Rudy Nappi Art

NIGHTIE NIGHT 1 - In this original artwork, focus is placed on the blending of delicate detail and expressive brush work. A subtle tone on tone texture is built up in the background ...

Acrylic painting on illustration board of three pink cyclamen flowers and heart-shaped leaves on a blue background by Barbara Gibson (American, 20th Century). Artwork is presented in...

William S. Butz (American, active Woodstock, N.Y., 1911-39) Field with Trees in Hilly Landscape Oil on canvasboard, 8 3/4 x 11 inches Framed: 15 x 17 inches (approx.) Signed on verso...

Ernest LAURENT Gentilly 1859 - Bièvres 1929 Seated woman seen from behind, preparatory sketch Oil on cardboard Circa 1920 32 x 21.5 cm unframed Our oil o...

"Dusk Forest Scene, Catskills," 1875 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 7 inches. The work is signed by DeForest, and dated May 13, 1875 at lower right. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood DeForest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the DeForests made frequent trips abroad. Excursions to the great museums, which were prominent on the DeForests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old DeForest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. DeForest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, DeForest took a studio at the Tenth Street Studio Building in New York. During these formative years DeForest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade DeForest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

This expressive mixed media sketch on paper (study for a large painting) captures the essence of a dense forest landscape with bold brushstrokes and layered textures. The interplay o...

This modern abstract painting by Peter Keil is on a smooth masonite board with a painted Tiffany Blue background, black abstract portrait. Here you ...

Small Fauvist River Landscape Painting with Boat, Expressionist Oil on Panel Medium: Oil on panel Dimensions: 26 x 33 cm (10.24 x 13 in) Framing: Unframed Signature: Signed lower left Date: c.2020 Condition: Good condition. Stable support and well-preserved paint layer. A vibrant small-scale landscape painting depicting a river scene with a boat, industrial architecture and simplified human figures. Executed with a loose and expressive brushwork, the composition reflects a strong fauvist and expressionist influence. The artist uses bold contrasts of reds, yellows, greens and blues to create a dynamic and almost naïve atmosphere, reminiscent of early 20th-century European modernism reinterpreted through a contemporary lens. Despite its modest size, the painting has a strong visual presence, making it ideal for collectors of small-format works or for curated gallery wall compositions. Vladimir Ksieski...

“Jamaican Girl by the Palm Tree, c. 1930” by Will Howe Foote (American, 1874-1965) A fantastic portrait of a young Jamaican woman set against a vibrant palm frond, painted by the re...

Framed contemporary figurative portrait painting with orange face and double resin frame, exploring identity, repetition and constructed presence through layered framing and serial p...

Fluorescent figurative portrait painting with green face and botanical composition, part of a contemporary series exploring identity, replication and symbolic ancestry. This fluores...

“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...