Omnes Prints and Multiples

This artwork titled "Zia" State II, 1979 Is an original colors lithograph on Buff Arches paper by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and number...

Color lithograph. Printed by Ancourt, Paris. The Divan Japonais was a small café-concert at 75 rue des Martyrs, Paris, where Yvette Guilbert began her career. This is Toulouse-Lautr...

Pablo Picasso (1881-1973) - Le vieux Roi (Old King) Lithograph from 1959. The edition of 35/200 on Arches paper, signed in blue crayon. Dimensions of work: 64.5 x 49.5 cm. Hand s...

Original Lithograph by Jean Cocteau Title: The Kiss Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumbered as issued

This original 1987 exhibition poster was created for an exhibition of works by Marc Chagall which travelled Japan (Tokyo, Yamagata, Nagoya and Gunma). It was printed in Paris by the ...

Emilio Sanchez (1921-1999) created this color lithograph entitled “Barbados Children” in 1996. This signed impression came to us directly from the Sanchez estate. Estate stamped on v...

This 1963 lithograph, printed in color, is a fine example of Ben Shahn’s long preoccupation with the theme of the blind botanist and illustrates his con...

This lithograph by Louis Lozowick was created in 1934. This scarce piece was printed in an edition of 10 and in very good condition. It is signed and dated in the lower right with ...

Color lithograph, Edition 30. Hung Liu grew up in China and came of age during the Chinese Cultural Revolution. She spent four years in the countryside as a laborer, studied paint...

This 1929 lithograph by Louis Lozowick was printed in an edition of 50. Lozowick signed this impression in pencil lower right with a monogram on stone, in the lower left. The sheet...

Lichtenstein Exhibition Poster is a very colorful poster realized in occasion of the artist's exhibition at Leo Castelli Gallery New Yor...

Paul Wunderlich Altweibersommer 1982 Color Lithograph on B.K. Rives Edition: 381 of 400 Image Size: 8 × 18.25 inches (20.32 × 46.36 cm) Mat Size: 17 × 27 inches (43.18 × 68.58 cm) Signed and numbered in pencil Paul Wunderlich (1927–2010) was a German painter, printmaker, and sculptor, widely recognized for his refined, often enigmatic figurative compositions. A key figure in postwar German art, Wunderlich developed a highly distinctive visual language that blends elements of Surrealism, Symbolism, and Art Nouveau with a strong emphasis on line, form, and surface. Closely associated with the Hamburg University of Fine Arts—both as a student and later as a professor—Wunderlich gained early recognition for his lithographic work. His career, however, was not without controversy; in the early 1960s, some of his prints were temporarily confiscated due to their erotic content, which at the time was deemed provocative. This tension between sensuality and restraint would remain a defining characteristic of his oeuvre. Wunderlich’s work frequently centers on the human figure—particularly the female form—rendered with elongated proportions, smooth contours, and a sculptural precision that borders on the idealized. His compositions often evoke mythological or allegorical themes, exploring dualities such as beauty and danger, intimacy and distance, and control and vulnerability. The surfaces of his works are typically polished and highly controlled, reflecting his exceptional technical command. As a printmaker, Wunderlich achieved particular mastery in lithography, producing richly layered images with subtle tonal gradations and crisp, elegant line work. His editions are widely collected and remain an important part of the European printmaking tradition of the late 20th century. Paul Wunderlich lithograph...