Mitchell Funk Photography

A dramatic depiction of the classic vistas is a hallmark of Mithcell Funk's style. signature: Signed and dated lower right and verso Unframed, 3/15 edition

Brooklyn Bridge and Old Man was done in 1969 decades before digital. the Artist uses exactor razor blades to scratch out color gel and then assembles them all together on a 35mm sli...

Taos Mission, New Mexico San Francisco de Asis in Negative Color - The work is Signed dated and numbered lower right, 2/15, Printed Later, and Unframed Printed on Hahnemühle Fine ...

Signed and dated lower right, numbered on verso, 3/10, other sizes available, not framed, Ink Jet Archival Print

Historically , newsstand magazines have used a standard set of practices when it came to choosing their cover image. Their goal was to use an image that people could instantly relate to. The idea being, if an image pops off the page it will attract more attention and then generate more newsstand sales. For editors, choosing a cover was first a marketing decision and then an aesthetic one. That is why most magazine covers and (that includes art magazines) pretty much looked the same. They used familiar images, mostly of celebrities, beauty people or news items of that would beckon and aggressively reach out to the prospect. In this Modern Photography Cover of August 1983, they chose a radical departure. They used an image that was the opposite of the norm. Mitchell Funk’s Graphic Surreal Landscape breaks the rules of formula magazine cover art...

Surreal LandScape with Four Pyramids Cover Popular Photography Magazine, November, 1977 Mitchell Funk is a pioneer of Sci-Fi photography. He did wo...

Architecture becomes spiritual. Late afternoon golden light bounces back at the viewer and transforms a building into something more than a building. Signature: Signed and dated on ...

Can a photograph capture spirituality? Can a photography in itself be spiritual? The pure essence of spiritual energy transforms a Manhattan skyscraper into a 50 story deity of glowi...

Delicious ice-cold, Coca-Cola. Have a Coke and a Smile. Signature: Signed , dated lower right and numbered verso 2 /10, Unframed, Other sizes available. This work is printed on fi...

Purple Street Performer Shot in San Francisco. Signature: Signed , dated lower right and numbered verso 4 /15, Unframed, Other sizes available.

Blue Bus. Red Hat. It's a portrait but is more about the interaction of primary colors, shape and precise composition. Signed, dated lower right and numbere...

Shipping should be around $100. New York Skyline in Blue Signed and dated on lower right, numbered LR Recto, Edition 3 of 15, Printed later. Unframed, other sizes available. Mitchel...

Legs on Fifth Avenue. Signed and dated on lower right, numbered on verso, Edition 4 of 15, Printed later. Unframed, other size available.

Fashion Hat in Paris. Style above it all. A graphic statement in red, black and green Signed and dated on lower right, numbered on verso, Edition 2 of 15, Printed later. Unframe...

Mother and Child Abstract Signature: Signed , dated lower right and numbered verso 3 /15, Unframed, Other sizes available.

Signature: Signed, dated lower , numbered right 2 /15, Unframed, Other sizes available.printed later, Printed on Hahnemühle Fine Art paper Mitchell Funk is a pioneer of " Color P...

Admiral House, San Francisco Signature: Signed , dated lower right and numbered verso 2 /15, Unframed, Other sizes available.

Sentinel Building is a distinctive copper-green Flatiron style structure is bounded by Columbus Avenue, Kearny Street is shown like never before Signed , dated lower right and n...

Manhattan: Gold and Blue Reflections, Shot from Jersey, Manhattan monoliths are transformed into gleaming and beautiful abstract patters of blue an...

East Hampton Fences. Fields being farmed are interpreted as a color field painting by Mitchell Funk. Signature: signed and dated lower right, ...

Jelly Bean Man, San Francisco charms us with bight tasty color and creativity - Signature: Signed , dated lower right and numbered verso 2 /15, Unframed,...

Signature: signed and dated on lower right, numbered on verso 2/15, , Unframed Dashes of cool greys and accents of blues and magenta vibrate subtly across the picture surface ...

Signature: signed dated lower right signed dated and numbered verso 2 /15 Powerful and unexpected graphic shows that street photography does not have to be gritty or about social is...

Mitchell Funk has been shooting the WTC as it was being built in 1970. Here is his latest artistic interpretation of the famous site, Signature: Signed , dated lower right and numb...

Shipping should be around $100 Signature: Signed , dated lower right numbered verso LR Recto 2 /15, Unframed, Other sizes available. New York City blizzards collaborates with the p...

Mitchell Funk's hand held pre-dawn New York street scene evokes a simultaneous state of beauty of unexpectedness. This is a straight shot. He used a Nikon D5 and 400mm while he was w...

Umbrellas in New York Rain. Bold and beautiful graphic patter in New York's street environment is isolated from a high vantage point and capture by an 800mm lens Signed and dated o...

White Ducks in Prism of Color is an early work where a creative color effect is used to express the evocative nature of a picturesque nature scene Signed and dated on lower right, ...

This is a straight shot. The two figures wrapped in colorful garb and corresponding colorful canines were not posed. The subjects are romping around in the snow and are captured in m...

New York Street in Snow Storm. A normally common street scene is elevated into moody and impressionistic artistic statement. Signed dated lower right signed dated and number...

Color Photography Pioneer Mitchell Funk, innovates color photography style in 1975. Using a polarizing filter and stopping down to F22 on depth of field, Funk creates a simplifie...

A heavy snow fall creating a fantasy world of shape in Manhattan. Single Yellow Taxi with lights on creates a counter point to the whites and soft grays ...

Haight-Ashbury in full bloom. I single Hippie like figure is framed perfectly in the doorway to give this beautiful urban graphic scale. Signed and dated on lower right, numbered ...

Multiple Exposure Zoom with Female Profile, This work is as fresh and contemporary looking today as it was radically innovative when it was done in 1970 Signed and dated on lower ri...

Shot in Washington Square Park, a magical moment of kids in bright colored coats are caught. It's results in not just a poignant moment but a marvelously balanced abstract pattern

A festive crowd exploits a rare snow fall in New York. Colorful people fill the picture in an "All-over" composition as if it were an energenic Jackson Pollock drip and splash pai...

A magical Manhattan moment is captured with divergent light sources and supernatural color. A singular figure, front and center walks among the colorful cars. Chromogenic archiva...

A movie is being shot on the streets of New York. High power "Klieg Light " blow out the background while street light act as fill. The rain pours down ...

Rain seems to take on a life of it's own when captured at the right angle and with the right lens and with the right photographer. A seemingly perfect balance is struck with all ele...

Striking red fills the sky over Louse Point, The photographer flashed the foreground boats for added dramatic effect. Signed and dated on lower right, numbered on verso 2/15, Printe...

Done in 1970 during the psychedelic era, Mitchell Funk zooms a sleeping girl in Central Park. There a perfect balance between the zoom of colors emanating from her head and the as...

Large horizontal areas of aquamarine blue at juxtaposed with magenta and yellow create a dynamic and lively pictorial surface for a San Francisco facade signed and dated on lower r...

Graphic bold colors and tourist silhouettes make for an exciting and powerful urban visual . Signed and dated lower right, 2/15 unframed, other size available

Heavy snow creates a shadowless scene which allows blue and red umbrellas to pop out from a subdued background. Funk captures a magic moment of perfect spacial and color harmony. ...

Uncanny red shape contrasts with soft blues. Signed and dated on lower right, numbered on verso, 2/15 Printed later, other size available, unframed

Beautiful blues and magentas frame and formal white tuxedo with a faceless head. Signed and dated on lower right, numbered on verso, 3/15 Printed later, other size available, unframe...

Signed and dated on lower right, numbered on verso, 2/15, other size available, printed later, unframed Printed on Hahnemühle Fine Art paper

Signed and dated on lower right, numbered on verso, 2/15 Printed later, other size available, unframed, Printed on Hahnemühle Fine Art paper

Signed and dated on lower right, numbered on verso, Edition 4 of 15 Unframed. Printed later, Other size available

Signed and dated on lower right, numbered on verso, 4/15, other size available, unframed Printed on Hahnemühle Fine Art paper

Mitchell Funk is a very early pioneer of color photography. In this striking image, he is using negative color to give an simultaneous beautiful yet eerie effect . Remarkably, Centra...

Signed and dated on lower right, numbered on verso, unframed. Other sizes available, other sizes available Printed on Hahnemühle Fine Art paper

Signed and dated on lower right, numbered on verso 2/15 , unframed. Other sizes available, other sizes available , printed later, Printed on Hahnemühle Fine Art paper

Signed and dated on lower right, numbered on verso, unframed. Other sizes available,, other sizes available

Signed and dated on lower right, numbered on verso, unframed. Other sizes available, printed later, other sizes available

Sensitive caught moment of an introspective child a passing bus on a New York City street.

Signed and dated on lower right, numbered on verso, Edition 2 of 15, . Unframed , Other sizes available

Signed and dated on lower right, numbered on verso, Edition 2 of 15, Printed later. Unframed , Other sizes available Printed on Hahnemühle Fine Art paper

Signed and dated on lower right, numbered on verso, Edition 2 of 15, Unframed

2/15 Signed and dated on lower right, numbered on verso, unframed. Other sizes available