Sam Levin

Mylene Demongeot - signed photograph, 50x40 cm.

Photograph of the french actor Lino Ventura, hand signed by Sam Levin. It comes framed Sam Lévin ou Sam Levin est un photographe français d'origine russe,...

Photography, silver print. André Naggar est né le 21 juin 1922 à Alexandrie en Egypte. En 1965 il expose des peintures à la Galerie Berggruen à Paris. Cette même année, en vacances ...

Photography, silver print. signedAndré Naggar est né le 21 juin 1922 à Alexandrie en Egypte. En 1965 il expose des peintures à la Galerie Berggruen à Paris. Cette même année, en vaca...

Lithograph, signed lower right

Collage on paper. Signed and framed. Frame dimensions: 60x76 cm Last painter of the school of Nice. This is an important painter, the first school in nice to have exhibited in New ...

Encre de Marcel Gromaire, signé en bas a gauche. Encadré 58x47 cm. Marcel Gromaire (né le 24 juillet 1892 à Noyelles-sur-Sambre et mort le 11 avril 1971 à Paris) est un peintre, gra...

This is a newly released platinum print of "The Observer and Observed" by Susan Derges. Printed in 2022. Listing includes framing, a label of authentici...

Listing includes framing. Free Shipping. 14-Day return policy. Alec Soth Monica, Warsaw. 2018 Image size: 24 x 20 inches Frame size: 27 x 23 x 2 inches Edition 10 of 30 Signed on artist signature label Artist biography - (American, b.1969) is a photographer who is best known for photographing the Midwestern United States. He lives in Minneapolis, MN, which is also the city of his birth, although he relocated to Bronxville, NY, for his studies at Sarah Lawrence College. Soth's early work include a self-published book of portrait and landscape photographs entitled Sleeping by the Mississippi, which was the result of his travels along the Mississippi River. This book won him much attention from art critics, who said that his photographs conveyed a strong sense of intimacy with the landscape. His photograph Charles, which shows a man standing on the roof of his house with a model airplane in each hand, was used as a poster for the 2004 Whitney Biennial show, in which Soth's works were exhibited. Soth, who was extremely shy during childhood and adolescence, was driven to start photographing people after being influenced by the work of portrait photographer Diane Arbus. He has said in interviews that he feels awkward approaching people and asking to take their photographs, and that he feels drawn to loners, hermits, and travelers as the subjects of his work. After his initial success with Sleeping by the Mississippi, Soth went on to publish a second photography book in 2006 entitled Niagara. For this work, he photographed people and places around Niagara Falls. He has since then produced two more books, Last Days of W and From Here to There: Alec Soth's America. He has also produced commissioned work for The New York Times Magazine. Soth's work is included in a number of permanent collections, including those at the Minneapolis Institute of Arts, the Museum of Contemporary Photography in Chicago, the Los Angeles County Museum of Art, and the Israel Museum in Jerusalem. He is represented by the Weinstein Gallery...

Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...

IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979), 1979 Archival Pigment Print, Framed Image size 30 x 30 cm Frame: 55 x 45.5 cm © Brian Griffin "I remember this...

Brian Griffin Joe Jackson - Look Sharp, 1979 Vintage Gelatin Silver Print, Framed; museum mount board, antireflective art glass, oak frame Image size; 11 4/5 × 15 7/10 in 30 × 40 cm...

Handcoloured portrait of a conjoined siren, immobilised in marble, locked in a sisterly embrace. Inspired by 19th-century cabinet cards, medical illustration, sweet singing Scottish Selkies, Lyra and her sister defend each other's isolation. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Lyra’s Lips are as White as Mine’, 2019 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag Fine Art Paper (100% cotton) 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...