Manufacture Nationale de Sèvres Decorative Objects

Stunning Pair of French Sevres Soft Paste Enameled Porcelain and Ormolu Twin Handle Table or Mantle Urns of traditional urn form and of outstanding quality, and good size proportions...

This is a pair of Sevres hand painted porcelain turquoise lidded urns. Both of them are depicting in the front a sea shore fishermen scenes. In one, a group of fishermen are preparing a sailboat and in the other one, they are pulling the net. The back are adorned with some gilt fishing tools and baskets with foliages. Both scenes are golden framed with scrolls of acanthus and flowers beside them. Gilt white concave long oval shaped rings alternated with gilt foliages and shamrocks decorate the necks of the urns. The same pattern are repeated in the lids, but no white color in the center. The bell shaped lids ended with pinecones finials. A mix of scrolls and Greek keys serve as handles. The round bases are also decorated with gilt foliages. The Sevres hallmark appears in the lids and below the bases. One of the urn’s painting...

Stunning Pair of French Sevres Soft Paste Enameled Porcelain and Ormolu Twin Handle Table or Mantle Urns of traditional urn form and of outstanding quality, and good size proportions...

A fine quality Louis XVI style bronze ormolu mantel clock. The case is made of gilt brass and bronze ormolu casted ornaments, Roman numerals in white enameled cartouches. On top of t...

Sevres (French, founded 1756), marked for 1770. An antique French porcelain urn or vase decorated with a green porcelain base, white ground windows featuring heavy floral decoration...

Pair of silver and porcelain sevres vases, 19th century Beautiful pair of sevres porcelain vases in blue and white with gold floral details, with silver neck, mouth and base. Texture...

Pair of wall sconces in gilt bronze and Sèvres porcelain, 19th century, Napoleon III period. Pair of Napoleon III period wall lights, 19th century, in gilt bronze and Sèvres porcela...

Rare Pair of Sèvres Porcelain Boxes, Brass Mounts, 19th Century, Napoleon III period. A pair of Sèvres porcelain boxes, brass mounts, very large boxes, painted decorations on porcel...

This small but elegant Sèvres porcelain vase boasts an impressive provenance, being part of the 'Camaïeu Carmin' service originally made in 1757 for Louis XV for his Château de Fonta...

France, mid-19th century, Sevres, gilt bronze base, two stylized swans, carrying a leaf-shaped porcelain bowl, stylized leaf handles on the sides, painting of a cupid on the mirror, ...

Very beautiful porcelain vase by Manufacture Nationale de Sèvres Most famous porcelain factory in the world. Vase signed by Andre Plantard Dated 1963 This is a rare piece located in...

Pair of Sèvres porcelain vases, Napoleon III period, 19th Century. A pair of Sèvres porcelain vases, richly decorated with medallions and gallant scenes, Napoleon III period, 19th C...

Very beautiful porcelain vase by Manufacture Nationale de Sèvres Most famous porcelain factory in the world. Vase signed by Marcel Prunier Dated 1955 This is a rare piece located in...

Superbe vase de la manufacture Nationale de Sevres, connue par sous émaillage exceptionnel de couleur bleu cobalt appelé "Bleu de Sevres". Le corps est rehaussé par un décor de fleur...

Neoclassical style porcelain biscuit scene featuring the Lesson to Love after the work of Louis Simon Boizot : a woman wearing an antique-style dress sermonizing at Love, a remorsefu...

French porcelain, Sevres, and bronze planter from the 19th century Sevres porcelain planter in an off-white tone with bronze base, handles and details. Hand painted with the artist's...

Beautiful porcelaine vase with blue birds Designed in 1947 Signed with stamps This is a rare piece from the most prestigious porcelain firm in the ...

Decorate a mantel or a console with this elegant pair of porcelain and gilt metal Sèvres urns. Created in Paris, France, circa 1880, each colorful vase sits on a round gilt base deco...

A beautiful antique decorative pink porcelain Sèvres urn with a hand-painted background of a guitar musician and his lady. A Serenata scene. In the back a lake scene with a castle. ...

Sèvres porcelain box and chest, 19th century. A Sèvres porcelain box, richly decorated with 3 paintings on the belt and one on the top, enhanced with gold, Napoleon III period, 19th...

The Manufacture Nationale de Sèvres, established in 1756, had fallen on hard times by the late 19th century, with critics accusing the factory of a lack of creativity and imagination...

A beautiful antique decorative pink porcelain Sèvres urn with a hand-painted background of a lovers scene. In the back there is a scene of a bouquet of flowers. Mounted Bacchus/ Dionysus bronze...

An exquisite 19th century Napoleon III compote, or centrepiece, in delicate Sèvres porcelain and gilt bronze. Designed to grab all the attention as the decorative focal point on a di...

This impressive pair of monumental antique porcelain vases is a testament to the opulence of French craftsmanship in the style reminiscent of Sèvres porcelain, dating back to around ...

IMPORTANT CUT-OUT BOX, SÈVRES 18th Century Sèvres. Polychrome and gold decoration with reserves with landscape and figures. Rims and clasp in relief bronz...

BEAUTIFUL PERFUMER Sevres 18th Century In French Sévres porcelain, with a gilded bronze mount, polychrome and gilded decoration with a gallant landscape s...

The Manufacture Nationale de Sèvres, established in 1756, had fallen on hard times by the late 19th century, with critics accusing the factory of a lack of creativity and imagination...

A cobalt blue porcelain mounted ormolu vase from Sèvres with gilded bronze stands, decorated with Rococo gold enamel florals and polychrome floral swirls, gallant decoration in the c...

An Exceedingly Rare 19th Century French Sevres Faux Bois Flower-Pot and Underplate, Signed with Sevres Marks. This stunning piece features a beautiful rounded rich handcrafted faux ...

Decorate a mantel or a console with this important pair of porcelain and bronze Sèvres urns. Created in Paris, France, circa 1870, each impressive vase sits on a square bronze base w...

" Sèvres porcelain box, Napoleon III period, 19th century. " Sèvres porcelain box, signed, gilt bronze mounting, rich decorations inside and out, Napoleon III period, 19th century. ...

important Pair of Sevres porcelain urns, each featuring a porcelain body and foot mounted on a gilt bronze base and adorned with gilt bronze, foliage form trimmings and handles. Each...

Paul Milet for Sevres Red Flambe Ormolu Mounted Neoclassical Vase Designed by Paul Milet (1870-1950) Executed by Sevres Porcelain A beautiful Paul Milet for Sevres red flambe ormo...

An impressive and large scale pair of French 19th century Louis XVI st. Sèvres Porcelain and Ormolu candelabras. The richly decorated pair of seven arm candelabras are supported by f...

Very large coloquinte vase from the Manufacture nationale de Sèvres. Hard porcelain with gold decoration of water lily leaves and butterflies on a shaded midnight-blue ground. Neck and heel highlighted with a gilded listel border. Green triangular stamp dated 1902. The coloquinte vase is a reference to its original shape, inspired by the vegetables of the cucurbit family, which are not edible but often used as decorative gourds.

We present you with this stunning mantel clock, designed in the Louis XVI style and originating from the Napoleon III period. It is crafted from gilded bronze and notably adorned wit...

A fine quality porcelain lidded candy dish or jewelry box inspired in the manner of 19th Century Sevres designs. This fine quality and beautiful por...

A fine example of sevres biscuit porcelain showing an allegorical group of three classically draped young figures, two embracing; all standing beside the clock case which is surmount...

A charming pair of French 19th century Louis XVI st. Sèvres Porcelain and Ormolu lidded urns. The pair of urns are raised on square Ormolu bases supported by topie shaped feet. The e...

A sensational and high quality French 19th century Louis XVI st. Sévres porcelain and Ormolu annular clock. The clock is raised by a square Ormolu base with a Coeur de Rai border des...

Sèvres Porcelain Cup and Gilt Bronze Mount, Napoleon III. 19th century Sèvres porcelain bowl and gilt bronze mounting, Napoleon III period. h: 17cm, l: 37cm, p: 30cm

A late 19th century Sèvres style parcel-gilt porcelain jardinière. It is located in Sevres, Hauts-de-Seine, France. It is the continuation of Vincennes porcelain, founded in 1740, wh...

Fantastic Art Deco vase in gilt decor over rich turquoise ground. Form designed by Emile Decoeur (1876-1953) Decoration possibly designed by Suzanne Lalique-Haviland or Emile-Jacques...

"Cup in 19th century Sèvres porcelain, Napoleon III period." Gilt bronze and Sèvres porcelain bowl, 19th century, Napoleon III period. h: 12.5cm, w: 32.5cm, d: 27cm

Discover the timeless elegance and symbolism of the Sèvres biscuit group featuring Psyche and Eros. This delicate work of art captures a mythical moment of love, sacrifice, and divin...

Incredible SEVRES france Art Deco porcelain cobalt blue and gold 1930.

Lovely biscuit porcelain bust of a young girl, named Louise Brongniart. The bust is marked on the back with 'Houdon' and the Sevres mark. Biscuit por...

This fine Sèvres ceramic box is marked PM Sèvres for Paul Jean Milet. It has been glazed in the most marvellous colours reminiscent of a Monet's water lillies.

A very rare Ormolu Sèvres Porcelain Gilt Bronze Candlesticks Candelabra with a hand painted scene by François Boucher. ‘P . F . Boucher’ original mark o...

Sevres amphora with Champleve enamel Material Porcelain and hand-painted enamel Origin France Circa 1900 Neoclassical style perfect condition.

A gorgeous antique French Napoleon III period marquetry walnut oval bombe table jardiniere / bloom box / cachepot / planter with the original tin liner, circa 1860. This beautiful jardiniere is hand crafted with walnut inlaid with ebony and decorated with gilt bronze mounts, ormolu handles and pierced gallery, and hand painted Sevres porcelain floral...

" Rare Pair of Sèvres Porcelain Covered Vases, 19th Century. " Pair of important covered vases in Sèvres porcelain and chased and gilded bronze, 19th century, Napoleon III period, v...

Blue Serves Pair of Jeweled Vases with Gilt Paint and Turquoise embellishments throughout. Incredibly ornate with gold painted details throughout. Both vases contain genre scenes wi...

A late 19th century Sèvres style parcel-gilt porcelain jardinière Finely painted with numerous colored flowers with green and gold trim, gilt ram heads on either side. In late ...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A palatial french ormolu-mounted Sevres Porcelain hand-painted vase and cover, circa 1838. This monumental Sevres porcelain vase stands 56" high, and is beautifully hand-painted with classical scenes of lovers and cupids, in teal / turquoise blue ground porcelain. Made with very fine quality figural bronze handle, the vase turns to a full 360 degree angle and is mounted on a solid bronze base with fine detail. Painted with beautiful flowers throughout the entire vase, leading up to the cover, which is adorned with an acorn bronze...

Brown ceramic vase made by Sevrès. Signed Sevrès France and M.N.F. France, circa 1910.

A fine old or antique Sevres type porcelain vase. With rich gilding and handpainted flower baskets & ribbons throughout. Marked to the based with a blue Sevres type interlaced...