The Bathers ("De Zwemmertjes")
By Rembrandt van Rijn
Located in New York, NY
Etching and drypoint on laid paper, 1651. New Hollstein's third, and final, state. Full sheet size 5.38 x6.5 inches. Frame size 14.25 x 16.75 inches. Catalogue raisonné references...
Drypoint, Etching
$40,000
H 11.42 in W 15.36 in D 3 in
Le Cocu Magnifique -- complete with 12 original etchings
By Pablo Picasso
Located in New York, NY
About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...
Drypoint, Etching, Aquatint
$8,877
H 11.15 in W 8.78 in D 0.2 in
La Chèvre-Feuille - Illustrations by Pablo Picasso and G. Hugnet - 1943
By Pablo Picasso
Located in Roma, IT
La Chèvre-Feuille is an original Modern Rare book illustrated by Pablo Picasso and written by Georges Hugnet (11 July 1906 – 26 June 1974) in 1943 . Origina...
Etching
$550
H 12 in W 9 in D 2 in
A Visual Biography (Hand signed by BOTH Marina Abramovic and Katya Tylevich)
By Marina Abramovic
Located in New York, NY
Marina Abramović A Visual Biography (Hand signed by BOTH Marina Abramovic and Katya Tylevich), 2023 Large (huge!) hardback monograph with no dust jacket as issued Hand signed by BOT...
Paper, Ink, Mixed Media, Lithograph, Offset
The souper dress
By Andy Warhol
Located in Jerusalem, IL
A wonderful piece of unknown edition by Andy Warhol. A silkscreen print on a Cellulose and Cotton dress. Fearing the artist's trade mark Campbell's soup can. In very good condition.
Textile, Screen
$850
H 37 in W 24 in
"Merce Cunningham Dance Company" (Photograph by Terry Stevenson)
By Merce Cunningham
Located in New York, NY
Merce Cunningham Dance Company "Merce Cunningham Dance Company" (Photograph by Terry Stevenson) City Center, New York, 1981 Poster 37 x 24 inches Sign...
Offset
$5,500
H 26.5 in W 30.5 in D 1.375 in
"Untitled Men and Women", 12" x 15" Lithograph Attributed to Pablo Picasso
By Pablo Picasso
Located in Oklahoma City, OK
This 12" x 15" etching in a 26.5" x 30.5" frame is attributed to Pablo Picasso. The imprint of the plate can be seen imbedded into the paper and is created using a deep brown ink. Th...
Etching
Le Poeme (The Poem)
By Louis Icart
Located in Fort Washington, PA
Date: 1928 Medium: Etching and aquatint on wove paper Framed Dimensions: 28.00" x 31.50" Signature: Signed in pencil at lower right, with the artist’s blindstamp at lower left. “C...
Etching, Aquatint
$700
H 8 in W 5.25 in D 1 in
Monograph: Strangeland (Hand signed, dated and inscribed by Tracey Emin)
By Tracey Emin
Located in New York, NY
Tracey Emin Strangeland (Hand signed, dated and inscribed by Tracey Emin), 2005 Hardback monograph with dust jacket (hand signed, dated and inscribed for Ann by Tracey Emin) Hand sig...
Paper, Ink, Mixed Media, Lithograph, Offset
$1,200
H 22.75 in W 18.25 in
Lt Ed Hand SIGNED Book: Mario Testino Private View Bi-Lingual (Chinese-English)
By Mario Testino
Located in New York, NY
Mario Testino Private View Bi-Lingual (Chinese-English), hand signed and stamp numbered, 2012 Limited Collector's Edition Hardback Monograph with Lenticular Cover portrait of Lady Ga...
Plastic, Paper, Acrylic Polymer, Ink, Mixed Media, Lithograph, Offset
$512
H 8.27 in W 5.52 in D 0.04 in
Les Contes Drolatiques - Rare Book Illustrated by G. Doré - 1861
By Gustave Doré
Located in Roma, IT
Les Contes Drolatiques is an original modern rare book written by Honoré de Balzac (1799 – 1850) and illustrated by Gustave Doré (Strasbourg, 1832 – 23 January 1883) in 1861. Publis...
Paper, Etching
$550
H 12 in W 9 in D 0.5 in
Will Barnet: A Timeless World (hand signed, dated and warmly inscribed)
By Will Barnet
Located in New York, NY
Will Barnet: A Timeless World (hand signed, dated and warmly inscribed), 2000 Softback monograph with stiff wraps (hand signed, dated and warmly inscribed) Hand signed, dated and warmly inscribed to Margo by Will Barnet on the half title page 12 × 9 × 1/2 inches We believe the colleague Margo refers to renowned African American artist Margo Humphrey, who also worked at the Rutgers Center for Innovative Printmaking with Will Barnet. The full inscription reads: Sep 21 2000 To my colleague -Margo- with appreciation and affection Will Barnet Book information: Published by the Montclair Art Museum, New Jersey and Distributed by Rutgers University Press English; Paperback; 124 pages containing 43 color and 20 black-and-white illustrations Publisher's blurb: Painter and printmaker Will Barnet has actively participated in the New York art world for nearly 70 years. A leading figure in the Indian Space painting movement of the late 1940s, Barnet stressed the spatial structures of Northwest Coast Indian art. Throughout the 1950s and into the 1960s, he made a series of hardedged, totemic abstractions marked by their "all-positive" space, which he described as austere, classical expressions of Indian culture. He then moved on to new art forms in the 1960s and 1970s, creating a series of family and art world portraits that achieved a remarkable balance between the formal demands of abstraction and the humanist aspects of representation. Will Barnet: A Timeless World is the first substantial publications to unify Barnet's prodigious output. Art historian Gail Stavitsky provides an overview of this artist's entire career. Twig Johnson, the museum's curator of Native American Art, discusses the relationship of Barnet's work to this important indigenous artistic tradition. Jessica Nicoll, chief curator at the Portland Museum of Art, explores the profound impact of New England upon Barnet and his work. Many of Barnet's works are beautifully reproduced in this catalog, containing 43 color and 20 black-and-white illustrations. More about Will Barnet: Will Barnet was born in Beverly, Massachusetts in 1911. He has taught and exhibited widely over his more than seventy-five year career. His works are in the collection of virtually every American museum, including locally The Guggenheim Museum, The Metropolitan Museum of Art, The Museum of Modern Art, and The Whitney Museum of American. He is an elected member of the American Academy of Arts and Letters. In fall 2011 the National Academy Museum will present a retrospective exhibition being organized by Bruce Weber. Barnet is represented exclusively by Alexandre Gallery...
Paper, Ink, Mixed Media, Lithograph, Offset
Untitled
Located in New York, NY
This sophisticated lithograph was executed by the renowned visual artist Peter Eugene Ball circa 1970. Realized in black and white, it depicts a styl...
Etching
$2,731
H 7.09 in W 2.37 in D 0.08 in
Comic Poems - Rare Book Illustrated by G. Cruikshank - 1830
By George Cruikshank
Located in Roma, IT
Comic Poems ("Seven illustrated books in one volume") is an original modern rare book illustrated by George Cruikshank (London, 1792 - London, 1878) in 1829/1830. Published by Johnston, London. Original First Edition. Seven books bound in one volume (Tom Thumb, The real Devil’s Walk, Monsieur Tonson, The March of intellect, The Devil’s Walk, Steamers v. Stages and The Epping Hunt). Format: in 12°. The book includes Fortyfive etchings and woodcuts. Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...
Paper, Etching, Woodcut
$5,690
H 6.89 in W 5.32 in D 0.04 in
The Fairy Library - Rare Book Illustrated by George Cruikshank - 1850
By George Cruikshank
Located in Roma, IT
The Fairy Library is a set of original modern rare books written by various authors and illustrated by George Cruikshank (London, 1792 - London, 1878) between 1853-1854. Published by David Bogue, London. Original First Edition. Format: in 8°. The book includes Four Volumes (they includes 30, 32, 31 and 40 pages with illustrated wrappers and 24 full page Etchings; there is also an extra suite of Twentyfour hand colored etchings). Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...
Paper, Etching
$10,243
H 11.82 in W 9.06 in D 1.38 in
Il Gazzettiere Americano - Ancient Illustrated Book on the Americas - 1763
Located in Roma, IT
3 volumes. Engraved title vignettes, 78 engraved plates and maps by Giuseppe Pazzi (including engraved frontispiece, 20 folding maps, 19 maps, 35 plates, 3 folding views). Half-title...
Paper, Etching
Sold
H 20.13 in W 16.13 in D 0.88 in
Christ Driving The Money Changers From The Temple By Rembrandt Van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn 1606-1669 Dutch Christ Driving the Money Changers from the Temple Etching on paper New Hollstein's 139, state I of IV Among the very best of the Old Masters stands the revered Dutch artist Rembrandt van Rijn, arguably the greatest etcher in the history of art. Certainly the most important Dutch printmaker of all time, his oeuvre features close to 300 authenticated prints, and his innovative techniques in the medium are without precedent. This superb etching, entitled Christ Driving the Money Changers from the Temple, displays the artistry and detail for which Rembrandt's prints are renowned. In this work of art, Rembrandt presents a famous religious scene—a moment of pure pandemonium. In the biblical account of this event, Christ enters a temple and is overtaken by rage at the sight of merchants and money changers conducting their business within. Rembrandt captures Christ’s reaction, actions driven by his desire to reclaim the space as a place of worship. Christ is positioned at the center of the composition, wielding ropes as a whip, having just overturned a table, causing a merchant to scramble for his coins spilling onto the floor. The scene is replete with chaos, including figures running, shouting and animals in disarray, embodying the dynamic virtuosity for which Rembrandt is renowned. Likely inspired by a similar composition from Albrecht Dürer, this depiction is a testament to Rembrandt's mastery of conveying complex narratives through his meticulous hand. Rembrandt has enjoyed much acclaim both during his lifetime and today for his paintings and prints. Emerging in the region in the early 16th century, printmaking experienced increased popularity during Rembrandt's lifetime, when an affluent new merchant class began spending their disposable income on artworks. Among the many printmakers of the era, Rembrandt stood out as he exploited the medium to its fullest. He often utilized techniques from his paintings, such as chiaroscuro, and successfully translated them to copper plate. His fluid lines, delicate cross-hatching and subtle tonalities allowed Rembrandt to achieve the sense of atmosphere that set his works apart. Versions of this etching reside in numerous museums, including the National Gallery of Art in Washington D.C., the Metropolitan Museum of Art and the St. Louis Museum of Art, among others. Printed circa 1635 Etching: 5 1/4" high x 6 1/2" wide (13.34 x 16.51 cm) Frame: 20 1/4" high x 16 1/4" wide (51.12 x 40.96 cm) Literature: Arthur M. Hind, A Catalogue of Rembrandt's Etchings...
Paper, Etching
Sold
H 16.25 in W 13.25 in D 1.13 in
Joseph Telling his Dreams by Rembrandt van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn 1606-1669 Dutch Joseph Telling His Dreams Etching on laid paper New Hollstein’s third state This highly important etching was created by the revered Dutch Old Master, Rembrandt Van Rijn. Entitled Joseph Telling His Dreams, this highly detailed composition is an outstanding representation of the painter’s skill as an engraver. This etching is known as a third state lifetime impression, meaning that the original etching, the first state, was altered twice by Rembrandt himself. Originally etched in 1638, this third and final state was made around 1641, the same year as the birth of his son, Titus, and the year before the death of his wife, Saskia. In addition, the printing quality and the paper structure also suggest that this is a lifetime impression. Though one of Rembrandt’s evocative Biblical subjects, this print displays the intimate naturalism for which his work is known. The child Joseph sits in the center, while his elder brothers surround him, some listening intently to his words and others talking among themselves. Rembrandt’s characteristic sense of humor also comes through even in this solemn composition, as a small dog in the foreground sits diligently cleaning himself. The son of a miller, Rembrandt van Rijn is believed to have been born in Leiden on July 15, 1606. He studied first at the Latin School, and then was enrolled at the University of Leiden at the age of 14. He soon left to study art — first with a local master, Jacob van Swanenburch, and then, in Amsterdam, with Pieter Lastman...
Laid Paper, Etching