Ron Carter Art

This piece is part of my private collection of the School of Paris era. It is pencil signed in the lower left corner by the artist and numbered . I have several of these lithographs ...

untitled lithograph drawn in 2022 and published in an edition of 43. Measuring 36 by 25 inches, the work is designated number 9 of 43 lower left and signed in pencil "R Hunt...

"Denmark" abstract lithograph from "Escultor" suite of seven by Joan Miró (catalog raisonne reference numbers: Mourlot 939, Cramer 210.) Plate-signed Miró on front. Unframed/never fr...

"Iran" abstract lithograph from "Escultor" suite of seven by Joan Miró (catalog raisonne Mourlot 934, Cramer 191.) Plate-signed Miró on front. Unframed/never framed. #2 Suite Esculto...

Georges Braque (French, 1882-1963). Affiche pour l'exposition Georges Braque-René Char à la Bibliothèque Jacques Doucet) (Vallier 185) Lithograph in colors on Japan nacre paper Sign...

"Great Britain" abstract lithograph from "Escultor" suite of seven by Joan Miró (catalog raisonne reference numbers: Mourlot 940, Cramer 225.) Plate-signed Miró on front. Unframed/ne...

23 x 22 inch. Handmade Paper, Textured Lithograph. Signed in Pencil: Bottom Right. Numbered in Pencil: Bottom Left "111/150" A meditative and serene, abstract piece made of a combin...

Gina Pellón (1926-2014) Cuban Artist "Untitled" 30 x 22 inch Lithograph Free Shipping

This piece is in a custom frame is UV protective plexiglass. Lithograph in color Signed in Pencil Number 137 from an edition of 150 Image Size: 6 ½” x 9 1/8”, Sheet Size 9 7/8” ...

Robert Motherwell, American (1915 - 1991) Lincoln Center's Mostly Mozart Festival, 25th Anniversary. Lithograph, Edition of 800, unsigned and unnumber...

Fleuve Rouge - 90 x 62 cm - Lithography - ed. 13 - paper BJK - 2019 - 900€

Lithograph printed in three blacks in an edition of 46.

This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed or initialed in the image -- on the plate, as this one is. As a group they explored abstraction in the 1930s, while maintaining their individual styles. The plan was to make an edition of 500 portfolios although it seems highly unlikely that this was accomplished. The Whitney Museum of American Art has a set. The dimensions, 12 x 9 1/4 inches, are for the sheet; this work signed and dated in the plate. Ray Kaiser...

SALE ONE WEEK ONLY "I. Traces grotesques" is an Artist’s Proof Lithograph. “Proofs” are either pulled or printed, and the artist has the option to work out the color and quality issues as they come out of the process. The only real difference between the two is the restricted quantity of prints bearing the AP designation and not the quality of the print. This lithograph is signed and titled by the artist, Jean Dubuffet, which indicates his complete satisfaction with the print. It is from 1958 and a perfect example of his style, “Art Brut.” His idealistic approach to aesthetics embraced what is called “low art”, art by non-academically trained artists. It is sometimes referred to as “outsider art.” He did study briefly at the Academie Julian, Paris, but eventually followed his own aesthetics which eschewed traditional standard of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. This lithograph expresses the beauty he found in the meandering spontaneous black line. Jean Dubuffet began painting at the age of seventeen and studied briefly at the Academie Julian, Paris. He painted off and on for the next 20 years. It was not until 1942 in the midst of WWII in France that he began the work which has distinguished him as an outstanding innovator in postwar Europe. It is said of his work that “he looked to the margins of the everyday – the art of prisoners, psychics, the uneducated, and the institutionalized – to liberate his own creativity and coining the term ‘Art Brut’.” Art Brut is a French term that translates as ‘raw art’, to describe art such as graffiti or naïve art which is made outside the academic tradition of fine art. His paintings from the early forties in brightly colored oils were soon followed by works in which he employed such unorthodox materials as cement, plaster, tar and asphalt-scraped, craved and cut and drawn upon with a rudimentary, spontaneous line. Dubuffet worked in France and exhibited from the early forties on. He was included in the 1946 Pierre Matisse...

A sketch of one of the most influential artists of the 20th century. The drawing was made with a pencil on paper. Untitled (from Codies Madrid) Granolithography - double-sided 1975 ...