Morris Shulman Art

Oil painting on panel by artist P. Fragiacomo, dating from the 1910s. The work, titled "Sail," depicts a small sailboat in the middle of the sea with a figure on board seen from behi...

Celadon Sea Gyre is part of C. Ellen Hart’s The Bayou Reflections Series which investigates reflections on my local waterways. An arm of White Oak Bayou meanders across the foot o...

HOLY SPLIT II 2026 Paris, France HOLY SPLIT II is an ethereal mixed medium painting on canvas depicting a surreal dreamlike rift in a serene landscape. Abstract fuchsia forms sugges...

Carlo Pollonera (1849-1923) 'Dolomites at Santa Cristina' ‍ Oil on cardboard 48.5 x 69 cm Signed and dated lower left 1921 1920's landscape painting of the Dolomite Mountains in It...

Frameless

This painting is illustrated in the Catalogue of the 1945 Encyclopedia Britannica Collection of Contemporary American Painting, p.84. Written and edited by Grace Pagano. "Painting ...

Provenance: The Artist. Menikoff collection (friends of the artist) About this artist: Born in Little Italy in 1907, Gregorio Prestopino first set out to become a sign painter as the son of New York City immigrants. Instead, his talent provided a life-changing scholarship to the National Academy of Design, and for five years he studied drawing under C. W. Hawthorne. He spent the summer of 1934 at the MacDowell Colony in Peterborough, New Hampshire. His deep involvement with the colony led him to later serve as its director in 1954. Much of Prestopino’s work was in the vein of social realism. During the 1940s and 1950s he became deeply invested in portraying everyday Manhattan and Harlem scenes. He first became interested in the Ashcan school at the National Academy of Design, and remained committed to an interest in working with urban scenes. His lively treatment of people and events revealed his affinity for sixteenth-century artist Pieter Breughel. Later in his career, he focused on producing images of nudes and picturesque New Hampshire landscapes, and investigated the relationship between color and form. Prestopino exhibited at several biennials at the Corcoran Gallery, at the Art Institute of Chicago, the Museum of Modern Art. His work was frequently shown at the Pennsylvania Academy of Fine Arts, where he was awarded the Temple Gold Medal in 1946 and an additional prize in 1952. He was awarded a National Institute of Arts and Letter Grant in 1961, and in 1972 the National Academy of Design awarded him the Altman Figure Painting Award. Prestopino’s artistic cache skyrocketed when Life magazine published his images from New York’s maximum security institution Green Haven as part of its “Prison Series” in 1957. That same year his paintings and sketches of urban life were featured in the short film Harlem Wednesday. Directed by John and Faith Hubley...

"London," an original oil on canvas by Denis Paul Noyer, is a piece for the true collector. Noyer's capture of the architectural details of the surrounding buildings projects from th...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, titled and inventoried verso. 43.25 x 47.25 in. 44.75 x 48.5 in. (framed...

Summer Resort in Michigan is an exceptional work painted by the Chicago Modernist, William Schwartz. He studied at the Art Institute of Chicago shortly ...

A fantastic early painting from Kahn’s iconic barn series depicting Dr. Middleton’s property in West Brattleboro, VT. Here, Kahn turns a familiar rural motif into something hovering ...

Oil, casein & ink on panel Paul Lorenz is an American artist born in 1961 who lives & works in Buckeye, AZ, USA. With an education in Bauhaus architecture, fine art, and music compo...