Roberto Matta Art

Artist: Roberto Matta Portfolio: L'ame du Tarot de Theleme Year: 1994 Medium: Portfolio of Five Aquatint Etchings, each signed and numbered in pencil Edition: 100, XX Image Size: 19....

Etching and aquatint, 1964 Edition : 9/24 Publisher : Le Point Cardinal (Paris) Printer : Georges Visat (Paris) Catalog : [Sabatier 1975 67.118] 32.50 cm. x 25.50 cm. 12.8 in. x 10....

This artwork titled "Centre Noeuds" plate #1, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Composition is a wonderful Pastel drawing on paper realized in the early 1970s by the Surrealist artist Sebastián Matta (Santiago de Chile, 1911 - Civitavecchia, 2002). Not signed,...

Roberto Matta, Chilean (1911 - 2002) - Totem, Year: 1955-56, Medium: Lithograph with Hand-Coloring, Image Size: 25.5 x 18 inches, Size: 26 x 18.75 in. (66.04 x 47.63 cm), Frame S...

Roberto Matta, Chilean (1911 - 2002) - Untitled from Le Surrealisme en 1947, Year: 1947, Medium: Lithograph, Edition: 950, Size: 9 x 7.75 in. (22.86 x 19.69 cm), Printer: Mourlot, P...

This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...

This colorful color lithograph by Roberto Matta was printed at the Atelier Mourlot in Paris in 1976 and comes from an edition of 100 - from the series "Ca Ira" (it'll be fine) Ref. F...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 12 AM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 51/125, XXXIII Imag...

Surrealist Drawing is an exceptional pencil drawing by the artist Roberto Sebastián Antonio Matta Echaurren, who signed on the lower right of the paper “Matta”. The artwork is in ver...

This 1980 exhibition poster, designed by the legendary Chilean artist Roberto Matta for the Galerie Samy Kinge, is a striking representation of his unique artistic vision. Known for ...

Hand signed. Edition of 100 prints. From the portfolio “Transesports” of 6 coloured etchings and aquatints on Japon Nacré paper. Printed by Georges Visat, Paris and published by Éd...

Original poster of Roberto Matta created in May 68, with the slogan: Disciples occupy the discipline. For a revolutionary discipline. Born on November 11, ...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Roberto Matta, Chilean (1911 - 2002) - Par La Bait Naitre, Year: 1946, Medium: Etching on Hollande Van Gelder, Edition: 58, Image Size: 5.25 x 3.75 inches, Size: 7.25 x 6 in. (18.4...

This lithograph was created by Chilean artist Roberto Matta. Matta creates new dimensions in a blend of organic and cosmic lifeforms in a biomorphic style. He was one of the first ar...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

"Nymphee" is a colorful Roberto Matta etching from his Requiem pour la Fin des Temps suite. The print is signed and numbered (44/100) in pencil w...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: Les Venusiennes (II) - Fog Ma Gog Planche 3 Year: 1971 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 47/100...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: Epaisser de haut-mer from Hom'mere II - L'Eautre Year: 1974-75 Medium: Aquatint Etching on Japon, Signed and numbered in pencil Ed...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 8 AM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching on Arches, signed and numbered in pencil Edition: 125, XXXII...

Comique Trippe XVI by Roberto Matta, Chilean (1911–2002) Date: 1974 Lithograph, signed and numbered in pencil Edition of 56/60 Image Size: 12.25 x 17.25 inches Size: 16.25 x 20.5 in....

Artist: Roberto Matta, Chilean (1911 - 2002) Portfolio: Centre Neouds Year: 1974 Medium: Suite of 10 Aquatint Etchings on Japon paper, each signed and numbered in pencil Edition: 12...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 2 AM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: XXXI/XXXIII Image Si...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 10 PM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 125, XXXIII Image S...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 5PM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 125, XXXIII Image Siz...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 10 AM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 125 Image Size: 19....

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 4 AM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: XXXI/XXXIII Image Si...

Artist: Roberto Matta Title: Sans Titre 1 Medium: Original pastel/drawing on paper Signed: Hand Signed Year: 1969 Measurements: 12" x 16" Framed: 20" x 24" Authentication: Kajsa...

Artist: Roberto Matta Title: Sans Titre 2 Medium: Original pastel/drawing on paper Signed: Hand Signed Measurements: 20" x 25" Framed: 28" x 35" Authentication: Kajsa Westling N...

This artwork titled "Centre Noeuds" plate #6 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is ...

This artwork titled "Centre Noeuds" plate #4, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Carborundum etching on hand made paper. Hand signed lower front by Roberto Matta. Edition 111/125. Published by Nordstamp. Artwork is in overall excellent condition. Certificate...

Artist: Roberto Matta Title: Hommage to Germana 1998 Medium: Original Black marker and colors drawing on paper Signed: Hand Signed Measurements: 6.5" x 8.5" Framed: ...

Original color drawing on paper. Hand signed lower front by Roberto Matta. Image size 12 x 16 inches. Frame size approx 23.25 x 27.5 inches. Artwork is in overall excellent co...

Artist: Roberto Matta Title: Sans Titre 3 Medium: Original pastel/drawing on paper Signed: Hand Signed Measurements: 20" x 27" Framed: 28" x 35" Authentication: Kajsa Westling N...

Roberto Matta Untitled, 1970 ca. Serigraph 26 x 20 in

TECHNICAL INFORMATION Roberto Matta Hours of the Day Series, 8pm 1975 Etching with aquatint 25 x 36 in. Edition of 9 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.

TECHNICAL INFORMATION Roberto Matta Archer, from Transports 1976 Etching aquatint 18 x 23 in. Edition of 100 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed ABOUT THE ARTIST The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.

This exquisite lithograph by Roberto Matta (1911–2002), titled El organo de Berberia (The Barrel Organ), from the album Ediciones Poligrafa, Barcelona - Redfern Gallery, London, orig...

Signed, titled, and numbered edition 15 of 175

This exquisite lithograph by Roberto Matta (1911–2002), titled Le Soleil Noir de la Melancolie (The Black Sun of Melancholy), from the album XXe siecle, Nouvelle serie, XXXVIIe Annee...

This exquisite lithograph by Roberto Matta (1911–2002), titled Les Voix du Silence (The Voices of Silence), from the album XXe Siecle, Nouvelle serie, XXXVIIIe Annee, No. 46, origina...

TECHNICAL INFORMATION Roberto Matta Hours of the Day Series, 8am 1975 Etching with aquatint 25 x 36 in. Edition of 9 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.

TECHNICAL INFORMATION Roberto Matta Hours of the Day Series, 10pm 1975 Etching with aquatint 25 x 36 in. Edition of 9 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.

These works express the influence of the collective subconscious icons, South American & popular culture, and psycho-sexuality. Their undeniable beauty keeps the eye engaged in visua...

Signed in pencil, an artist's proof aside from the numbered edition of 95. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern...

Signed in pencil, numbered from the edition of 95. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern. Plate: 55 x 41.6 cm. ...

Plate 1 from 'Judgements'. Signed in pencil, from the edition of 100. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Blue Moon Gallery, New York. Plat...

Signed in pencil, from the edition of 85. Printed on Lana wove paper and published by Georges Visat, Paris. Plate: 42 x 32.7 cm. (Sabatier 194).

Plate 1 from 'Scènes familières'. Signed in pencil, from the edition of 50. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions Galerie Le Point Ca...

Signed in pencil, from the edition of 99. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern in 1970. Plate: 41.1 x 54.6 cm....

Signed in pencil, from the edition of 100. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern. Plate: 23.5 x 31 cm. (Sabati...

Signed in pencil, from the edition of 85. Printed on Arches wove paper and published by Georges Visat, Paris. Plate: 23.8 x 17.7 cm. (Sabatier 266).

From 'Droites Libérées', a series which illustrated a poem by Henri Michaux. Signed in pencil, numbered in Roman numerals from XXV. From the suite on Japon nacré paper (the total e...

Signed in pencil at lower right.

Signed in pencil at lower right. Inscribed 'Que principio a abrir los ojos' ('Where to start when you open your eyes') in pencil at lower centre.

Untitled is an original oil on canvas realized by Roberto Sébastian Matta in 1996. It comes with a certificate of authenticity by Matta's son ...

Image: 21 x 17 in. Frame (suede): 31 x 26 in. Signed and numbered in pencil

Image: 21 x 17 in. Frame (suede): 31 x 26 in. Signed and numbered in pencil