Renato Barisani Art

Untitled 7 Chryssa, Greek (1933–2013) Date: circa 1975 Screenprint, Signed in pencil Size: 33 in. x 20 in. (83.82 cm x 50.8 cm)

Edward Landon 'Astral Comic', color serigraph, 1978, edition 25, Ryan 12. Signed, titled, and annotated 'Edition 25' in pencil. A superb, painterly impression, with fresh colors, on ...

Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony Caro, Reg Butler. From 1947 to 1950, Kadish...

"Homage to the Square - Portfolio 2, Folder 4, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

Thomas Robertson, 'Composition #4,' color serigraph, edition 47, c. 1940. Signed, titled, and annotated 'Ed/47' in pencil. A superb, painterly impression, with fresh colors, on buff wove paper, the full sheet with margins (1 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size: 10 9/16 x 8 1/2 inches (268 x 216 mm); sheet size 13 x 12 1/2 inches (330 x 318 mm). An impression of this work is represented in the collection of the National Gallery of Art. ABOUT THE ARTIST Born in Little Rock, Arkansas, Thomas Arthur Robertson (1911-1976) was the son of an attorney. Although his father, a co-owner of the Arkansas Law School, insisted that his son study there, after graduating, Robertson enrolled at the Adrian Brewer...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Artist: Arthur Boden, American Title: T Series (Orange) Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 100 Size: 29 in. x 23...

DORR BOTHWELL ( 1902 - 2000) MALLORCA Serigraph, Signed, titled and numbered 8/25 in pencil. Signed and dated in the print. Image. 13 1/8 x 9 inches, sheet 19 7/8 x 12 3/4 inches. ...

Printed on heavy Strathmore paper. Paul Levy (American, b. 1944) An established designer and illustrator, Paul M. Levy was born in Brooklyn, New York, in 1944. He received his B.S. i...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Gfeller + Hellsgård - Untitled 67 Screen-print on paper - signed & numbered - 2016 This is a rare A.P (artist proof) from the Untitled 67 print run. It's handprinted 5 colours as split-fountain. Size 80 x 60 cm, with a 5 cm white border, the condition is good, it will be shipped rolled in a hard tube. Artist info: Gfeller + Hellsgård is an artist duo working in Berlin. They've created an unique painterly screen-print-style which includes colour overlaps, smudges, bleeding, glitches and transparencies. In 1995 while studying at Ecole Supérieur des Arts Décoratifs de Strasbourg, Christian Gfeller (born 1973, Alsace) started publishing screen-printed graph'zines and artists' books under the moniker Bongoût (good taste). Bongoût found it's roots in the french D.I.Y art punk scene and, together with an handful of people, also organised concerts, party's and performances in an old warehouse named Lactina in Kehl, across the Rhine from France. The location became cult with its first techno parties, noise concerts and art performances, as well as exhibitions. Christian's first screen-print studio was located in Lactina and beside zine and book making, he designed and printed posters for the events as well as record covers for the cult garage trash punk label Yakisakana Rcds. In 2000, FLTMSTPC in Paris published a polaroid book by Christian, where this vivid time at Lactina was well documented. During this period Christian also played in several local bands: Pitfall, Elcamino and The Cheeraks. Christian Gfeller met Anna Hellsgård (born 1980, Stockholm) at a concert in Berlin on September 11th 2001. After Anna's short art study at Konstskolan in Stockholm, she was eager to develop her photographic interest and become an assistant to a commercial photographer for 2 years. In the meantine Anna also was Dj-ing in several clubs and bars in Stockholm. A vague memory from 1991 of her first Berlin visit and her music interest draw her to move to Berlin in 2001. There she continued with her B/W photographs and shot hundreds of pictures during her first time in Berlin. When she met Christian, she got immediately drawn to the french underground scene and its subversive graphic art content. Whenever she visited Christian in Strasbourg she would help him with his printing at the Lactina studio. In 2002 the couple moved to Bordeaux and built up a screen-print studio there. This is where they started to work full time together as an artist-duo, publishing their own zines, artist's books as well as designing gig posters and record covers. The year and a half in Bordeaux was very prolific and they grounded together a strong artistic direction and a unique style. Bongoût editions continued to grow there as well.The artist-duo produced over 40 screen-printed books in collaboration with other artists during this time. In 2004 they decided to move back to Berlin, and relocated their studio to the Friedrichshain neighbourhood. Over the years, the duo released over 200 screen-printed zines and artists' books, some by themselves and others in collaboration with artists from around the world: David Sandlin...

Untitled - Chinese Characters (Red on Mauve) Chryssa, Greek (1933–2013) Date: circa 1979 Screenprint, signed and numbered in pencil Edition of 125 Size: 30 x 22 in. (76.2 x 55.88 cm)