Roberto Matta Art

This exquisite lithograph by Roberto Matta (1911–2002), titled Les Amants du Thermocouple (The Lovers of the Thermocouple), from the album XXe Siecle, numero special hors abonnement,...

Etching, 1974 Handsigned by the artist in pencil and annotated ea 14/15 Publisher : Georges Visat (Paris) 60.50 cm. x 45.00 cm. 23.82 in. x 17.72 in. (paper) 35.50 cm. x 26.50 cm. ...

Roberto Matta, Chilean (1911 - 2002) - Max Clarac-Serou vous presente ses meilleurs voeux, Year: 1960, Medium: Etching on laid paper, signed and numbered in pencil, Edition: 7/50, ...

Artist: Roberto Matta Title: The Eld of The World Medium: Carborundum Etching on Handmade Paper Signed: Hand Signed by Roberto Matta Edition Number: AP 1/1 Original Working Proof ...

This artwork titled "Centre Noeuds" plate #7, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...

This artwork titled "Centre Noeuds" plate #2, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Artist: Roberto Matta Portfolio: L'ame du Tarot de Theleme Year: 1994 Medium: Portfolio of Five Aquatint Etchings, each signed and numbered in pencil Edition: 100, XX Image Size: 19....

Artist: Roberto Matta, Chilean (1911 - 2002) Title: Epaisser de haut-mer from Hom'mere II - L'Eautre Year: 1974-75 Medium: Aquatint Etching on Japon, Signed and numbered in pencil Ed...

Artist: Roberto Matta Medium: Lithograph, E.A. Signed, Edition of 100, 1976 Dimensions: 22 x 30 in, 55.9 x 76.2 cm

Artist: Roberto Matta Title: Sans Titre 2 Medium: Original pastel/drawing on paper Signed: Hand Signed Measurements: 20" x 25" Framed: 28" x 35" Authentication: Kajsa Westling N...

T'ou't  se tient is an Artwork realized in 1975, by Roberto Sebastián Antonio Matta Echaurren (Santiago, Chile, 1911 - Civitavecchia, Italy, 2002). Colored Lithograph on paper. The ...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 10 PM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 125, XXXIII Image S...

Artist: Roberto Matta Title: Hommage to Germana 1998 Medium: Original Black marker and colors drawing on paper Signed: Hand Signed Measurements: 6.5" x 8.5" Framed: ...

Composition is a wonderful Pastel drawing on paper realized in the early 1970s by the Surrealist artist Sebastián Matta (Santiago de Chile, 1911 - Civitavecchia, 2002). Not signed,...

Roberto Matta, Chilean (1911 - 2002) - Droites Liberees II, Year: 1971, Medium: Etching and Aquatint on Japon, signed and numbered in pencil, Edition: 73/100, Image Size: 8.5 x 6...

Hand signed. Edition of 100 prints. From the portfolio “Transesports” of 6 coloured etchings and aquatints on Japon Nacré paper. Printed by Georges Visat, Paris and published by Éd...

Surrealist Drawing is an exceptional pencil drawing by the artist Roberto Sebastián Antonio Matta Echaurren, who signed on the lower right of the paper “Matta”. The artwork is in ver...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 5PM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 125, XXXIII Image Siz...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 2 AM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: XXXI/XXXIII Image Si...

This lithograph was created by Chilean artist Roberto Matta. Matta creates new dimensions in a blend of organic and cosmic lifeforms in a biomorphic style. He was one of the first ar...

A unique hand-colored proof aside from the regular signed and numbered edition. The print has the publisher's ink stamp and hand-written authenticity on the verso. Artist: Rober...

Roberto Matta, Chilean (1911 - 2002) - Par La Bait Naitre, Year: 1946, Medium: Etching on Hollande Van Gelder, Edition: 58, Image Size: 5.25 x 3.75 inches, Size: 7.25 x 6 in. (18.4...

Artist: Roberto Matta Title: L'eau est Mana Year: 1974 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 200 Size: 21.5 x 30 inches (54.61 x 76.2 cm) Frame...

"Nymphee" is a colorful Roberto Matta etching from his Requiem pour la Fin des Temps suite. The print is signed and numbered (44/100) in pencil w...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 4 AM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: XXXI/XXXIII Image Si...

This colorful color lithograph by Roberto Matta was printed at the Atelier Mourlot in Paris in 1976 and comes from an edition of 100 - from the series "Ca Ira" (it'll be fine) Ref. F...

Artist: Roberto Matta, Chilean (1911 - 2002) Portfolio: Centre Neouds Year: 1974 Medium: Suite of 10 Aquatint Etchings on Japon paper, each signed and numbered in pencil Edition: 12...

Etching, 1974 Handsigned by the artist in pencil and annotated ea 14/15 Publisher : Georges Visat (Paris) 60.50 cm. x 45.00 cm. 23.82 in. x 17.72 in. (paper) 35.50 cm. x 26.50 cm. ...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 10 AM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 125 Image Size: 19....

Artist: Roberto Matta, Chilean (1911 - 2002) Title: Les Venusiennes (II) - Fog Ma Gog Planche 3 Year: 1971 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 47/100...

Artist: Roberto Matta Title: Sans Titre 1 Medium: Original pastel/drawing on paper Signed: Hand Signed Year: 1969 Measurements: 12" x 16" Framed: 20" x 24" Authentication: Kajsa...

Paper Size: 12.25 x 9.5 inches ( 31.115 x 24.13 cm ) Image Size: 12.25 x 9.5 inches ( 31.115 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Artist: Roberto Matta Title: Sans Titre 3 Medium: Original pastel/drawing on paper Signed: Hand Signed Measurements: 20" x 27" Framed: 28" x 35" Authentication: Kajsa Westling N...

This artwork titled "Centre Noeuds" plate #8 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is ...

This artwork titled "Centre Noeuds" plate #4, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Frame size 76x78 cm. Free shipment worldwide. Acquired directly from the artist. Archive number (P90/41) “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén...

This 1980 exhibition poster, designed by the legendary Chilean artist Roberto Matta for the Galerie Samy Kinge, is a striking representation of his unique artistic vision. Known for ...

Original color drawing on paper. Hand signed lower front by Roberto Matta. Image size 12 x 16 inches. Frame size approx 23.25 x 27.5 inches. Artwork is in overall excellent co...

color etching and aquatint. Edition 1/100 Fantastical Surreal Fantasy

Hand signed and numbered by the artist. Artwork is in excellent condition. Additional images are available upon request. Certificate of Authenticity is included. Edition of 175. All...

Comique Trippe XVI by Roberto Matta, Chilean (1911–2002) Date: 1974 Lithograph, signed and numbered in pencil Edition of 56/60 Image Size: 12.25 x 17.25 inches Size: 16.25 x 20.5 in....

Artist: Roberto Matta, Chilean (1911 - 2002) Title: Ancien Victorieux Je te morphose from Hom'mere (Chaosmos) Year: 1974 Medium: Etching with Aquatint on Arches, Signed and Numbered ...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: 8 AM from L'Arc Obscur des Heures Year: 1975 Medium: Aquatint Etching on Arches, signed and numbered in pencil Edition: 125, XXXII...

Roberto Antonio (Echaurren) Matta (1911 - 2002) "Driote Liberees" Etching & Aquatint on Japon Nacré Paper. Signed in pencil and numbered 73/100. Published and printed by Georges Visat...

Beautiful example of Roberto Matta's book with 1 full color/ full page engraving and 4 black and white vignettes. On Arches. Signed on the justification page by the author and the ...

Roberto Matta Untitled, 1970 ca. Serigraph 26 x 20 in

Signed, titled, and numbered

TECHNICAL INFORMATION Roberto Matta Hours of the Day Series, 8pm 1975 Etching with aquatint 25 x 36 in. Edition of 9 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.

TECHNICAL INFORMATION Roberto Matta Hours of the Day Series, 10pm 1975 Etching with aquatint 25 x 36 in. Edition of 9 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.

TECHNICAL INFORMATION Roberto Matta Hours of the Day Series, 8am 1975 Etching with aquatint 25 x 36 in. Edition of 9 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.

TECHNICAL INFORMATION Roberto Matta Archer, from Transports 1976 Etching aquatint 18 x 23 in. Edition of 100 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed ABOUT THE ARTIST The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.

Roberto Matta La Guerre (The War) 1970 19 3/4 x 25 1/4 in. Numbered from the Rare Limited Edition of 150 Original Lithograph in Colors on Paper Hand signed

These works express the influence of the collective subconscious icons, South American & popular culture, and psycho-sexuality. Their undeniable beauty keeps the eye engaged in visua...

Signed in pencil, an artist's proof aside from the numbered edition of 95. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern...

Signed in pencil, numbered from the edition of 95. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern. Plate: 55 x 41.6 cm. ...

Plate 1 from 'Judgements'. Signed in pencil, from the edition of 100. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Blue Moon Gallery, New York. Plat...