Phillip Buehler Photography

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts the inside of Riverside Hospital became an adolescent drug treatment facility from 1952 until 1964. ...

In Buehler’s color photograph from a military airplane storage yard in Arizona, the F-106 Delta Darts parked in alignment, their silver tails recede into the...

24"x30" will photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts The Thunderbolt roller coaster, which was built in 1925, abandoned in 1982, and demolished 2000. It ...

24"x 30" photograph, edition of 5, signed on reverse This photograph was taken at Greystone Park Hospital and shows a singular abandoned barber chair i...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts the mascot of Steeplechase Park beginning in 1897, named after park founder George C. Tilyou. “Tilli...

18"x18" photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. Barricaded with a wall of gnarled metal, the abandoned mall's entrance is blocked by a wall of debris. Phillip Buehler's photograph captures the unsettling scene of the closed mall, seemingly taken from a post-apocolyptic, science-fiction scene. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player. Buehler’s photos of iconic hangouts and lowbrow teenage meeting places ring out from the 1970’s, 80’s, and 90’s but are torn away from their movie soundtracks and sent into an apocalyptic icy future. Featuring Sam Goody, Waldenbooks, Toys R Us...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. A view of the open panel ceiling of the atrium in the abandoned Wayne Hills Mall...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts ... Phillip Buehler is a New York based photographer who documents the deterioration and remnants o...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a U.S. Navy Sub Chaser in a boat graveyard in Staten Island. During World War II, PC-1264 (along wit...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts the recently completed World Trade Center shot from tip of Ellis Island. The mist was only there for...

18"x24" limited edition photograph, edition 1/5. This photograph depicts the interior of the then abandoned Ellis Island registry taken in 1974", featured in "Islands of New York" photographic series. Phillip Buehler is a New York based photographer who documents the deterioration and remnants of neglected architecture constructed in the recent past. In the series “No Man is an Island...” Buehler has photographed the historic, and also often forgotten islands, around New York City. Some of them, like Ellis Island, loom large in their impact on history, culture and existence in the national identity. Others, like “Rat Island,” a privately-owned 2.5 acre islet north of The Bronx, with an unusual statue...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a destroyed art piece in a dormitory that was built in 1943 as Riverside Hospital’s Tuberculosis Pav...

Included are four 18"x24", signed, editioned color photographs. Each of the four photographs depict a a different landscape painting hung on a distressed wall. From a rural town vi...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a roller coaster that was built in 1925, abandoned in 1980, and demolished in 2000. Behind is the Pa...

18"x24" limited edition historic photograph, edition 1/5. This photograph features one of the many attractions to come and go at Coney Island. Phillip Buehler is a New York based ph...

30"x40" limited edition photograph, edition 1/5. This photograph depicts the interior of the then abandoned Ellis Island registry taken in 1974", featured in "Islands of New York" photographic series. Phillip Buehler is a New York based photographer who documents the deterioration and remnants of neglected architecture constructed in the recent past. In the series “No Man is an Island...” Buehler has photographed the historic, and also often forgotten islands, around New York City. Some of them, like Ellis Island, loom large in their impact on history, culture and existence in the national identity. Others, like “Rat Island,” a privately-owned 2.5 acre islet north of The Bronx, with an unusual statue...

24"x24" photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

24"x30" edition of 5 photograph available unframed Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book “Wardy Forty” which he wrote in 2013 about the last days of Woody Guthrie...

24"x 30" photograph, edition of 5, signed on reverse This photograph was taken at Greystone Park Hospital, and shows an abandoned interior space with three beauty parlor style hair dryers...

40"40" photograph, edition of 5, signed and editioned on reverse framed in natural wood shadowbox frame This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

This 18"x24", signed, editioned color photograph, contrasts an image of a rural town landscape painting, against the highly textured aqua, teal, turquoise blue painted wall, which reveals a cream white underpaint layer. Time and age have created an image of beautiful decay with the cracked and peeling paint, which creates an amazing visual backdrop to the painting. The pairing of the two in this photograph compliment each other on a sensory level and bring out thoughts of nostalgia and longing. Phillip Buehler is a New York based photographer who documents the deterioration and remnants of neglected architecture constructed in the recent past. He is arguably the first to coin the neologism “modern ruins”. His photographs published in “Woody Guthrie’s Wardy Forty,” have won numerous awards, documenting the singer/songwriter/activist’s life at Greystone Park Psychiatric. He received his BA at Rutgers University and his MFA in photography at School of Visual Arts. Phillip Buehler has been featured in Art in America, The New York Times, Art News, The Art Newspaper, Wall Street Journal, American Photo Magazine, The Huffington Post, Hyperallergic, Gothamist, Art F City, The Sun, ABC, CNN, and numerous other publications. Phillip Buehler Church Steeple...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the remnants of a Sam Goody shopfront in the now closed and demolished, Wayne Hills M...

24"x30" will photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. The shuttered gate of Waldenbooks appears as an ineffectual effort in the dilapidated scene captured by Phillip Buehler. The once brilliant sign has been removed, yet you can see the aura of the letters, appearing as black signage against a grey-black surface. Debris and trash litter the flooded corridor, creating a errie feeling. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall...

24"x30" contemporary color photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the time ravaged corridor of the abandoned Wayne Hills Mall, in Wayne, New Jersey. A waterlogged hallway leads from the crumbling atrium to the empty storefront shell of Art World, with its sign still intact on the upper wall of the shop. Phillip Buehler captures the last stages of the life of the once bustling mall, with the empty corridors and dilapidated storefronts and kiosks. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player. Buehler’s photos of iconic hangouts and lowbrow teenage meeting places ring out from the 1970’s, 80’s, and 90’s but are torn away from their movie soundtracks and sent into an apocalyptic icy future. Featuring Sam Goody, Waldenbooks, Toys R Us...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. Flooded hallways and abandoned kiosks are all that remains of the shops at Wayne Hill's Mall. This photograph depicts the once active Blimpie's sandwich shop. It's famous logo and neon sign still intact in the dilapidated mall. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player. Buehler’s photos of iconic hangouts and lowbrow teenage meeting places ring out from the 1970’s, 80’s, and 90’s but are torn away from their movie soundtracks and sent into an apocalyptic icy future. Featuring Sam Goody, Waldenbooks, Toys R Us...

The graphic red orange and white pattern of the tent canopy, composed with the metal trestle arches creates a visual symmetry in this color photograph. The soft geometry of the central salt pile mimic the arch and undulating forms in orange ceiling pattern of the shed. 24"x48" will photograph, signed and editioned on reverse. (edition of 5). Unframed, please inquire about framing options. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern...

20"x 24" available unframed This photograph depicts a look down a stairwell at Greystone Park Hospital, from a central perspective showing the cascading stairs as they recede int...

24"x 30" photograph, edition of 5, signed on reverse. This photograph is taken at Greystone Park Hospital, in an abandoned washroom, with a row of sinks lined up against a distres...

24"x 30" photograph, edition of 5, signed on reverse. This photograph is taken at Greystone Park Hospital, in an area of the building where snow has drifted into the abandoned complex. Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book “Wardy Forty” which he wrote in 2013 about the last days of Woody...

24"x30" edition of 5 photograph available unframed Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book “Wardy Forty” which he wrote in 2013 about the last days of Woody Guthrie

24"x30" edition of 5 available unframed Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book "Wardy Forty" which he wrote in 2013 about the last days of Woody Guthrie.

18"x24" limited edition historic photograph, edition 1/5. signed by the artistThis photograph depicts an aerial view of a Nike missile bunker in New York City used to protect against...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a poorhouse where residents had to work, mostly by farming, to feed the colony’s residents as well a...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts an amusement park ride at the Coney Island park that opened in 1897 and then closed in 1964, reopene...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts an abandoned auditorium, left to the elements. This same auditorium was photographed in 1975, slowly...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts the nurses' quarters in Riverside Hospital, which opened on North Brother Island in 1885. It is wher...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts the NCO Quarters Building, which was destroyed by a fire in 1968 after Fort Slocum closed in 1965. T...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a burial site where over a million people have been buried since the late 1800s, more recently victi...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a man-made island was built as a quarantine station to house immigrants arriving at Ellis Island wit...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a man-made island that served as a quarantine station. It was built in 1872 after the old Quarantine...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts an abandoned property (originally named Bannerman’s Arsenal) that was built in 1901 to store militar...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts an aerial view of the private Rat Island. In 2016, Alex Schibli (the Swiss owner) placed a statue Wi...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a lighthouse on Execution Rock, a name derived from colonial New York, when slave-owning settlers we...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts ... Phillip Buehler is a New York based photographer who documents the deterioration and remnants o...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a ferry that was built in 1904 and brought two thirds of immigrants to a railroad terminal in Jersey...

18"x18" limited edition historic photograph, edition 1/5. This photograph depicts a smallpox hospital that opened in 1856 and was abandoned in 1956. It was nicknamed for architect Ja...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts the auditorium at Riverside Hospital. Riverside Hospital became an adolescent drug treatment facility from 1952 until 1964. This was the basis for the Broadway play, "Does a Tiger Wear a Necktie," which launched the career of Al Pacino when he won a Tony Award for his performance. Taken in 1975", this photograph is featured in "Islands of New York" photographic series. Phillip Buehler is a New York based photographer who documents the deterioration and remnants of neglected architecture constructed in the recent past. In the series “No Man is an Island...” Buehler has photographed the historic, and also often forgotten islands, around New York City. Some of them, like Ellis Island, loom large in their impact on history, culture and existence in the national identity. Others, like “Rat Island,” a privately-owned 2.5 acre islet north of The Bronx, with an unusual statue...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a partially sunken Staten Island at the then abandoned dock along Ellis Island. Taken in 1974", this photograph is featured in "Islands of New York" photographic series. Phillip Buehler is a New York based photographer who documents the deterioration and remnants of neglected architecture constructed in the recent past. In the series “No Man is an Island...” Buehler has photographed the historic, and also often forgotten islands, around New York City. Some of them, like Ellis Island, loom large in their impact on history, culture and existence in the national identity. Others, like “Rat Island,” a privately-owned 2.5 acre islet north of The Bronx, with an unusual statue...

Signed editioned 18"x18" photograph edition of 25, depicting a spherical panoramic image of Bannerman's Castle, on Pollepel Island in the Hudson Valley. The principal feature on the island is Bannerman's Castle, an abandoned military surplus warehouse. This photograph is included in the series, “No Man Is an Island: Poetry in the Ruins of the New York Archipelago,” fifty years of work by photographer Phillip Buehler documenting many of the islands surrounding Manhattan. Phillip Buehler is a New York based photographer who documents the deterioration and remnants of neglected architecture constructed in the recent past. In the series “No Man is an Island…” Buehler has photographed the historic, and also often forgotten islands, around New York City. Some of them, like Ellis Island, loom large in their impact on history, culture and existence in the national identity. Others, like “Rat Island,” a privately-owned 2.5 acre islet north of The Bronx, with an unusual statue...

30"x40" limited edition photograph, edition 1/5. This photograph depicts Rat Island and is featured in the series, "Islands of New York". Emerald green waters surrounds this small island in New York. In 2016, Alex Schibli, the Swiss owner of this private island, placed a statue William Tell on the island (it is currently laying on its side waiting to be reinstalled upright). The statue is a reproduction of a monument located in Altdorf, Switzerland, that honors him as a freedom fighter. Phillip Buehler is a New York based photographer who documents the deterioration and remnants of neglected architecture constructed in the recent past. In the series “No Man is an Island...” Buehler has photographed the historic, and also often forgotten islands, around New York City. Some of them, like Ellis Island, loom large in their impact on history, culture and existence in the national identity. Others, like “Rat Island,” a privately-owned 2.5 acre islet north of The Bronx, with an unusual statue...

18"x24", signed, editioned color photograph. In this conceptual photograph, the artist has paired a painting of watermill, in a rural landscape with a highly distress wall. The bab...

18"x24", signed, editioned color photograph. A lush Fall farm landscape with greens fields, orange trees and red barn painting is contrasted by the placement on a highly distressed wall. Multiple layers of paint in various colors from teal blue, pink, beige, and orange are peeled and cracked creating an abstract pattern of color behind the landscape painting in this photograph. Time and age have created an image of beautiful decay with the cracked and peeling paint, which creates an amazing visual backdrop to the painting. The pairing of the two in this photograph compliment each other on a sensory level and bring out thoughts of nostalgia and longing. Phillip Buehler is a New York based photographer who documents the deterioration and remnants of neglected architecture constructed in the recent past. He is arguably the first to coin the neologism “modern ruins”. His photographs published in “Woody Guthrie’s Wardy Forty,” have won numerous awards, documenting the singer/songwriter/activist’s life at Greystone Park Psychiatric. He received his BA at Rutgers University and his MFA in photography at School of Visual Arts. Phillip Buehler has been featured in Art in America, The New York Times, Art News, The Art...

18"x24", signed, editioned color photograph. The rose pink textured wall of the distressed background in this photograph complements pinkish reds of the road depicted in the rural town landscape painting, which was selected and placed by the artist to have this interaction. The red tones in horizontal stripes of the exposed wood lathing strips on the wall that the painting is hung, add to the visual texture with the white paint under the peeling pink paint. Time and age have created an image of beautiful decay with the cracked and peeling paint, which creates an amazing visual backdrop to the painting. The pairing of the two in this photograph compliment each other on a sensory level and bring out thoughts of nostalgia and longing. Phillip Buehler is a New York based photographer who documents the deterioration and remnants of neglected architecture constructed in the recent past. He is arguably the first to coin the neologism “modern ruins”. His photographs published in “Woody Guthrie’s Wardy Forty,” have won numerous awards, documenting the singer/songwriter/activist’s life at Greystone Park Psychiatric. He received his BA at Rutgers University and his MFA in photography at School of Visual Arts. Phillip Buehler has been featured in Art in America, The New York Times, Art News, The Art Newspaper, Wall Street Journal, American Photo Magazine, The Huffington Post, Hyperallergic, Gothamist, Art F City, The Sun, ABC, CNN, and numerous other publications. Phillip Buehler Church Dome...

edition of 5, signed on reverse. This photograph was taken in 2000 of the the Thunderbolt rollercoaster in Coney Island prior to its demolition. The Thunderbolt was a wooden roller...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph has a kaleidoscope feel in the geometric pattern of blue clouded sky tiles and salmon coral diamond paneling. It captures the view of the open panel ceiling of the atrium in the abandoned Wayne Hills Mall...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. A view of the crumbling panel ceiling of the courtyard in the abandoned Wayne Hills Mall...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts what remains of the of the Sam Goody entrance at the deserted Wayne Hills Mall, in Wayne, New Jersey. The prominent sign to the entrance of the mall, has been removed yet, there is still the vaguely visible lettering on the grand entrance to the closed retailer. Phillip Buehler captures the last stages of the life of the once bustling mall, with the empty corridors and dilapidated storefronts and kiosks. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player...