MILOS GRASS Abstract Paintings

Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a thin Blond wood frame, glass. Philip Wittmann work is based on signs. Sign...

This is a unique work on paper made in 2018 measuring 20 x 25 inches from my ongoing "mound" series. This "Purple Orb" has a "companion" work ,made at the same time, the same size an...

Modern Art, Portrait Painting, Mixed Media Portrait Art-Lost Between The Lines ABOUT THIS PIECE: “Lost Between the Lines, (Behtyie-A13)” is mixed media portrait art by Addison Jones...

Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a aluminum silver frame, glass. Philip Wittmann work is based on signs. Sign...

Ink, gouache and acrylic on Canson Paper . Unique piece signed by the artist. Christophe GALUD was born and live in Paris. His father is an artistic director in a large advertising ...

Black and White Cowboy Painting, Portrait Painting, Modern Art-Cowboy Blues A B O U T T H I S P I E C E : "Cowboy Blues" is modern portrait art by Addiso...

Ink, gouache and acrylic on Canson Paper . Unique piece signed by the artist. Christophe GALUD was born and live in Paris. His father is an artistic director in a large advertising ...

Ink, gouache and acrylic on Canson Paper . Unique piece signed by the artist. Christophe GALUD was born and live in Paris. His father is an artistic director in a large advertising ...

Ink, gouache and acrylic on Canson Paper . Unique piece signed by the artist. Christophe GALUD was born and live in Paris. His father is an artistic director in a large advertising ...

Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a aluminum silver frame, glass. Philip Wittmann work is based on signs. Sign...

Acrylic, ink, and collage on Yupo mounted on museum board. Framed. Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in ...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...