Paul Emile Lecomte Landscape Paintings

Landscape. 1990. Oil on cardboard, 24x32,5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seas...

A vintage watercolor capturing a daily scene in the Spanish colonial town of Taxco, Mexico by Theodore Ernest Langguth (German-American, 1861-1952). Titled, dated and signed lower ma...

**Title:** Spanish Pine Tree Landscape Country Road Watercolour on Handmade Paper **Artist:** European School, 20th century **Medium:** Watercolour on handmade paper, unframed **S...

**Title:** Modernist Rolling Hills Country Landscape Watercolour on Handmade Paper **Artist:** British School / European School, 20th century **Medium:** Watercolour on handmade pa...

**Title:** Sierra Nevada Spain Mountain Landscape Modernist Watercolour on Handmade Paper **Artist:** European School, 20th century **Medium:** Watercolour on handmade paper, unframed **Size:** 7.75 x 11.25 inches **Signature:** Unsigned **Stamped verso:** No stamp visible from the images provided **Provenance:** Private collection **Condition:** Fair to good vintage condition. The handmade paper shows age toning, surface marks, pinholes, creasing, handling wear and irregular deckled edges. There are visible losses, nicks and roughness to the lower edge, with further wear and small losses to the corners and outer margins. The painted image remains atmospheric, decorative and visually appealing. **Description:** A striking 20th century European School watercolour landscape, painted on textured handmade paper and inscribed verso **Sierra Nevada Spain**. The composition depicts a dramatic mountain range with snow-covered peaks, layered slopes and a dark band of distant cloud or sea beyond. The scene has a bold, simplified quality, combining the atmosphere of a travel study with the structure of a modernist landscape. The painting is particularly appealing for its graphic treatment of mountain forms. The artist reduces the Sierra Nevada view into broad planes of muted blue, grey, brown, ochre and cream, allowing the snowy ridges and angular slopes to stand out clearly against the darker background. The result is atmospheric yet design-led, with the mountain landscape arranged almost as a series of abstract colour fields. The handmade paper adds considerable character to the work. Its warm natural tone, visible fibres, pinholes and irregular deckled edges give the piece a tactile, artisanal quality, enhancing the sense of the painting as an original travel study or plein air-inspired work. The painted area sits within the sheet, leaving the surrounding handmade paper visible and giving the work a distinctive object-like presence. The verso inscription identifies the subject as **Sierra Nevada Spain**, giving the piece useful topographical and search appeal. The Sierra Nevada mountain range in southern Spain has long attracted artists and travellers for its dramatic peaks, changing light and contrast between high mountain scenery and warmer Mediterranean tones. This watercolour captures that sense of rugged landscape through a restrained but expressive palette. This original work would appeal to collectors of Spanish landscapes, Sierra Nevada paintings...

Title: English Harvest Field Village Church Country Landscape Watercolour Painting Artist: L W Rowe, 20th century Medium: Watercolour on paper, unframed Size: 11.75 x 8 inches Signat...

Title: Scottish Highland Cattle Bulls Country Landscape Watercolour 1936 Artist: L W Rowe, 20th century Medium: watercolour on paper, unframed Size: 7 x 9.75 height x width in inches Signature: signed lower left, L W Rowe Date: dated lower right, 21-10-36 Stamped verso: no stamp visible from the images provided Provenance: private collection Condition: fair to good vintage condition. The sheet shows age toning, foxing, surface marks, handling wear and visible edge wear. There are losses, tears and old adhesive / mount marks to the reverse, particularly around the edges and corners. The painted image remains attractive, clear and highly decorative. Description: A charming signed watercolour by L W Rowe, dated 21-10-36, depicting two Highland cattle standing in a rural landscape. The cattle are shown in profile beneath bare trees, with soft fields, a pale path and distant countryside beyond. Their long horns, shaggy coats and strong silhouettes make them immediately recognisable as Highland cattle, giving the work excellent decorative and collectable appeal. The painting is especially attractive for its earthy palette and gentle pastoral atmosphere. The artist uses warm browns, ochres and deep umber tones to describe the animals’ coats, contrasting them with soft greens, muted greys and pale blue washes in the surrounding landscape. The darker Highland bull to the right gives the composition weight, while the warmer russet animal to the left introduces richness and texture. The handling is loose but observant, with the cattle carefully placed within a quiet countryside setting. The trees and background are painted with light, atmospheric washes, allowing the animals to remain the clear focus of the work. The date of 1936 gives the piece additional period interest, while the signed lower-left inscription helps distinguish it from a purely anonymous animal study. Highland cattle remain a highly popular subject in British and Scottish art, particularly for collectors drawn to rural landscapes, country house interiors, animal paintings, farming scenes and traditional countryside subjects. This watercolour would work especially well in a country home, kitchen, hallway, study, boot room or gallery wall of animal and landscape works. The sheet has visible age-related wear, including toning, foxing, edge losses, tears and old adhesive marks to the reverse, all consistent with a vintage work on paper. Despite this, the painted image remains appealing and decorative. Unframed and ready for sympathetic mounting, this is a characterful 1930s Highland cattle watercolour...

Landscape. 2007. Oil on cardboard, 22x30,5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seas...

“Venice, 1889” by Louis Ritter (American, 1854-1892). A fantastic example of Ritter’s renowned European watercolors. This beautifully poised composition captures the sun-washed faça...

Title: French Watercolor of Seaside Scene with Beachgoers, Sailboats, and Architecture by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper...

**Title:** Green Fields Country Landscape Modernist Watercolour on Handmade Paper **Artist:** European School, 20th century **Medium:** Watercolour on handmade paper, unframed **Size:** x inches **Signature:** Unsigned **Stamped verso:** No stamp visible from the images provided **Provenance:** Private collection **Condition:** Fair to good vintage condition. The handmade paper shows age toning, surface marks, pinholes, handling wear, creasing and irregular deckled edges. There is old tape or adhesive residue visible along the upper edge, with small nicks, roughness and wear to the outer margins. The painted image remains fresh, atmospheric and decorative. **Description:** A subtle 20th century European School watercolour landscape, painted on textured handmade paper and depicting an open countryside view with green fields, distant buildings and a low wooded hillside. The composition is arranged in soft horizontal layers, with pale green fields stretching across the foreground and a darker tree-covered slope rising to the left. The painting is particularly appealing for its quiet modernist treatment of landscape. Rather than describing the scene in exact detail, the artist reduces the countryside into broad washes of green, ochre, blue-grey and brown. The distant buildings and horizon line are lightly suggested, giving the work the feel of a travel study or plein air sketch, focused more on atmosphere and colour than strict topographical precision. The handmade paper adds considerable character to the piece. Its warm natural tone, visible fibres, pinholes and irregular edges give the work a tactile, artisanal quality. The painted image sits within the sheet, leaving the surrounding paper visible and giving the work an attractive object-like presence. The reverse bears an indistinct handwritten inscription, possibly a location or title, though it is not clear enough to confidently identify. The work is therefore catalogued broadly as European School. Its gentle palette and open rural subject would appeal to collectors of country landscapes, modernist watercolours, handmade paper artworks, European travel studies, green field paintings...

**Title:** Mediterranean Village Hill Town Tower Mountain Watercolour on Handmade Paper **Artist:** European School, 20th century **Medium:** Watercolour on handmade paper, unframe...