Pierre Balmain Art

Figurative Ink on Cotton paper Painting N.1 'Vessels' by Dmitry Samygin H.27 x 19.5 cm About Dmitry Samygin Furniture and Product Designer. His approach relies on simple forms and clarity in ideas with carefully chosen materials to expose the essence of an object. His products exemplify humanistic design, comfort in everyday use and ergonomic function. He is a prize-winner in international competitions. He has taken part in exhibitions in Paris, Milan and Moscow, collaborates with European and Russian production, architectural and design companies. Since 2021 Dmitriy's design has been presented in a permanent exhibition at the Museum of Arts and Crafts in Moscow. Dmitry's graphics and designs are in private collections all over the world. Samygin's Awards 2023 I+D / Design Now / winner (product design & decor) 2021 Red dot / Modul 2021 I+D magazine award / Shelter (covers for the sculptures of Moscow State Architectural Museum) 2020 Best 2020 AD Russia 2019 Andrew World...

Figurative Ink on Cotton paper Painting N.1 'Vessels II' by Dmitry Samygin H.27 x 19.5 cm About Dmitry Samygin Furniture and Product Designer. His approach relies on simple forms and clarity in ideas with carefully chosen materials to expose the essence of an object. His products exemplify humanistic design, comfort in everyday use and ergonomic function. He is a prize-winner in international competitions. He has taken part in exhibitions in Paris, Milan and Moscow, collaborates with European and Russian production, architectural and design companies. Since 2021 Dmitriy's design has been presented in a permanent exhibition at the Museum of Arts and Crafts in Moscow. Dmitry's graphics and designs are in private collections all over the world. Samygin's Awards 2023 I+D / Design Now / winner (product design & decor) 2021 Red dot / Modul 2021 I+D magazine award / Shelter (covers for the sculptures of Moscow State Architectural Museum) 2020 Best 2020 AD Russia 2019 Andrew World...

This oil painting on canvas, created by an artist from the 17th Century Flemish School, depicts one of the most significant scenes from Greco-Roman mythology: Aeneas saving his famil...

GOVERT VAN EMMERIK (1808-1882) View on the Governor’s Palace in Paramaribo, Surinam Signed and dated 1856 Oil on canvas, 70 x 90 cm In large gilt...

Jacob Eduard Van Heemskerck Van Beest (1828-1894) “Avondgebed; Maleidische tripang visschers onder de hoge kust van Celebes” (Ev...

Achille LAUGÉ (Arzens 1861 – Cailhau 1944) The Port of Collioure Pastel on paper laid down on canvas H. 38 cm; W. 55 cm Provenance annotations on the reverse Circa 1926–29 Unsigned ...

Marianne Loir (Paris 1705 – Paris 1783) Presumed Portrait of Jean-Jacques-Blaise Baloin de Belvèse, Baron de Vennac (?-1781) Oil on oval canvas H. 54.5 cm; W. 46 cm Unsigned Grandda...

The Christ Child as Redeemer of the World Oil on Canvas, 69.3 x 49.7 cm Provenance Private Collection, Belgium The present painting is known in different versions. One of them is ...

Oil on canvas 33 x 48 ½ inches; 840 x 1235 mm Painted c. 1793 Collections: George Romney; By descent to Elizabeth Romney (1832-1893), the artist’s granddaughter; Romney sale, Chris...

Circle of Maratta, Maria and Child, in a Roman 18th century hand carved and gilded wooden frame, uncut Images of the Virgin and Child were for centuries the most common subject for Christian religious...

This huge Italian 19th century armorial painting features the coat of arms of Montini, a noble Italian family that has among its ancestors the Archbishop of Milan, later known as Pope Paul VI. The large oval canvas has a brown and red background, the latter shaped like a shield, in which six mountains (from the etymology of the surname) and three white fleur de lis are painted. This big scale palatial oil painting...

A sawah landscape, Sumatra Signed and dated 'Sonnega '54' (lower right), and annotated 'Voor Jan de Bas 1-1-1970 / R de Bas' (on the reverse) oil on canvas, 50,5x60,5 cm Provenance: - Collection Pieter de Bas (1909-1979) Mr de Bas was head of the MULO school and acting head of the HBS school in Medan. Thence by descent to the present owner. Exhibited: - Hotel de Boer, Medan 1954, where acquired by the first owner. The light I observed everywhere was of a special quality, fluorescent blue, shone from nowhere but radiated from every point, oddly with great depth and intensity. The light in an entirely different dimension came from nowhere and went nowhere shimmering with the glow of a bright blue jewel. The most important thing I discovered was of being omnipresent and able to understand everything at the same time, yes I could fathom creation completely. Auke Sonnega, born March 9, 1910 in Leeuwarden, known as the painter, primarily of young Balinese men and women. Originally raised in the reformed denomination, the parents of Auke apparently practised theosophy and their children, including Auke were taught these principles. The talent for drawing revealed itself at an early stage which in 1926 lead to a 4-year study of textile design at the Academy for Art and Craft in Amsterdam. He completed the academy in 1930 and worked in a carpet factory in Twente until 1934 and then followed in his sister Aafje’s footsteps leaving the Netherlands to go to the Dutch East Indies where in 1935 he started working as a graphic designer with an advertising bureau in Batavia. He was able to travel through Java and Bali on the motorbike that he brought with him from Europe, and was paid for his travelogue, enhanced with his own photo’s which appeared in several Dutch newspapers and magazines. In the 1930’s two Europeans, Walter Spies and Rudolf Bonnet...