Skip to main content

Paul Landacre Art

American, 1893-1963
Paul Landacre was an illustrator who specialized in wood engravings of naturalistic images executed in a sparse, rhythmic, linear style. Born in Columbus, Ohio, he was an athlete as a youth. During his sophomore year at Ohio State University, he contracted a life-threatening illness that left him partially disabled. During this same year he also enrolled in a drawing class. After a long recuperation, Landacre moved with his family to California. In order to increase his physical strength he took long walks in the nearby rural areas, and on these walks, drew in his sketchbook. By 1918 he found a job as a commercial illustrator. In 1923 he enrolled at the Otis Art Institute, where he studied all types of media, including wood engraving. Landacre's artistic reputation began to emerge in the early 1930s with the publication of his book California Hills and other Wood Engravings and his first one-person exhibition in Los Angeles. He received many commissions for book illustrations; since he worked in a careful, deliberate manner, his large projects required years to complete. For thirty-one years the artist maintained a hand press in his home, allowing him to have total control over the printing of his designs. In 1939 he was made an associate of the National Academy of Design. The remainder of Landacre's professional career was balanced between teaching and illustrating books. Two examples from the National Gallery's permanent collection demonstrate the range of Landacre's work. His engraving, Smoke Tree, evokes the nearby desert scenery that the artist knew. The sharp, angular canyons of the mountain contrast with the delicate, small-leafed tree in the foreground. Some Ingredients is a still life composition that displays the same strength of line, forceful contrasts, and textures seen in his landscapes. [This is an excerpt from the interactive companion program to the videodisc American Art from the National Gallery of Art. Produced by the Department of Education Resources, this teaching resource is one of the Gallery's free-loan educational programs.]
to
5
5
5
4
'Hill' — American Modernism, California
'Hill' — American Modernism, California

'Hill' — American Modernism, California

By Paul Landacre

Located in Myrtle Beach, SC

Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...

Category

1930s American Modern Paul Landacre Art

Materials

Woodcut

Paul Landacre Original Wood Engraving, 1940 - Black Stallion
Paul Landacre Original Wood Engraving, 1940 - Black Stallion

Paul Landacre Original Wood Engraving, 1940 - Black Stallion

By Paul Landacre

Located in Phoenix, AZ

Paul Landacre (1893-1963) original wood engraving, 1940. Title: “Black Stallion.” Edition size: 200. Pencil signed lower right and pencil titled lower left by the artist. In mint ...

Category

Mid-20th Century Paul Landacre Art

Materials

Paper, Ink

'Verdi' — American Modernism - Italian Opera Composer
'Verdi' — American Modernism - Italian Opera Composer

'Verdi' — American Modernism - Italian Opera Composer

By Paul Landacre

Located in Myrtle Beach, SC

Paul Landacre, 'Verdi', wood engraving, 1936, edition 60, (only 14 printed), Wien 188. Signed, titled, and numbered '10/60' in pencil. A fine impression, on cream, laid Japan paper, ...

Category

1930s American Modern Paul Landacre Art

Materials

Woodcut

'Lot Cleaning, Los Angeles' — 1930s Modernism
'Lot Cleaning, Los Angeles' — 1930s Modernism

'Lot Cleaning, Los Angeles' — 1930s Modernism

By Paul Landacre

Located in Myrtle Beach, SC

'Lot Cleaning, Los Angeles', wood engraving, edition 60, Zeitlin & Ver Brugge 69. Signed, titled and numbered '51/60' in pencil. A brilliant, black impression, on Kitakata Japan pape...

Category

1930s American Modern Paul Landacre Art

Materials

Woodcut

Related Items
Louis Icart Art Deco Etching Coursing II, 1929
Louis Icart Art Deco Etching Coursing II, 1929

Louis Icart Art Deco Etching Coursing II, 1929

By Louis Icart

Located in Dallas, TX

Louis Icart (French, 1888-1950) Coursing II, 1929 Etching with handcoloring on paper Image: 15 x 24-7/8 inches (38.1 x 63.2 cm) (image) Ed. V/160 Framed Dimensions 27 X 39.5 Inches ...

Category

1920s Art Deco Paul Landacre Art

Materials

India Ink, Archival Paper

Woman's Head - Woman's Head in Profile (left) (Havard)
Woman's Head - Woman's Head in Profile (left) (Havard)

Woman's Head - Woman's Head in Profile (left) (Havard)

By Elie Nadelman

Located in Fairlawn, OH

Woman's Head - Woman's Head in Profile (left) (Havard) Drypoint, 1920 Unsigned (as issued) From: The Drypoints of Elie Nadelman, 21 unpublished prints by the sculptor, proof from th...

Category

1920s American Modern Paul Landacre Art

Materials

Drypoint

A 1928 Modernist Woodcut, Self-Portrait of Notable Chicago Modernist Emil Armin
A 1928 Modernist Woodcut, Self-Portrait of Notable Chicago Modernist Emil Armin

A 1928 Modernist Woodcut, Self-Portrait of Notable Chicago Modernist Emil Armin

By Emil Armin

Located in Chicago, IL

A 1928 woodcut on paper of a self-portrait of notable Chicago Modernist artist, Emil Armin. Artwork size: 10 1/2" x 8". Archivally matted to: 12 1/2" x 14 1/2. Signed, titled and numbered in pencil. Edition 7/30. Emil Armin was born in Radautz, Austria in 1883. By the age of 10, Armin was orphaned and was raised by his older siblings. He supported himself by working in restaurants and drew in his spare time. In 1905, at the age of 21, Armin immigrated to Chicago. He began studying at the Art Institute of Chicago in 1907, but financial difficulties forced him to start and stop a number of times, finally graduating in 1920. He studied with George Bellows and Randall Davey. Armin was an integral part of Chicago’s 57th Street Art Colony and exhibited in both the more avant-garde Chicago No-Jury Society Shows, as well as the more formal and conventional Chicago Society of Artists Exhibitions, the Chicago Renaissance Society and Art Institute of Chicago (1922-1949) exhibitions. He taught at Hull House...

Category

1920s American Modern Paul Landacre Art

Materials

Paper, Woodcut

THE THAW
THE THAW

THE THAW

By William Seltzer Rice

Located in Santa Monica, CA

WILLIAM SELTZER RICE (1873 - 1963) THE THAW c 1915-20 Color woodcut, signed and titled in pencil. Image 8 7/8 x 12 inches, sheet 10 3/4 x 14 3/8 inches. On textured fibrous paper. V...

Category

1910s American Modern Paul Landacre Art

Materials

Color, Woodcut

ROBY DWI ANTONO  KINASIH Limited edition hand signed & numb. Contemporary Modern
ROBY DWI ANTONO  KINASIH Limited edition hand signed & numb. Contemporary Modern

ROBY DWI ANTONO KINASIH Limited edition hand signed & numb. Contemporary Modern

By Roby Dwi Antono

Located in Madrid, Madrid

Roby Dwi Antono - KINASIH Date of creation: 2022 Medium: Silkscreen with curable UV inks on Somerset paper Edition: 200 Size: 50 x 44 cm Condition: In perfect conditions and never f...

Category

2010s Modern Paul Landacre Art

Materials

Paper, Ink, Screen

Funny - 21stC, Contemporary, Japanese, Fantasy, Natural Materials
Funny - 21stC, Contemporary, Japanese, Fantasy, Natural Materials

Funny - 21stC, Contemporary, Japanese, Fantasy, Natural Materials

By Mari Ito

Located in Barcelona, Catalonia

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

Category

21st Century and Contemporary Contemporary Paul Landacre Art

Materials

Glue, Sumi Ink, Wood Panel, Washi Paper, Pigment

Modern American Industrial Landscape
Modern American Industrial Landscape

Modern American Industrial Landscape

Located in Buffalo, NY

An original woodblock print dated 1965, titled "Our Town" but signed illegibly.

Category

1960s American Modern Paul Landacre Art

Materials

Paper, Woodcut

Poem 71-25 (Me)
Poem 71-25 (Me)

Haku MakiPoem 71-25 (Me), 1971

$3,000

H 30 in W 19.25 in

Poem 71-25 (Me)

By Haku Maki

Located in Fairlawn, OH

Poem 71-25 (Me) Color woodcut with cement mold embossing, 1971 Signed, titled and numbered in pencil (see photos) Edition 100 (55/100) (see photo) Signed with the artist's stamp lowe...

Category

1970s Abstract Paul Landacre Art

Materials

Woodcut

Vintage French Engraving - Sweet Slumber
Vintage French Engraving - Sweet Slumber

Vintage French Engraving - Sweet Slumber

Located in Houston, TX

Delightful black and white engraving of a small child peacefully sleeping in bed, circa 1930. Signed lower right. Original one-of-a-kind artwork on paper displayed on a white mat wi...

Category

1920s Paul Landacre Art

Materials

Ink, Paper

Impression B
Impression B

Toshi Yoshida 1Impression B, 1959

$800

H 14.5 in W 9.75 in

Impression B

By Toshi Yoshida 1

Located in Fairlawn, OH

Impression B Color woodcut, 1959 Signed and dated lower right (see photo) Titled lower left (see photo) A trial proof, prior to the edition of 100, signed and numbered Condition: Excellent Image size: 14 1/2 x 9 3/4 inches Provenance: Estate of the artist by decent to his heirs "Printmaker and painter Toshi Yoshida was born on July 25, 1911, into the respected Yoshida family of artists of Tokyo, Japan. Father Hiroshi was a celebrated landscape painter and printmaker, and mother Fujio established herself as the first female Yoshida artist as well as an Abstract artist later in her career. Younger brother Hodaka was an Abstract printmaker whose style, completely separate from his family's historic traditional bent, later influenced Toshi. Hodaka's wife Chizuko would become a pioneering female Japanese artist whose own exploration of Surrealism and Abstraction challenged the status quo. Toshi, however, as the eldest sibling, was expected to follow in his father's footsteps, and from an early age he was trained by Hiroshi in his studio. Unable to attend formal schooling due to the polio-induced paralyzation of his leg, Toshi would instead help with his family's printmaking studio and go on sketching trips with Hiroshi. As he got older, these trips would include India and Southeast Asia, working from morning to night taking night trains to get from one destination to another. Among Toshi's favorite subjects were the animals he discovered along the way. However, these trips ended as Japan entered military dictatorship in the mid 1930s, and artists whose work showed signs of Western influence were barred from exhibiting. At this time, Toshi left Japan for China and Korea, where he would remain for the duration of the war. He stuck to patriotic themes to remain in business, and after the end of World War II, as Japan struggled to recover from wartime economic depression, he earned his living creating traditional Japanese woodcut landscapes...

Category

1950s Abstract Paul Landacre Art

Materials

Woodcut

Previously Available Items
'Sultry Day' — American Modernism
'Sultry Day' — American Modernism

'Sultry Day' — American Modernism

By Paul Landacre

Located in Myrtle Beach, SC

Paul Landacre 'Sultry Day', wood engraving, 1935. Edition 60, 1935; second edition of 150 (only 7 impressions printed); third edition 200, American Artists Group, 1937. Wien 170. Sig...

Category

1930s American Modern Paul Landacre Art

Materials

Woodcut

GRASS FIRE. - Very Scarce Early signed Impression
GRASS FIRE. - Very Scarce Early signed Impression

GRASS FIRE. - Very Scarce Early signed Impression

By Paul Landacre

Located in Santa Monica, CA

PAUL LANDACRE (1883 – 1963) GRASSS FIRE, 1928 (Wien 53) Wood engraving on tissue thin Japanese paper, signed in pencil and titled with full margins. Thee are only 20 signed, titled,...

Category

1920s Paul Landacre Art

Materials

Woodcut

'Laguna Cove' — American Modernism, California
'Laguna Cove' — American Modernism, California

'Laguna Cove' — American Modernism, California

By Paul Landacre

Located in Myrtle Beach, SC

Paul Landacre, 'Laguna Cove', wood engraving, 1935; edition 60 (16 printed), 2nd edition 150 (6 printed), Woodcut Society 200, Wien 247. Signed and titled in pencil. A brilliant, black impression, on cream wove Japan, with full margins (3/4 to 1 3/4 inches), in excellent condition. Archivally matted to museum standards, unframed. This impression is from the edition published for the Twentieth Presentation Print of the Woodcut Society, 1941. Printed by Torch Press, Cedar Rapids. Literature: Reproduced in 'James Swann...

Category

1930s American Modern Paul Landacre Art

Materials

Woodcut

'Monday' — 1930s Modernism
'Monday' — 1930s Modernism

'Monday' — 1930s Modernism

By Paul Landacre

Located in Myrtle Beach, SC

Paul Landacre, 'Monday', wood engraving, 1934, edition 60 (only 55 signed impressions), Wien 154. Signed, titled, and numbered '38/60' in pencil. Inscribed 'To Jane and Dave from Pau...

Category

1930s American Modern Paul Landacre Art

Materials

Woodcut

'Edge of the Desert' — American Modernism
'Edge of the Desert' — American Modernism

'Edge of the Desert' — American Modernism

By Paul Landacre

Located in Myrtle Beach, SC

Paul Landacre, 'Edge of the Desert', wood engraving, 1930-31, edition 50. Signed, titled, and numbered '29/50' in pencil. A fine, richly-inked impression in warm black ink, on cream ...

Category

1930s American Modern Paul Landacre Art

Materials

Woodcut

California Hills and Other Wood Engravings by Paul Landacre
California Hills and Other Wood Engravings by Paul Landacre

California Hills and Other Wood Engravings by Paul Landacre

By Paul Landacre

Located in Myrtle Beach, SC

'California Hills and Other Wood Engravings by Paul Landacre', 14 wood engravings, plus a vignette on the colophon, edition 500, 1931, Lehman p. 174. Signed in ink on the rear colophon by the artist; this copy outside the numbered edition. Fourteen superb, richly-inked impressions, printed from the original blocks, on cream wove paper, bound into book format. Including Landacre's acclaimed wood engravings 'Big Sur', 'Indio Mountains', 'Point Magu', 'Malibu Coast', 'Berkeley Stadium', 'San Bernadino Mountains', 'Monterey Hills', and others. Probably the best-known California illustrated book. Reference: Journal of Decorative and Propaganda Arts #7, Winter 1988. The first and most beautiful book illustrated by Landacre. Foreword by Los Angeles artist and critic Arthur Millier; printed directly from the original blocks by Harold Young. Published by Bruce McCallister, Los Angeles. With the original black paper-covered slipcase, wear to the slipcase edges and losses to the top and bottom open front edges. Hardcover, with decorated paper-covered boards in orange/red and gray with a wood engraving in blue ink on the mounted front cover label. Slight surface soiling to front and rear cover boards; moderate light toning to the spine; very slight wear to the cover edges. The interior bright and clean; the usual toned offsetting from the inked images on the opposite blank pages (the book was issued without tissues); private bookplate of Ruth M. Wilson pasted to the inside front cover. Discreet owner inscription, in ink, in the top inside back cover. Overall a near fine copy of this extremely rare and fragile book. Book cover size 12 3/4 x 9 3/4 inches; image sizes, various; page size 12 1/2 x 9 1/2 inches. "Except in occasional engravings of buildings, Paul Landacre has confined all his efforts to hymning the 'eternal hills' and especially to searching out those qualities in them that prompt us to use the adjective eternal. He gradually evolved a conception of black lines and white lines - one kind passing easily and unnoticed into the other - which enable him to cut into wood the erosive flow which has given rhythmic form to hills and mountains." —Arthur Millier, from the Preface to 'California Hills'. Honored as one of the “Fifty Books of the Year” for 1931, by the American Institute of Graphic Arts, New York. Collections: Library of Congress, University of California Library (Irvine), William Andrews Clark...

Category

1930s American Modern Paul Landacre Art

Materials

Woodcut

Pelican — Mid-Century Modern
Pelican — Mid-Century Modern

Pelican — Mid-Century Modern

By Paul Landacre

Located in Myrtle Beach, SC

Paul Landacre 'Pelican', wood engraving, 1939, edition 60 (only 38 signed impressions). Signed, titled, and numbered '45/60' in pencil. Wein 221. A brilliant, black impression, on bu...

Category

1930s American Modern Paul Landacre Art

Materials

Woodcut

MONTEREY HILLS
MONTEREY HILLS

Paul LandacreMONTEREY HILLS

Sold

H 5.875 in W 8.875 in

MONTEREY HILLS

By Paul Landacre

Located in Santa Monica, CA

PAUL LANDACRE (1893 - 1963) MONTEREY HILLS 1930-31 Wood engraving signed and membered 3/50. The total number printed is 33 according to Jake Wien author of the forthcoming Paul Land...

Category

1930s American Modern Paul Landacre Art

Materials

Woodcut

Sultry Day
Sultry Day

Sultry Day

By Paul Landacre

Located in Myrtle Beach, SC

Paul Landacre 'Sultry Day', wood engraving, 1935, edition 60, 200 in 1937, Zeitlin & Ver Brugge 71. Signed and dated in the block, lower left. An impression from the 1937 edition by...

Category

1930s American Modern Paul Landacre Art

Materials

Woodcut

Mozart
Mozart

Paul LandacreMozart, 1935

Sold

H 6 in W 4 in

Mozart

By Paul Landacre

Located in Myrtle Beach, SC

Paul Landacre, 'Mozart', wood engraving, 1935, edition 60, (only 9 printed). Signed, titled, and numbered '7/60' in pencil. A fine impression, on cream, laid Japan paper, with full m...

Category

1930s American Modern Paul Landacre Art

Materials

Woodcut

Poachers
Poachers

Paul LandacrePoachers, 1934

Sold

H 6 in W 8.5 in

Poachers

By Paul Landacre

Located in Myrtle Beach, SC

Paul Landacre, 'Poachers', 1934, wood engraving, edition 60, Zeitlin & Ver Brugge 33. Signed, titled and numbered '9/60' in pencil. With the stamp 'ORIGINS OF ART' in the bottom righ...

Category

1930s American Modern Paul Landacre Art

Materials

Woodcut

Headland, Big Sur Coast — mid-century modern, California
Headland, Big Sur Coast — mid-century modern, California

Headland, Big Sur Coast — mid-century modern, California

By Paul Landacre

Located in Myrtle Beach, SC

Paul Landacre, 'Headland, Big Sur', wood engraving, 1930-31, edition 50, Zeitlin & Ver Brugge 25. Signed, titled and numbered '1/50' in pencil. With the black petrel, Landacre estate...

Category

1930s American Modern Paul Landacre Art

Materials

Woodcut

Paul Landacre art for sale on 1stDibs.

Find a wide variety of authentic Paul Landacre art available for sale on 1stDibs. You can also browse by medium to find art by Paul Landacre in woodcut print, engraving, wood and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Paul Landacre art, so small editions measuring 2 inches across are available. Customers who are interested in this artist might also find the work of Lawrence Wilbur, Arnold Ronnebeck, and Kerr Eby. Paul Landacre art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,250 and tops out at $6,800, while the average work can sell for $4,800.

Artists Similar to Paul Landacre