Orrefors Desk Accessories

Vintage Italian Murano glass paperweight hand blown with white "filigrana" - white filaments intricately superimposed and intertwined within the glass / Made in Italy, circa 1960s Me...

A beautiful and substantial art glass heart paperweight or decorative object by artist Robet Held, circa late-20th century. Heart is a light blue art glass with touches of blue and p...

Paperweight with sphere shape in grey Bardiglio marble. Measure: diameter 12cm Each piece is in a way unique (since each marble block is different in veins and shades) and handcraft...

Carl Auböck Model #5371 'Heart' Polished Brass Paperweight Designed in the 1950s, this beautifully refined Viennese paperweight is hand-fabricated in polished brass by Werkstätte Ca...

This egg-shaped Venini glass paperweight has a purple spiral encased in an orange spiral. It still bears the original Venini label with the Veronese va...

Paperweight with sphere shape in grey Bardiglio marble. Measure: Diameter 8 cm Each piece is in a way unique (since each marble block is different in veins and shades) and handcra...

Paperweight with sphere shape in Portoro marble. Measure: Diameter 8 cm Each piece is in a way unique (since each marble block is different in veins and shades) and handcrafted in I...

Carl Auböck paperweight #5371 or 5788 "Heart", Austria. Price is per piece. Available in different sizes.

Valentino Votive candle holder from Orrefors is shaped like a heart and made of thick, clear crystal with soft edges giving it a gentle, rounded look. It is suitable for either votive or tealight candles. Designed by Martti Rytkönen.

Carl Auböck Model #5371 'Heart' Polished Nickel Paperweight Designed in the 1950s, this beautifully refined Viennese paperweight is hand-fabricated in polished nickel-plated brass b...

Beautiful and rare, vintage Murano hand blown green and gold flecks Italian art glass perfume scent bottle. Documented to the Seguso Vetri d'Arte company, circa 1930-40s. Unsure of t...

A wonderful blue glass paperweight infused with suspended floating bubbles, creating depth, movement, and a captivating play of light within th...

Paperweight with sphere shape in Portoro marble. Measure: Diameter 12 cm Each piece is in a way unique (since each marble block is different in veins and shades) and handcrafted in ...

The Heart Bowl/ Votive from Orrefors is shaped like a heart, with rounded edges giving it a delicate look. It represents affection and love, the perfect gift for someone you care abo...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...