Norman Rockwell Art

Cousin Reginald in Cut Out by Norman Rockwell, (1894 - 1978) Date: 1983 Medium: Poster, numbered and titled in pencil Edition: 2500 Size: 29 in. x 25.5 in. (73.66 cm x 64.77 cm)

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Collotype in colors on paper. Unsigned. Published in 1972. Copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Hand signed and numbered by the artist. From Tom Sawyer Portfolio. Sheet size 25.5 x 19.5 inches. Image size approx 17 x 13 inches. Frame size approx 28 x 24 inches. AP edition. ...

The Cold by Norman Rockwell, (1894 - 1978) Date: circa 1970 Medium: Poster Size: 12 in. x 12 in. (30.48 cm x 30.48 cm)

Biography (Self Portait) by Norman Rockwell, (1894 - 1978) Date: 1972 Medium: Poster Size: 30 in. x 24 in. (76.2 cm x 60.96 cm)

Medium: Oil on Canvas Signature: Signed Lower Right Literature: Laurie Norton Moffatt, Norman Rockwell: A Definitive Catalogue, Norman Rockwell Museum at Stockbridge, Stockbridge, M...

Hand signed and numbered by the artist. From Tom Sawyer Portfolio. Sheet size 25.5 x 19.5 inches. Image size approx 17 x 13 inches. Frame size approx 30 x 26 inches. From the editi...

From the 'American Family' portfolio. Hand signed and numbered by the artist. Lithograph on arches paper. Printed by Atelier Mourlot, Paris. Published by Raymond & Raymond, Inc....

Set of eight Norman Rockwell lithographs signed and numbered. Frames are in pretty good shape some minor scratches. There are small drills holes on...

Medium: Oil on Canvas Dimensions: 28.00" x 20.00" Signature: Signed and Dated Upper Right The End of the Road "Don't tell me you're my sister, you plu...

Norman Rockwell "The Tattoo Artist" Signed Print. In good condition. Measures 36x30

Study for the Cover illustration for The Saturday Evening Post, June 30th, 1934 LITERATURE: C.D.B. Bryan, Mort Walker and the Art of Illustration, Architectural Digest, July 1988, ...

Norman Rockwell (American, 1894–1978) Signed recto Norman Rockwell remains one of the most celebrated illustrators of the twentieth century, renowned for his ability to translate na...

Thanksgiving by Norman Rockwell, (1894 - 1978) Date: circa 1972 Medium: Poster Size: 31 in. x 22 in. (78.74 cm x 55.88 cm)

Artist: Norman Rockwell Title: Willie Takes a Step Year: 1971 Dimensions: 18 x 24 Inches. Framed Approx.: 24 x 30 Inches. Edition: 69/200 Medium: Lithograph Condition: Excellent Sig...

Norman Rockwell (American, 1894–1978) Signed recto Norman Rockwell remains one of the most celebrated illustrators of the twentieth century, renowned for his ability to translate na...

Moving In by Norman Rockwell, (1894 - 1978) Date: 1967 Medium: Poster Size: 19.5 x 27 in. (49.53 x 68.58 cm) Publisher: American Vision Gallery, Inc.

Norman Rockwell (American, 1894–1978) Signed recto Norman Rockwell remains one of the most celebrated illustrators of the twentieth century, renowned for his ability to translate na...

Snowman by Norman Rockwell, (1894 - 1978) Date: of original 1950 Medium: Lithograph, Facsimile Signed Edition: 401/900 Size: 24.5 in. x 18.5 in. (62.23 cm x 46.99 cm)

Norman Rockwell (American, 1894–1978) Signed recto Norman Rockwell remains one of the most celebrated illustrators of the twentieth century, renowned for his ability to translate na...

Artist: Norman Rockwell Title: Fidos House Year: 1973 Dimensions: 26 x 20 Edition: 165/200 Medium: Lithograph Condition: Very Good , please reveiew all pictures Signature Details: Ha...

Norman Rockwell Dreams of Long Ago, 1976 Lithograph Hand signed lower right Edition 18 / 200 Image size 68 x 51 cm Sheet size 85 x 60 cm Dreams of Long Ago/Cowboy with Gramophone...

Norman Rockwell is an American artist and illustrator who is best known for his Saturday Evening Post cover illustrations. This original vintage poster was created from an oil painti...

Norman Rockwell (American, 1894–1978) Signed recto Norman Rockwell remains one of the most celebrated illustrators of the twentieth century, renowned for his ability to translate na...

Norman Rockwell, American (1894 - 1978) - Mistletoe, Year: circa 1975, Medium: Lithograph, signed in the plate, Image Size: 10 x 9 inches, Size: 13 x 10 in. (33.02 x 25.4 cm)

This is a NORMAN ROCKWELL GILDING THE EAGLE Signed & Numbered 122/200. In good condition measures 35x30

Norman Rockwell is a renowned American artist and illustrator who is best known for his Saturday Evening Post cover illustrations. This original vintage poster was created from an oi...

Norman Rockwell Artist's Daughter Encore Edition prints, approved by Norman Rockwell Numbered AP lower left with blindstamp. Gold embossed signature lower right Image size: 68.5 x 5...

"Jim Got Down on His Knees" is a lithograph on paper by Norman Rockwell from his 1972 Huckleberry Finn suite, printed by Atelier Mourlot, Paris. The image size is 18 x 14 inches and ...

"My Hands Shook" is a lithograph on paper by Norman Rockwell from his 1972 Huckleberry Finn suite, printed by Atelier Mourlot, Paris. The image size is 18 x 14 inches and the framed ...

Over the course of his long and prolific career, Norman Rockwell executed over 300 cover illustrations for The Saturday Evening Post. In addition to these beloved commissions, Rockwe...

Norman Rockwell Summer Stock (Actress Putting on Make Up), 1974 Hang signed lower right Edition A/P Image size 52 x 40 cm Sheet size 67.5 x 53.5 cm It was created for the Cover il...

Hand signed and numbered by the artist. From Tom Sawyer Portfolio. Sheet size 25.5 x 19.5 inches. Image size approx 17 x 13 inches. Frame size approx 30 x 26 inches. From the editi...

Lithograph on paper from the American Family Folio. Hand signed lower right by Norman Rockwell. Hand numbered 73/200 lower left. Image size: 26 x 20 inches. Frame size: 33 x 27 i...

Study for Satruday Evening Post Cover, Fabruary 16, 1929

Signed and Inscribed to lower right 'To Hugh White from Norman Rockwell'.

Offered at an exceptional price, this piece is in excellent condition and will ship rolled. Edition number 135 / 200. There are 200 pieces in the edition all signed and numbered b...

Sign by Artist in Lower Right The present work was published as an illustration for Elizabeth Goudge's short story "A Crock of Gold" in the August 1938 issue of Woman's Home Compani...

From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...

Hand signed and numbered by the artist. Image size approx 20.5 x 16 inches. Frame size approx 32 x 27 inches. From the edition of 200. Artwork is in excellent condition. Certific...

Image Dimensions: Image 9" x 19" Sheet Dimensions: 15" x 20.25" Medium: Watercolor, ink, and graphite on paper laid to board This is an unsigned study for the 38" H x 75" W oil pain...

Hand signed and numbered by the artist. Image size approx 17.25 x 13.25 inches. Frame size approx 30 x 26 inches. From the edition of 200. Artwork is in excellent condition. Cert...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Hand signed and numbered by the artist. From School Days portfolio. Artwork size 26 x 20 inches. Frame size approx 30 x 26 inches. Edition of 200. Artwork is in excellent condi...

Offered at an exceptional price, this piece is in excellent condition and will ship rolled. Edition number 49 / 200. There are 200 pieces in the edition all signed and numbered by...

Offered at an exceptional price, this piece is in excellent condition and will ship rolled. Edition number 173 / 200. There are 200 pieces in the edition all signed and numbered b...

From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...

From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...

Medium: Charcoal and Pencil on Paper Dimensions: 31.00" x 23.75" Signature: Inscribed and Signed. Signed and inscribed 'To Steve Kovac/sincerely/Norman/Rockwell' (lower right) Proven...

From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...

Date: 1942 Medium: Charcoal, Pencil and Collage on Paper Dimensions: 33.00" x 26.25" Signature: Inscribed and Signed In 1941, Norman Rockwell created his first cover image of Willie...

Norman Rockwell’s "Ticket Seller" (1937) presents one of the artist’s most irresistible visual ironies: a bored, world-weary agent sits slumped behind iron bars, surrounded by a riot...

Signed by Artist Lower Right Maxwell House Coffee Illustration Few artists have ever pulled on our nation's heartstrings, particularly in reference to family and generations, as adeptly as Norman Rockwell. From his earliest advertisements to his patriotic World War II subjects, Rockwell's virtuoso was in his ability to capture the essence of American culture and a view of a more innocent time in our country's history. Rockwell states: "I was showing the America I knew and observed to others who might not have noticed. And perhaps, therefore, this is one function of the illustrator. He can show what has become so familiar that it is no longer noticed. The illustrator thus becomes a chronicler of his time." (as quoted in Norman Rockwell: A Definitive Catalogue, Stockbridge, Massachusetts, 1986, p. xii) Recognizing the need for reminiscence from young and old alike, Rockwell effectively captures a timeless scene: Here, two old friends gingerly and jovially play a game of chess, sipping coffee as they wait for their furry friend to make the next move. The work is executed in Rockwell's signature descriptive style of finely drawn, clear realism with a wealth of fascinating detail. In discussing his career, Rockwell commented, "I was showing the America I knew and observed to others who might not have noticed. And perhaps, therefore, this is one function of the illustrator. He can show what has become so familiar that it is no longer noticed. The illustrator thus becomes a chronicler of his time." (as quoted in Norman Rockwell: A Definitive Catalogue, Stockbridge, Massachusetts, 1986, p. xii) Rockwell seemingly utilizes one of his favorite models in the present work-James K. Van Brunt. The artist recalled his initial meeting with Van Brunt in 1924 in New Rochelle, New York: "I remember it was June and it was terribly hot. I was working in my underwear and not getting along too well because my brushes were slippery with perspiration. Suddenly the downstairs door banged and I heard someone come up the stairs treading on each step with a loud, deliberate thump...A tiny old man with a knobby nose, an immense, drooping mustache, and round, heavy-lidded eyes stamped bellicosely into the studio. 'James K. Van Brunt, sir,' he said, saluting me and bowing all at once. 'Five feet two inches tall, sir. The exact height of Napoleon Bonaparte!' And he pushed out his thin little chest, which was encased in a fawn colored vest. 'I have fought the Confederate Army at Antietam, Fredericksburg, and in the Wilderness,' he said. 'I have battled the nations of the Sioux under Dull Knife, Crazy Horse and Sitting Bull. I have fought the Spaniards, sir, in Cuba.' And he rapped his cane on the floor and looked at me very belligerently. Then, having ascertained that I wasn't going to contradict him, he took off his gloves and his wide brimmed hat, laid them on a chair, and patted his mustache. 'This mustache, sir,' he said, 'is eight full inches wide from tip to tip. The ladies, sir, make much of it.' And he winked at me and walked over to my mirror to stare at his mustache." (My Adventures as an Illustrator, New York, 1994, p. 206) Van Brunt was a consummate professional as a model, carefully practicing his poses in the mirror in advance of a session and, at times, inspiring the idea for the cover illustration. Rockwell stated that he used to suggest a cover almost every time they saw one another and referred to the day when Van Brunt first showed up at his studio as "one of the luckiest days of my life." (My Adventures as an Illustrator, p. 206) James K. Van Brunt appeared in ten Post covers by Rockwell, as well as countless other paintings used as advertisements, such as the present work. Given Van Brunt's distinctive visage with his mustache, the editor at the Post, George Horace Lorimer, complained. "Rockwell recalled, 'Mr. Lorimer said to me, 'I think you're using that man too much. Everybody's beginning to notice it. Maybe you'd better stop for a while. That mustache of his is too identifiable.' Rockwell informed Van Brunt of the problem, 'If you take off your mustache I can use you again...Otherwise I just can't.' Two weeks later Van...

Signed by artist lower left corner. Literature: Laurie Norton Moffatt, Norman Rockwell: A Definitive Catalogue, Stockbridge, Massachusetts, 1986, vol. I, no. A242, p. 362, illustrated Notes: Painted circa 1925. A letter from Norman Rockwell to the Graham family discussing the painting accompanies the lot.In April 1921, Dodge Brothers entered into a burgeoning partnership with the Graham Brothers, an Evansville, Indiana family-run, truck manufacturing business, headed by three siblings, Joseph B., Robert C. and Ray A. Graham. By 1920, their company was building complete truck and bus bodies with various engines which, in April 1921 caught the attention of Dodge’s president, Frederick J. Haynes. Haynes saw the Graham product as a way to get Dodge into the heavy truck business without compromising their own car production. The two companies agreed to have Graham Brothers build trucks solely with Dodge engines and drive trains, and sell them exclusively through Dodge dealerships nationwide. The partnership resulted in a new name, Graham Brothers, Inc., a company relocation to Detroit, and the opening of numerous factories nationwide over the next several years. In 1925, Joseph, Robert and Ray were appointed Dodge directors and executives, and were among the largest stockholders of the company. By 1926, Graham Brothers, Inc. was the largest exclusive truck manufacturer in the world. In later years, the brothers went on to build the Graham-Paige Motors Corporation, further expanding their success in the automotive business.Around 1925, the current painting was commissioned from Normal Rockwell...

Date: 1940 Medium: Oil on Canvas Dimensions: 38.00" x 30.00" Signature: Signed Lower Right Original Cover Illustration for The Saturday Evening Post, December 28, 1940 At the heart of this touching and humorous Christmas work which appeared on the December 28, 1940 cover of THE SATURDAY EVENING POST, is the juxtaposition of the heads of the astonished boy holding a Drysdale package, the Drysdale poster of the store Santa in costume, and the drowsy man wearing the Santa pants and boots under his overcoat, obviously on his way home from work. Rockwell’s gift as a storyteller in pictures is displayed here at its best. The simple use of predominantly three colors – red, black and white, and the omission of any extraneous detail, add to the strength of this fine example of illustration art. Exhibitions Fort Lauderdale Museum of the Arts, Ford Lauderdale, Florida, Norman Rockwell: A Sixty Year Retrospective, February 11- March 5, 1972. The Booklyn Museum, March- April 1972 Corcoran Gallery of Art, Washington D.C, May 26, 1972- July 23, 1972 McNay Art Institute, San Antonio, Texas, July 1972- August 1972 M.H De Yound Memorial Museum, Golden State Park, San Francisco, California, Norman Rockwell: A Sixty Year Retrospective, September 9, 1972- September 5, 1972. Osaka, Japan, Hankyu Department Store, April 4-9, 1975. Press The Saturday Evening Post, December 29, 1940, cover illustration. A.L. Guptill, Norman Rockwell: Illustrator, New York, 1946, p.179, cover illustrated. T.S. Buechner, Norman Rockwell: Artist and Illustrator, New York, 1970, no. 529, illustrated. T.S. Buechner, Norman Rockwell: A Sixty Year Retrospective, exhibition catalogue, New York, 1972, p. 78, illustrated. M. Hart Hennessey and A. Knutson, Norman Rockwell: Pictures for the American People, exhibition catalogue, New York, 1999, p. 160, illustrated. C. Finch, Norman Rockwell’s America...