Robert Emmett Owen was a successful American artist and painter, best known for his impressionist views of rural landscapes. His color-filled paintings capture the moods and seasonal splendor of the New England countryside.
Robert was born in North Adams, Massachusetts, in 1878. He began his art studies at Drury Academy, in his hometown and quickly gained notice. At the age of 19 years, in 1897, he had several drawings accepted for publication by Life Magazine. The following year, he received a scholarship to the Eric Pape School of Art, in Boston, Massachusetts, where he worked in the art department of The Boston Globe, to pay for his studies.
He moved to New York City, in 1901, where he rapidly achieved fame, as an illustrator and worked for various publications, including Harper’s Bazaar, Frank Leslie’s Popular Monthly and Cosmopolitan, while continuing his training at the Art Students League, the Chase School and the National Academy of Design.
In 1910, Robert moved to Bagnall, Connecticut, to concentrate on landscapes full time. He had the opportunity there, to paint outdoors in all seasons. He also received numerous commissions from many prominent citizens. In 1919, Temple Gwathmey, former president of the New York Stock Exchange, commissioned a series of twenty paintings and in 1923, Stephen H.P. Pell commissioned a series of images for Fort Ticonderoga, eight of which were reproduced as full-page illustrations in Harper’s Bazaar. He also received commissions from Percy Rockefeller and Edward Stettinus, former US Secretary of State.
Robert moved back to New York City, in 1920 and opened his own gallery, while continuing to do magazine illustrations. The gallery, called the Robert Emmett Owen New England Landscape Gallery, only exhibited and sold his own work. It moved several times, during the next 21 years, always remaining successful, until Robert closed it in 1941, when the United States entered the Second World War and moved to New Rochelle, New York, to be the artist-in-residence at the Thomas Paine Memorial Museum.
His work was well liked by both critics and the public and examples are held by the Frick Art Museum, in New York, the Bruce Museum, in Connecticut and the Greenwich Public Library. Robert died in New Rochelle, in 1957.
'Winter Sunset' AIC, ASL, NAD, PAFA, New York, Boston, New England, Connecticut
By Robert Emmett Owen
Located in Santa Cruz, CA
Signed lower right, 'R. Emmett Owen' for Robert Emmett Owen (American, 1878-1957) and painted circa 1915. Displayed in a substantial, carved, giltwood frame Framed dimensions: 30 x 1...
Oil, Board
Old House, New Canaan
By Robert Emmett Owen
Located in New York, NY
Robert Emmett Owen, best known for his New England landscapes featuring old farmhouses, winding roads, and covered bridges, began his career contributing pen-and-ink drawings to Life...
Oil, Board
$2,350
H 20.625 in W 25.625 in D 1 in
Mid-20th Century Oil on Board Abstract Impressionist Maritime Scene, René Genis
By René Genis
Located in Berlin, MD
Step into the bustling energy of a portside moment with René Genis’ “Les Grues” (The Cranes)”, a captivating oil-on-mat-board painting that transforms the in...
Oil, Illustration Board
$1,950
H 19.5 in W 23.5 in D 1 in
“Bermuda Coast” Henrietta Dunn Mears American Impressionist Oil on Board Signed
By Henrietta Dunn Mears
Located in Yardley, PA
A vibrant Bermuda seascape depicting the rocky shoreline with turquoise waters breaking against sunlit boulders beneath a sweeping tree. Mears uses bold, textured brushstrokes and a ...
Oil, Board
$9,500
H 9.5 in W 7 in
Dusk Forest Scene, Catskills by Lockwood DeForest (American, 1850-1932)
By Lockwood DeForest
Located in New York, NY
"Dusk Forest Scene, Catskills," 1875 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 7 inches. The work is signed by DeForest, and dated May 13, 1875 at lower right. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood DeForest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the DeForests made frequent trips abroad. Excursions to the great museums, which were prominent on the DeForests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old DeForest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. DeForest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, DeForest took a studio at the Tenth Street Studio Building in New York. During these formative years DeForest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade DeForest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...
Oil, Board
$1,000
H 15 in W 17 in
Framed Realist Oil of Trees in Hilly Landscape on Canvasboard
Located in Philadelphia, PA
William S. Butz (American, active Woodstock, N.Y., 1911-39) Field with Trees in Hilly Landscape Oil on canvasboard, 8 3/4 x 11 inches Framed: 15 x 17 inches (approx.) Signed on verso...
Oil, Board
Amercan Merchant Ship in Philadelphia Harbor
By Thomas Birch
Located in Costa Mesa, CA
Thomas Birch is considered one of the earliest American Marine painters of importance both in his own time and historically, forming the foundation of what would become a great American Maritime movement in the successive years of the 19th century. Born in England, Birch started as a landscape painter but after the War of 1812 he turned to marine subjects, taking inspiration from the best of both English and Dutch maritime traditions but refining these techniques into a very recognizable style all his own. The work featured here is a classic of Birch's later period, when he focused specifically on maritime subjects, mainly the busy waterways of Philadelphia Harbor. Here we see one of those scenes- a series of ships plying their trade, all framed by the city as it sits across the Delaware River, with the tall, white spire of what is either Independence Hall or Christ Church to the left of the main vessel. The details of the city are particularly good in this painting, with the wharf building to the left and the long line of buildings all along the shore. The American Merchant Bark at the center of this painting is rendered in excellent detail, from her house flag and pennant, to her rigging and sails, and down to her deck filled with the activity of crewmembers readying the ship to head out, her gilt billet...
Canvas, Oil, Board
$6,500
H 22.25 in W 28.25 in D 2 in
“October Morning Matunuck" c. 1925 by Frank Convers Mathewson Rhode Island Oil
Located in Yardley, PA
About this work: “Birches and Huckleberry, October Morning Matunuck" c. 1925 by Frank Convers Mathewson (American, 1862-1941). A stunningly beautiful autumn view of Matunuck, Rhode ...
Oil, Board
Home Safe
By James Gale Tyler
Located in Greenville, DE
Very well executed seascape. Alternate title "In Point" inscribed on the rear. 17 x 15in in frame, including linen liner. ...
Oil, Board
$1,200
H 18.5 in W 26.5 in D 0.2 in
Tokari Village, Landscape, Original oil Painting, Ready to Hang
By Ivan Shapoval
Located in Granada Hills, CA
Artist: Shapoval Ivan Leontyevich Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2008 Title: Tokari Village Size: 1...
Oil, Cardboard
$4,012
H 20.08 in W 28.75 in D 1.19 in
Italian Impressionist Oil on Board Marine Landscape Painting Naples Bay View
By Francesco Coppola Castaldo
Located in Firenze, IT
Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...
Oil, Board
$700
H 19.5 in W 25.5 in D 0.2 in
April in the Village, Landscape, Original oil Painting, Ready to Hang
Located in Granada Hills, CA
Artist: Mishurovski V.V. Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2021 Title: April in the village Size: 19.5...
Oil, Cardboard
San Giorgio Maggiore, Venice
By Continental School
Located in Stamford, GB
This atmospheric painting of one of Venice's most famous churches has been painted by an artist of considerable skill, although sadly anonymous. Rapidly painted on artist's board and...
Oil, Board
$765
H 19.5 in W 27.5 in D 0.2 in
Snow and sun, Original oil Painting, Ready to Hang
Located in Granada Hills, CA
Artist: Mishurovski V.V. Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Cardboard Style: Impressionism Year: 2012 Title: Snow and Sun Size: 19.5"...
Canvas, Oil, Cardboard
Sold
H 13 in W 16 in
American Impressionist Robert Emmett Owen New England Landscape
By Robert Emmett Owen
Located in Rockport, MA
This oil painting by American artist Robert Emmet Owen captures a New England autumn with Owen’s signature warmth and impressionistic style. Rendered in rich, vibrant tones, the comp...
Oil
Dog Wood Tree
By Robert Emmett Owen
Located in Milford, NH
A fine impressionist landscape by American artist Robert Emmett Owen (1878-1957). Owen began his art training at the Drury Academy in his hometown of North Adams, Massachusetts. In 1897, while supporting himself by working at a local establishment, he contributed pen and ink drawings to Life Magazine, initiating what would be a long and productive career as an illustrator. The next year, he received a scholarship to study at the Eric Pape School of Art in Boston. After three years of training in Boston, Owen achieved further success from his commercial work, selling drawings to the Boston Globe, National Magazine, and Brown Book Magazine. Later, his work would appear in Scribner’s Magazine, Harper’s Monthly, and other publications. In 1901, Owen moved to New York and continued his training at the Art Students League, the Chase School, and the National Academy of Design. Among his instructors were Frederick Mulhaupt and Leonard Ochtman. In New York, Owen became aware of the art of leading American impressionists and began to create works that reflected the influence in particular of Willard Metcalf, J. Alden Weir, and Childe Hassam. Owen eventually opened his own gallery on Madison Avenue, where he exhibited and sold his own work for over twenty years. He became very well known for his impressionist views of rural landscapes. His color-filled paintings capture the moods and seasonal splendor of the New England countryside. Oil on canvas, signed lower left, artist placard on frame, title inscribed on verso stretcher “Dog Wood Tree...
Canvas, Oil
Sold
H 19.69 in W 16.54 in
A New England Cottage Garden.Original Painting.Robert Emmett Owen. American Home
By Robert Emmett Owen
Located in Sutton Poyntz, Dorset
This original oil painting by Robert Emmett Owen , dating from the early part of the 20th century, is presented and supplied in its’ original frame (which is shown in these photographs). The frame dimensions are 50cm high x 42cm wide. The visible painting dimensions are 29cm high x 21cm wide (11.4inches high x 8.3inches wide). The painting is signed lower right. Robert Emmett Owen was a successful American artist, best known for his impressionist views of rural landscapes. His colour filled paintings capture the moods and seasonal splendor of the New England countryside. He was born in North Adams, Massachusetts in 1878. He began his art studies at Drury Academy in his hometown and quickly gained notice. At age 19, in 1897, he had several drawings accepted for publication by Life Magazine. The following year he received a scholarship to the Eric Pape School of Art in Boston, where he worked in the art department of the Boston Globe to pay for his studies. Owen moved to New York City in 1901 where he rapidly achieved renown as an illustrator and worked for various publications including Harper’s Bazaar, Frank Leslie’s Popular Monthly, Scribner’s and Cosmopolitan while continuing his training at the Art Students League, the Chase School, and the National Academy of Design. In 1910 Owen moved to Bagnall, Connecticut, to concentrate on landscapes full time. He had the opportunity there to paint outdoors in all seasons. He also received numerous commissions from many prominent citizens. In 1919, Temple Gwathmey, former president of the New York Stock Exchange, commissioned a series of twenty paintings, and in 1923, Stephen H. P. Pell commissioned a series of images for Fort Ticonderoga, eight of which were reproduced as full-page illustrations in Harper’s. Owen also received commissions from Percy Rockefeller and Edward Stettinus, former Secretary of State. Owen moved back to New York City in 1920, and opened his own gallery while continuing to do magazine illustrations. The gallery, called the Robert Emmett Owen New England Landscape Gallery, only exhibited and sold his own work. It moved several times during the next 21 years, always remaining successful until Owen closed it in 1941 when the United States entered the Second World War and moved to New Rochelle, New York to be the artist-in-residence at the Thomas Paine Memorial Museum. His work was well liked by both critics and the public and examples are held by the Frick Art Museum, New York, the Bruce Museum, Connecticut and the Greenwich Public Library. Owen died in New Rochelle in 1957. This painting is a feast for the eyes, depicting a New England cottage...
Canvas, Oil
Autumn Lane
By Robert Emmett Owen
Located in Lambertville, NJ
Oil on canvas