Richard Anuszkiewicz More Art

This dynamic work was realized by the esteemed 20th Century modern artist Mon Levinson in 1964. The work was realized in 1964, and printed in 1965 by Chiron Press in New York- the same year that Levinson was included in the seminal Op-Art exhibition "The Responsive Eye", alongside contemporary luminaries such as Bridget Riley. An identical work from this edition resides in the permanent collection of the New York MoMA. This mixed media work consists of an translucent vinyl sheet layered over a print- part etching, part lithograph. The clear vinyl sheet is embossed with a tight pattern of sinuously curved repeating black lines and is subtly raised in places- creating a subtle three dimensionality and dynamic sense of movement. The paper is inscribed with the same recurring pattern of snaking black lines, like a fine filigree, with two weighty black geometric forms that appear to crowd the composition. Smaller geometric forms reside within creating the apparition of negative space in the bone hued paper. The juxtaposition of the delicate texture and colossal feeling forms imbues the piece with a stunning dynamism and tension, helping to explain why Levinson is among the most influential and important artist to come out of the Op Art movement. His work is in the permanent collections of important institutions around the world including the Museum of Modern Art as well as the Whitney Museum of American Art in New York. Signed by the artist and marked 18/200. The work comes presented in a custom walnut and white gilt frame...

Thomas Ranft (1945) Nacht der tausend Träume, 1986 • Coloured etching on three separate plates • Sheet ca. 55 x 42 cm • Titled, signed and dedicated Worldwide shipping is complime...

This piece titled "Dragon City" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 10"h x 0.75"w x ...

"The Shadowplay print is inspired by punk, post-punk, and new wave music graphics that combined original art and found imagery in subversive and enigmat...

"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...

This unframed, signed, limited edition pigment print by artist Brad Ellis exists in an edition of 30. Paper size is 30"h x 24"w with an image size of 24"h x 19"w. Brad Ellis is a Da...

Richard Smith On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...

Florence Arnold (American 1900-1994) hard-edge abstract color square screen print (c.1977) pencil signed 19/25, 18in x18in. Florence Arnold began painting seriously in 1947. By the ...

Original miniature water tower sculpture by Drew Leshko made from archival paper, basswood, acrylic, enamel, dry pigments, birch wood strips, and steel mea...

Florence Arnold (American 1900-1994) hard-edge abstract color square screen print (c.1977) pencil signed 20/25, 16"x16". Florence Arnold began painting seriously in 1947. By the la...

Ed Ruscha (American, b. 1937) Babycakes with Weigths, 1970 Medium: Artist's book, offset printed (white paper, blue paper with green flocking, pink satin ribbon) Dimensions: 19 × 15....

This piece titled "Noemi Paris" is original artwork made from paper, plaster, vinyl, acrylic, enamel, polyester, basswood, chain, wire, inkjet prints, and pastels by Drew Leshko. Thi...