Paul Cézanne Art

Etching on chamois-colored laid paper, realized by Dalì in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand s...

Roberto Matta, Chilean (1911 - 2002) - Raising A Glass, Year: circa 1943, Medium: Etching, Image Size: 9.75 x 8 inches, Size: 15 x 11.75 in. (38.1 x 29.85 cm), Reference: Unrecorde...

MAX LIEBERMANN (1847 1935) SELF PORTRAIT DRAWING (Selbstportrat) c. 1922 (Schiefler, 341, III b) Etching, signed in pencil, Scarce signed example found in Max Liebermann “Sein Leb...

Landscape is a drawing realized in the Early-20th Century. Pencil and Watercolor. Good condition.

FRAGMENTS DE CORPS DE FEMME (from Les Metamorphoses d'Ovide) Artwork Paper W 11 1/8 x H 10 1/8 in Rectangular shadow stain to top center of ...

Glen Orchy. c. 1925. Watercolor, pencil and conte crayon on paper. 9 1/4 x 13 (sheet 10 3/8 x 13 1/4). Ex-collection L.G. Duke,purchased at Sotheby's, London '10.12.70'. Mat line; ot...

Muse is #43 of 45. It depicts a young woman in a colorful swimsuit doing her best to swim through the blue waters of the pool. Her mouth is pursed and the bubbles flow out. I sold an impression of this image to an olympic swimming...

The Old Lyme Congregational Church located on Ferry Road, a quintessentially New England landmark, was captured by Walter DuBois Richards. The church was a favorite subject of Old Ly...

Nicolas de Larmessin Etching – Habit de Tabletier. 20th century print. Nicolas de Larmessin (1640-1725) was an enormously creative and productive artist. Nicolas was part of a long ...

This offset lithograph in colors from the Project for Central Park, New York City, was created by the artist in 2004. One of 300 hand-signed by the artist in pencil from an unnumbere...

Watercolor and pencil on buff wove watercolor paper, 10 x 8 inches (255 x 203 mm). In good condition with overall minor toning. Some watercolor paint splatters on the verso, contem...

"Trees in Ranchitos II" is a striking 1975 color lithograph by acclaimed modernist artist Andrew Michael Dasburg (1887–1979). This collectible artwork, initialed in the lower right, beautifully captures the serene landscapes of New Mexico, reflecting Dasburg’s signature fusion of Post-Impressionism and Cubist influences. The composition conveys the tranquil rhythm of trees and desert terrain, combining geometric abstraction with lyrical naturalism. The lithograph is presented in a custom frame measuring 30 ½ x 36 ¼ inches, with an image size of 16 ½ x 23 ¼ inches, making it a sophisticated and visually compelling addition to any collection of Taos Modernist art, American modernism, or Southwestern landscape prints. About Andrew Michael Dasburg (1887–1979): Born in Paris, France, Dasburg immigrated to New York City in 1892, where his early talent was recognized. He trained at the Art Students League of New York under notable instructors including Robert Henri, Kenyon Cox, and Birge Harrison. In 1908, he returned to Paris and encountered the works of Henri Matisse and Paul Cézanne, experiences that ignited his lifelong commitment to modernism. After settling in Woodstock, NY, Dasburg immersed himself in the avant-garde scene, collaborating with Morgan Russell...