily to create plein aire landscapes and seascapes. In her studio, she works directly from life and captures the beauty of natural light as it transforms ordinary objects into visual delights. Lucas wants her work to celebrate all that is well with this world and brilliant in this life, despite its pockets of darkness. For me, she says, I know I am in the Presence of something beautiful, when it steals my breath, silences my mind, pushes out everything else and draws me in. I trust That. I use That to guide my hands as I arrange a still life or scan a landscape to determine where to set down my easel. Ultimately, That is what drives me to paint. Becoming evermore skilled as an oil painter is another of Lucas goals. To that end she remains teachable, finding it refreshing and vital for her own growth to paint with others. She has studied with favorite artists including Michael Klein...

This original cubist artwork by Borja Guijarro conveys a composition of still life elements described as geometric forms and arranged in a way that mixes perspectives in a interestin...