Sam Levin Art

Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...

Iconic and rare limited edition print direct from the negative, signed lower right hand margin and stamped with photographers own blind stamp. This is Number 8/25. Image measures 36 ...

Lambda print in colors, on Fuji color photographic paper dry-mounted to PVC (as issued). Hand signed and numbered in black marker on the reverse. Edition of 34/50. Published by Ala...

Terry O’Neill CBE is one of the world’s most collected photographers, with work hanging in national art galleries and private collections worldwide. From presidents to pop stars, he ...

MICHAEL CHILDERS Andy Warhol in his New York studio, 1976 Photographic print Printed in 2007 Signed boldly on the front in black felt tip pen by photographer Michael Childers Frame included: in the original frame as donated by the photographer to the Palm Springs Art Museum This is one of a series of portraits of Andy Warhol by Michael Childers, founding photographer of Warhol's Interview and After Dark magazines, taken in his New York studio and Paris from 1976-1980. This work is signed on the front and framed. It was acquired from the Palm Springs Art Museum, where it was donated by the artist. The verso of the frame bears the works title, original year in felt tip marker, and the artist's studio stamp with copyright of 2007 (year printed) Another example of this work was exhibited at the Palm Springs Art Museum and a different example is part of the Michael Childers collection at the Las Vegas Art Museum Measurements: Artwork (visible): 7 x 9 7/8 inches Frame: 12 x 15 x .4 inches Michael Childers Biography: Since the 1960s, Michael Childers has been photographing famous people...

Lambda print in colors, on Fuji color photographic paper dry-mounted to PVC (as issued). Hand signed and numbered in black marker on the reverse. Edition of 36/50. Published by Ala...

The archival photographic pop-art print, ‘Andy Warhol with Red Campbell’s Soup’ was created in 1985 by photographer Andrew Unangst. Taken in New York City, Unangst had the opportuni...

Little Tony- Vintage Autographed Photograph is a vintage photo, realized in the 1960s. Signature and dedication by the singer Little Tony: "A Lancio il giornale degli sportivi con a...

Le Mannequin is an original Vintage PhotoLitograph realized by Jean Cocteau in mid-20th century. Good condition on a white paper. No signature. Jean Cocteau, born on July 5 , 1889...

Kiki Smith For Leslie Gore, Mo Tucker, Laura Nyro and Mama Cass: What Girls Know About Grids (signed twice), 2000 Eight etching and relief etchings on handmade Japanese paper attache...

Hand-coloured unique portrait of a conjoined siren, immobilised in marble, locked in a sisterly embrace. Inspired by 19th-century cabinet cards, medical illustration, sweet singing Scottish Selkies, Lyra and her sister defend each other's isolation. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Lyra’s Lips are as White as Mine’, 2019 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag Fine Art Paper (100% cotton) 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by. This artwork is a limited edition of 25, gloss photographi...