The Crouched Stance
By Samuel Rabin
Located in London, GB
Samuel Rabin The Crouched Stance 1903-1991 Charcoal on paper, signed lower left Image size: 7 7/8 x 6 1/2 inches (19.9 x 16.5 cm) Hand-made contemporary-style frame Samuel (Sam) Rab...
Paper, Charcoal
$13,662
A Work Out
By Samuel Rabin
Located in London, GB
Samuel Rabin A Work Out 1903-1991 Pastel and wax crayons on paper, signed lower left Image size: 6 1/3 x 7 5/6 inches (16 x 20 cm) Original frame Provenance: John Russell Taylor Col...
Paper, Pastel, Wax Crayon
Self Portrait
By Sándor Bortnyik
Located in London, GB
Charcoal on paper, signed and dated (lower right), 33cm x 24cm, (66cm x 56cm framed). The work is framed behind UV glass and stepped gilded frame. Bortnyik was a painter and graphi...
Paper, Charcoal
$2,500
H 41 in W 56 in D 0.1 in
Two male Nudes. Painting.Pastel, carbon pencil, ink on archival paper mounted
By Celso José Castro Daza
Located in Miami Beach, FL
Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...
Carbon Pencil, Paper, Pastel, Ink
$328
H 9.45 in W 5.52 in
Mid-Century French Charcoal Drawing Mother and Child on Paper, Circa 1950
By Alexandre Moulis
Located in NANTES, FR
Created circa 1950, this charcoal drawing on paper by Alexandre Moulis depicts a mother holding her child in a remarkably economical and expressive manner. A few confident, energetic...
Paper, Charcoal
Academic Study
Located in London, GB
Charcoal on paper Signed by RA visitor Edwin Long and dated (lower right) 76cm × 57cm (88cm × 64cm framed) Olivier studied at the Royal Academy Schools from 1881. He exhibited exten...
Paper, Charcoal
$1,850
H 19.5 in W 25.5 in
Woman in Pink with Flowers, Acrylic and Pastel on Paper by Jose Canes
By Jose Canes (Dore)
Located in Long Island City, NY
Artist: Jose Canes (aka Dore) Title: Woman in Pink with Flowers Medium: Acrylic and Pastel on Paper, signed "Dore" l.r. Year: circa 1980 Size: 19.5 x 25.5 inches
Paper, Pastel, Acrylic
Seated Nude
By George Cayford
Located in London, GB
Charcoal and pastel on paper Signed and titled (lower right) 51cm × 38cm (63cm × 49cm framed) Cayford, now retired, was a graphic designer and illustrator working in London in the p...
Paper, Charcoal, Pastel
$9,081
H 39.38 in W 27.56 in D 1.97 in
Scilla, 21-st Century Italian Charcoal Drawing of a nude woman by Daniela Astone
By Daniela Astone
Located in Nuenen, Noord Brabant
This Charcoal drawing is made on toned paper with charcoal and chalk. The drawing is framed in a wooden gold frame with passe partout behind Clarity museum glass. The Italian artist Daniela Astone...
Paper, Chalk, Charcoal
$1,750
H 27 in W 19 in
'Freedom' by Bojan Grof; Graphite, Charcoal and Oil Pencil on Paper, 2022
Located in Oklahoma City, OK
This 27" x 19" monochromatic graphite, oil pencil and charcoal drawing by Serbian artist Bojan Grof depicts a dog with a lifted leg, urinating on a stone wall with a graffiti'd "FREE...
Paper, Charcoal, Oil Pastel, Graphite
$120Sale Price|20% Off
H 19.69 in W 15.75 in
Woman in a Dream. nr.1. Surrealist fantasy by spanish painter Antonio Monasterio
Located in Firenze, IT
Antonio Monasterio - Woman in a Dream. no.1 Technique: Mixed media on paper (pastels, wax, and pen) Dimensions: Approximately 45 x 55 cm Period: 1970s This work presents an enigmatic...
Paper, Wax Crayon, Ink, Tempera, Pen
Storage for a Timeworn Minimum (Set of 5)
By Stephen Battle
Located in Dallas, TX
acrylic & pastel on paper
Acrylic, Paper, Pastel
$600
H 13 in W 10 in
"The Meeting 30" Stylized House Painting with Chalk Detail by Seth Clark
By Seth Clark
Located in Philadelphia, PA
This piece, titled "The Meeting 30" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of ink transfer, charcoal, pastel, acrylic, a...
Wood, Paper, Charcoal, Pastel, Acrylic, Graphite, Ink
$1,495
H 15 in W 12 in D 1 in
Antique English Impressionist Charcoal Pencil Drawing Portrait Study Two Heads
By Sir George Clausen
Located in Portland, OR
A very good English Impressionist charcoal and pencil drawing of two male heads, by the celebrated British artist Sir George Clausen R.A. (1852-1944), the drawing circa 1905. Clausen was a very well respected British artist based in London in the late 19th & early 20th century, stylistically he managed to meld Romanticism and Impressionism with great success. This very handsome drawing depicts a study of two male heads, most likely related to the 1905 painting "Binding Sheaves" or another harvest painting from that period. This work of art was exhibited & sold in 1976 by the "New Grafton Gallery 42 Old Bond Street London W1", exhibition to the verso, the gallery specialized in showing major 20th century British artists. The drawing is in excellent condition and is ready to hang. At sight without frame 5.50" x 8.50" Biography George Clausen was born at 8 William Street in the Regents Park district of London on 18 April 1852, the son of a decorative...
Charcoal, Paper
Infighting, Ink Sketch, 20th Century British Artist, Framed
By Samuel Rabin
Located in London, GB
Ink on lined paper Image size: 3 x 2 3/4 inches (8 x 7 cm) Hand made frame Sam Rabin Samuel (Sam) Rabin, originally Samuel Rabinovitch, was an English sculptor, artist, teacher, singer, wrestler and Olympic bronze medallist. Rabin, who was Jewish, was born Samuel Rabinovitch on 20 June 1903 at Dewhurst Street, Cheetham, North Manchester. His parents were both Russian Jewish exiles from Vitebsk (now in Belarus). During his childhood, the family moved to Salford where Rabin grew up and where his parents encouraged his talent for drawing. In 1914 Rabin won a scholarship to the Manchester Municipal School of Art making him, at the age of 11, the youngest pupil ever to attend the college. There he was taught drawing by French artist Adolphe Valette. In 1921 he moved to the Slade School of Fine Art in London where he continued his studies under Henry Tonks until 1924. After the Slade, Rabin studied in Paris where he met and was greatly impressed and influenced by sculptor Charles Despiau. Rabin's own sculpture from this time is little known as he was a perfectionist and destroyed work that he considered unsatisfactory. In 1928, working under his full surname, he was commissioned by architect Charles Holden to carve West Wind, one of eight personifications of the four winds for the headquarters of the Underground Electric Railways Company of London at 55 Broadway. The sculpture was partly completed in-situ on the building. In 1930, he produced his only other public sculptures; two decorative winged masks, The Past and The Future, for the Daily Telegraph building in Fleet Street. These were carved on the building directly from the scaffold. Both commissions were well received at the time, but Rabin was unable to make a living as a sculptor and turned to another career – wrestling, for which he abbreviated his surname. Rabin was physically strong and had boxed and wrestled as an amateur to fund his art. He won a bronze medal in the middleweight division of the free-style wrestling at the 1928 Olympics in Amsterdam. Rabin turned professional in 1932 and fought as Rabin the Cat and Sam Radnor the Heb. Alexander Korda cast him as a wrestler in The Private Life of Henry VIII in 1933 and as Mendoza, a Jewish prize-fighter, in The Scarlet Pimpernel in 1934. Despite lacking any formal musical training, Rabin was a talented baritone and worked professionally during the 1940s singing with Stars in Battledress and sang operatic arias with the army's Classical Music Group. In 1946 he auditioned for La Scala's conductor, Victor de Sabata. In 1949, Rabin began teaching drawing at Goldsmith's College of Art in New Cross, London. His disciplined teaching style including the production of demonstration works, followed that of his own teacher, Valette. His students included Mary Quant, Bridget Riley and Tom Keating...
Paper, Ink