Paul Duval Sculptures

Bufo Contemporary Bronze Sculpture Nude Boy Marble Stone Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises his profession as a sculptor. Only when his work would measure up to his own standards, he decided to present it to the rest of the world. In 1995, he exhibited for the first time with Morren Galleries. Van der Kant desires to sculpt young people who still stand uninhibited and curiously in life. The reason he chooses to sculpt boys is, because he is one himself, this way the subject is closer to him. The anatomy of his figures testify of perfectionism. Van der Kant's subjects show similarities with the sculptures from the Greek and Roman antiquity...

Kevin Perrault’s sculptural work exists at the intersection of permanence and play, blending monumentality Kevin Perrault’s sculptural work exists at the intersection of permanence a...

Ad Dextram Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Nex...

Aestus Bronze Sculpture Marble Stone Nude Boy Contemporary Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher ...

The artist says of her work... Arrested Symphony is an exhibition incorporating sculptures, reliefs, drawings and hanging works that explore the theme of injustice that is at the roots of the predatory gem and mineral excavation industry. While at a residency in Knoxville, Tennessee, I discovered that Oakridge was only 30 miles away. Oakridge played a key role in the development of the Atom Bomb and the Manhattan Project. I began an exploration and comparison of Uranium and Emeralds. These minerals look very much alike, beautiful but dangerous on their effect on civil conflict. Colombia my birthplace, has the finest Emeralds in the world. The mining of Emeralds was an important element in the continued colonization of the region. Emeralds have helped to fund the more than 60-year conflict which has taken over 450,000 lives and displaced about 5.7 million people. Uranium has brought destruction to a level which altered the future of warfare. The developments made during the Manhattan Project led to the death of about 700,000 people and its effects are still felt around the world. I use Colombia as an example, however this situation is repeating itself in many parts of the world. Sierra Leone, Liberia, the Republic of Congo, the Central African Republic and the Democratic Republic of Congo are all involved in brutal civil conflicts fueled by Blood Diamonds. This project will make visual the human cost extracted with these minerals, once exposed to the light of day they can never be unearthed. My practice is an ongoing object-based exploration through which I create artworks which are organic and improvisational constructions that are infused with hope and renewal. The hand-crafted artworks are poetically and intricately crafted, creating an intimate repository for the individual and collective memory and implement the human body as a symbol and expression of nature, vulnerability and power. The work encourages viewers to reconsider social and historical narratives especially when dealing with the aftermath of Colonialism and raises critical questions about the politics of erasure and exclusion. ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues including Smack Mellon Gallery, Neuberger Museum of Art, Bronx Museum of Art, Queens Museum, El Museo Del Barrio, MoMA PS1, Socrates Sculpture Park and White-box Gallery in New York City. Nationally Cortes exhibitions include Cleveland Art Museum, OH, CSU Galleries at Cleveland University, OH, Helen Day Art Center, VT and The Lorenzo Homar...

A split second moment is frozen in time as a rider falls from her bike, just barely making contact with the ground. The fluidity with which the artist is able to capture this specifi...

"Tantalize, Synchronize, Exercise!" is an original metal, mirrored glass, polyester fibre, wire, plastic, and enamel paint artwork by Kendal Murray measu...

The Classic Lady bronze was cast from a wood carving. She is David's most petite sculpture. Movement and grace with the twist at the waist and tilt of the head. She can add beauty to...

"Judge" is a signed opal sculpture created by Shona artist Luckmore Joseph. It weighs 178lbs and was created in 2004. It depicts an abstracted face coming out of the natural stone. 43" x 15" x 11" sculpture, 178 pounds Luckmore Joseph was born in 1979. He was interested in drawing and weaving baskets before he started carving. Luckmore later found that carving was of paramount importance to him in 1999 when he was employed by Sydney Majengwa as his assistant. He first gained experience working on torsos, then later embarked on creations of street beggars and pregnant women, varying the styles. Luckmore gets the subjects for his sculptures after seeing the shape of the natural stone before he works on it. His sculptures carry messages to people and explain the daily routines of people like him. He carves because he wants people to know the good and the bad, the comedy and tragedy in life circles. His philosophy has directed him to the subject issue of beggars. He wants to let people know that every country in the world has poor and rich people and both of them have the same equality and have the same right to life. Carving has become a way of life for Luckmore, and he never can leave it for very long. When he is not working, he enjoys playing football. Shona artists and crafts people have been working in different media for generations. These include paintings, pottery, basket ware, wood carvings, and sculpture done in metal as well as the stone carvings. While there is not a long standing tradition of sculpture in what is now Zimbabwe (formerly Southern Rhodesia), stone carvings dating from the 15th century were seen in Great Zimbabwe, an excavated temple near Bulawayo. Most of the artifacts from this location have been moved to museums in Cape Town, South Africa or London. It is generally agreed that Zimbabwean stone sculpture...

"Weekday, Faraway" is an original Metal, mirrored glass, crushed quartz, polyesterfibre, plastic, wire, and enamel paint artwork by Kendal Murray measuri...

"Horse Carriage" is hand covered Jaguar Jade created in China during the 20th Century. Intricately carved horse carriage with four horse and a driver. Made to look like the Terracotta Army...

"Untied, Joyride" is an original metal, fabric, pebbles, wire, polyester fibre, plastic, paper, and enamel paint artwork by Kendal Murray measuring appro...