Natalia Roman Interior Paintings

"Domicile I" Abstract Oil Painting 28" x 39" in (1966) by Zaccaria Zeini Medium: oil on canvas Signed and dated Comes in old original frame Zaccaria El Zeini (1932 - 1993) was ra...

Colourful Cubist Abstract, Signed Original Oil Painting By French artist Iris Leger, Mid 20th Century Signed and dated '70 by the artist on the lower right hand corner Oil painting o...

White Orchid by René GUINAND (French, 1892-1983), signed oil on canvas, in a wooden frame Framed: 33 x 25 inches Canvas : 32 x 24 inches Inscribed verso Provenance: private collectio...

Cubist Abstract Construction French School, Mid 20th Century Oil painting on paper, laid on a board, unframed Board size: 28.5 x 23.5 inches Expressionist mid 20th French oil painti...

Cubist Still Life European School, mid 20th century oil painting on board, unframed painting: 18 x 11 inches condition: very good provenance: private collection, Cotswolds, England

Summer seascape at sunset. The bright colors of the day are replaced by gentle ones. The damp smell of the sea mixes with the smell of plants and flowers. The work is done with acrylic on paper. 11x16 inches (30x42 cm.) The product will be well-packaged and protected from moisture and damage when sent by mail. I appreciate your interest in my painting. Artist Liudmila Shabazova.

Framed Pegsdon by Tim Woodcock-Jones [2019] Signed by the artist Oil on canvas Image size: H:91 cm x W:122 cm x D:2cm Frame Size: H:99 cm x W:130 cm x D:4cm Please note that insitu i...

Susan Washington seamlessly blends modern textiles, delicate threads, and captivating vintage pattern paper to create her mesmerizing mixed-media, abstract collage works. Through her masterful technique, she produces surfaces that are richly layered with textures and adorned with expressive line work, resulting in artworks that are both visually stimulating and aesthetically satisfying. Drawing inspiration from the early Synthetic Cubists, Abstract Expressionists, and the esteemed St. Ives School of Painters, she pushes the boundaries of her craft, forging a distinct artistic path that is both innovative and thought-provoking. This one-of-a-kind 48-inch tall by 36-inch wide oil artwork on canvas is wired and ready to hang. It bears the artist's signature on the front and back and comes with a certificate of authenticity from the art gallery. Free delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for US and international art collectors. Hailing from the vibrant artistic hub of Brooklyn, Susan Washington was raised in a creative family that fostered her innate talent from a young age. At the tender age of seven, her Japanese godmother imparted to her the ancient art of sumi ink painting, igniting a lifelong passion for art and fashion. With a solid foundation rooted in both disciplines, Washington honed her skills within the bustling fashion industry of New York City for over 15 years before finding her home in the serene Pocono Mountains. “My recent work continues the exploration of shapes that originate in tailoring pattern pieces,” says Washington. “My works over time have become more structural in their compositions. I utilize textile cutouts that have been previously sewn and/or painted. I allow threads and frayed edges to act as ‘painterly’ gestures within a loose grid of contrasting shapes that jostle for position across the canvas. I enjoy the tensions where shapes meet and create negative space or where color overlaps and interacts.” Washington's modernist approach to Cubist-inspired artworks has gained international recognition for asymmetrical geometric elements that combine to form a complex, layered composition. Her artworks have been exhibited and collected internationally, including in New York, Los Angeles, and Shanghai. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2024 Affordable Art Fair, NYC 2017-23 Artspace Warehouse, Los Angeles, CA 2021 Boom! Nitro Gallery Art She Says Solo Exhibition Affordable Art Fair Muriel Guepin 414 Light Exhibition Spring Exhibit at Muriel Guepin Gallery NYC 2019 SOFA CHICAGO with Inspired Interiors Affordable Art Fair NYC Market Art & Design Hamptons NY White Room Gallery All The Pieces 2018 Banana Factory Arts Center Bethlehem, PA Lachaise Gallery at Cedar Crest University Connexions Gallery Easton, PA Brick & Mortar Gallery Easton, PA 2017 Affordable Art Fair New York, NY 2016 Cherry Bomb...

Hydrangea Garden – Original Oil Painting on Stretched Canvas Impasto Technique Palette Knife Floral Cottage Landscape Step into a scene of timeless serenity with “Hydrangea Garden...

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

In this artwork, I've poured my soul into capturing the essence of a rustic Italian landscape, where the vibrant poppy fields dance under the sun's warm embrace. The path meanders, i...

The painting was painted in the Favism style, using traditional contrasts: red and green.At the same time, the work is also genre-specific. ...