Nnamdi Okonkwo Sculptures

Dana Younger's (US based) "Coral Skull" is an original, handmade sculpture that depicts yellow, blue, and red coral emerging from a human skull. About t...

Medium: Carved wood figure with white lacquer finish, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and...

Fandango, by Rodger Jacobsen, figurative, bronze, sculpture, steel, pedestal Rodger Jacobsen’s sculpture is at once inspiring, amusing, and quite frankly, amazing. Inspiring, in the...

Waiting For His Lover, Paul Moore bronze sculpture, Native American Flute Outdoor or indoor life size bronze sculpture Paul Moore WAITING FOR HIS L...

This 20.47" x 9.44" x 10.62" bronze sculpture by Armenian artist, Arman Hambardzumyan, was created in 2013 and depicts the tragedy of the Greek goddess Danae. The artist's interpretation of this classical Greek myth, where an oracle foretold Danae would bear a son who would kill her father, and in an attempt to evade this, Acrisius, her father, imprisoned her. The king of Gods - Zeus, desired Danae and came to her in the form of golden rain. The oracle came true, Danae conceived a son, Perseus, who killed Acrisius by accident. The expressive love between Danae and Zeus is imitated by the naked body of a woman and a golden shower on her body. "The image of a woman always inspires me in both physical and spiritual beauty. In this sculpture, I tried to express the image of a woman with her soul, which has no smell, taste and is not tangible. The contour of the beautiful shimmering body of a woman allows you to feel the presence of the female soul inside."--ArmanH Arman is an Armenian artist represented in several major collections around the world including the Terra Garden in Kikinda (Serbia), Contemporary Hall of the National Museum of Fine Arts (Chisinau, Republic of Moldova), Boyajyan Center for the Arts (Prague, Czech Republic), and at private collections in Europe, Asia and in the USA. This work was exhibited in 2015 in 2015 Myths, Folk Art Museum after Hovhannes Sharambeyan. Yerevan, Armenia. Exhibit coordinator: Armine Beglaryan; and at the Art Expo, New York, April 21-24, 2017, organized by Redwood Art...

Figure posed like a crescent moon

This 24.01" x 15.74" bronze table top sculpture by artist Arman Hambardzumyan was created in 2013 and features an abstract nude female form. The figure is seated with crossed legs, the torso is curved upward opening into a corset form with outstretched arms. "The image of a woman always inspires me in both physical and spiritual beauty. In this sculpture, I tried to express the image of a woman with her soul, which has no smell, taste and is not tangible. The contour of the beautiful shimmering body of a woman allows you to feel the presence of the female soul inside."--ArmanH Arman is an Armenian artist represented in several major collections around the world including the Terra Garden in Kikinda (Serbia), Contemporary Hall of the National Museum of Fine Arts (Chisinau, Republic of Moldova), Boyajyan Center for the Arts (Prague, Czech Republic), and at private collections in Europe, Asia and in the USA. This work was exhibited in 2015 in 2015 Myths, Folk Art Museum after Hovhannes Sharambeyan. Yerevan, Armenia. Exhibit coordinator: Armine Beglaryan; and at the Art Expo, New York, April 21-24, 2017, organized by Redwood Art...

Bronze 1/3 black patina or gold leaf Korten steel base leaving sculpture on wheels, water jet engraving QR coded cartridge. Born in 1960 in a family of artists collecting the br...

One World One Love - Standby your loved one in the journey of life, you won’t be alone. "In these pieces, I wanted to use profusely my language based on my iconic objects: maps, wo...

Bone China emerged as a reflection on the relationship between synthetic and organic aesthetic properties. By fusing the two, Ramsay has attempted to create...

Figurative sculpture of a woman standing like Leonardo da Vinci's "Vitruvian Man". Edition of 21

Original bronze sculpture by artist Andrea Wilkinson. Edition 2/50.