Paul Burlin Paintings

Hollywood, 1941, oil on board, 18 x 24 inches, signed and dated lower right, illegible writing verso About the Painting From a distance, Beckwith deftly captures the spectacle of a Hollywood premiere. But we have not been invited to the party. Our view is from the shadows of a less glamorous neighborhood with a shaggy, unkept palm tree and rundown buildings in the shadows. We look down through the darkness past a packed parking lot to the bright lights of two iconic Hollywood landmarks, the Pantages Theater and the Broadway Building. Completed in 1930, the Pantages was built as an exuberant Art Deco movie palace, while the Broadway Building housed an upscale department store which catered to entertainment industry elites who were less impacted by the Great Depression than the common man, since movies had become the mainstay of popular culture entertainment during the 1930s with large numbers of Americans looking to immerse themselves in Hollywood escapism. Here, in a rare Los Angeles urban image, Beckwith combines that Hollywood fantasy with the more sobering foreground images which could have been pulled from the L.A. Noire fiction of Raymond Chandler...

Work on canvas Molded frame in wood and gilded plaster 68 x 59 x 7 cm

Untitled (perhaps New Jersey Factories), c. 1940s, oil on board, signed lower left, 24 x 28 inches, perhaps exhibited Fifty-First Annual Exhibition, National Association of Women Art...

A vibrant mid-century landscape painting by American artist Doris Lee, depicting a small Colorado mountain town in summer. Executed in oil on board, the...

A fantastic early painting from Kahn’s iconic barn series depicting Dr. Middleton’s property in West Brattleboro, VT. Here, Kahn turns a familiar rural motif into something hovering ...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Original Southern California Seascape in Oil Paint on Canvas Beautiful seascape that captures the ruggedness and beauty of the Southern California coast by Nadine Pollard (American,...

Robert Goodnough (American, October 23, 1917 – October 2, 2010) Title: "L-7" Acrylic and Oil on canvas 46 x 68 inches Signed lower Right Signed and dated 1990 on reverse

Trompe l'Oeil Still Tuscan Landscape in Oil on Masonite Landscape in the trompe l'oeil style by Richard M. Bacon (American, 20th Century). This piece has been composed to create the...

Fernando de Szyszlo Abolicion de la Muerte, 1987 Titled dated verso: "Abolicion de la Muerte" NY/87 Signed lower bottom edge center "Szyszlo" Oil on canvas 56 1/2 x 37 1/2 inches Fernando de Szyszlo was a Peruvian painter...

Untitled (New Bedford), 1933, oil on canvas, signed and dated lower right, 16 x 20 inches Hope Shippee Bunin was a multi-faceted artist, who worked as a painter, designer, and one ...

Oil on canvas ABOUT the artist: Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson...