Want more images or videos?
Request additional images or videos from the seller
1 of 5
Ron CarterPastels1981
1981
About the Item
Ron Carter ( American, 1937 - ), "Pastels", Abstract Lithograph, 29.50 x 21, Late 20th Century, 1981
Colors: White, Blue, Orange, Red, Brown
- Creator:Ron Carter (1937, American)
- Creation Year:1981
- Dimensions:Height: 29.5 in (74.93 cm)Width: 21 in (53.34 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU75232448353
About the Seller
4.6
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1984
1stDibs seller since 2017
84 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Spider Mums (Edition 301/325)By Hari HockeyLocated in New York, NYHari Hockey (American), "Spider Mums" Edition 301/325, Abstract Still Life signed and numbered in pencil, 28.50 x 22, Late 20th Century Colors: Purple, Orange, Red, Blue, Black, BrownCategory
Late 20th Century Abstract Impressionist Still-life Prints
MaterialsLithograph
- The Wedding ( Edition 270/300 )By George StauchLocated in New York, NYGeorge Stauch (American b. 1900), " The Wedding" Edition 270/300, Abstract Color Lithograph signed in pencil, 20 x 24, Late 20th Century Colors: Blue, White, Red, Brown, Y...Category
Late 20th Century Abstract Abstract Prints
MaterialsLithograph
- Homage To Rousseau (Edition 72/300)By Ivel WeihmillerLocated in New York, NYIvel Weihmiller (Argentine b. 1954) , "Homage To Rousseau" Edition 72/300, Abstract Lithograph Print signed and numbered in Pencil, 26.75 x 21, Late 20th Century Colors: Orange, Blu...Category
Late 20th Century Abstract Abstract Prints
MaterialsLithograph
- Familie (Edition 34/100)Located in New York, NYUnknown/ Unidentified Artist, "Familie" Edition 34/100, Abstract Figurative Lithograph signed and numbered in pencil, 15.25 x 21, Late 20th Century, 1967 Colors: Red, Blue, Yellow, ...Category
1960s Abstract Abstract Prints
MaterialsLithograph
- One on One (Artist Proof)By Harvey KonigsbergLocated in New York, NYHarvey Konigsberg ( American b. 1940 ) "One on One" (Artist Proof), Figurative Abstract Lithograph, 30 x 21, Late 20th Century Colors: Black and White Harvey Konigsberg was born in...Category
Late 20th Century Abstract Abstract Prints
MaterialsLithograph
- Untitled (Edition 45/100)By Georgi DaskaloffLocated in New York, NYGeorgi Daskaloff (Bulgarian b. 1923), "Untitled" 45/100, Abstract Lithograph numbered and signed in pencil, 30 x 22.25, Late 20th Century Colors: Blue, White, BlackCategory
Late 20th Century Abstract Abstract Prints
MaterialsLithograph
You May Also Like
- Cali - 20th Century, Maurice Estève, Abstract Print, Colourful, LithographBy Maurice EstèveLocated in Köln, DE"Cali" is a typical motif by Maurice Estève. The lithograph in colours was published in an edition of 100. 49,6 x 65 cm. Signed and numbered.Category
1960s Abstract Abstract Prints
MaterialsLithograph
- FlyingLocated in Llanbrynmair, GB’Flying’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 14/20 Signed - Yes Size - 790mm x 570mm Date - 1976 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Minimum colour contrast with orangeLocated in Llanbrynmair, GB’Minimum colour contrast with orange’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 1/20 Signed - Yes Size - 790mm x 570mm Date -1977 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Horse Ride-Green, Violet, BrownBy Joan MiróLocated in Ljubljana, SIHorse Ride-Green, Violet, Brown. Original color lithograph, 1969. Edition of 75 signed and numbered impressions on Arches paper. Joan Miró was a famous Spanish Catalan surreal painter, sculptor and ceramicist, but he also created graphics, large installations and murals. His radical style for that time was a contribution to the early-20th-century avant-garde and complete abstraction later. Early fauvistic works showed the influence of Cézanne, in cubist compositions, but also a reference to the avant-garde interests of the painter. Few years later he started to change his artistic approach over the magic realism to surrealism. His surfaces become abstract and stayed like that until the rest of his career. Miró’s mature style evolved from the tension between his fanciful, poetic impulse and his vision of the harshness of modern life. The artworks are reflections of his subconscious mind, filled with pictorial signs, biomorphic forms, geometric shapes, and abstract and semi-abstract objects. He worked extensively in lithography and produced numerous murals, tapestries, and sculptures for public spaces. Miro’s composition...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- About WomenLocated in New York, NYJohn Altoon's work crosses a hybrid between abstract and figurative, influenced by Abstract Impressionism. He used color and line to connect sociopolitical messages with the viewer.Category
1960s Abstract Impressionist Abstract Prints
MaterialsLithograph
- Three FiguresLocated in Belgrade, MTThis lithograph is part of my private collection. It is limited in edition ,artist signed lower right and is in very good condition. Walter Becker was a German artist. Another impres...Category
Mid-20th Century Abstract Expressionist Abstract Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
Chamberlain Sculpture
Used Harmonicas
Olympic Games Munich 1972
Vintage Proto
Kandinsky And Etching
Miro Lithograph Iii
Marcel Duchamp Poster
G Braque
Alexander Calder Exhibition Poster
Richard Chamberlain
Proto Modern
Robert Indiana Serigraph
Victor Vasarely Lithograph
Minimalist Vintage Posters
Vintage Fair Ground
Robert Indiana American Dream
Vasarely 1
Frank Stella Screen Print