Manufacture Nationale de Sèvres Decorative Objects

This is a superb, incredibly well done, figural painted urn by Sevres. Signed C. Rochette, this beautiful urn has masterful workmanship and beautiful bronze ormolu and an old Dore' ...

An important pair of Louis XIV Sèvres style vases, hand-decorated with cartouches of the king, his family and mistresses. The lids are moulded into crowns; wit moulded porcelain swag...

A very fine French Sevres biscuit (Bisc) porcelain figure of a recumbent nude lady titled "Le Repos" after a model by Alfred Boucher (French, 1850-1934) Sensually depicting a young w...

A beautiful and most elegant pair of French 19th century Louis XVI St. Sèvres porcelain and ormolu câche pot vases. Each stunning vase is raised on an ormolu base with concave corner...

A very unusual and quite large pair of Empire period Sèvres Porcelain pale Celeste blue and faux porphyry ground vases. Each vase is intricately hand painted with meticulous detail and further adorned with 24-karat hand painted gilt decoration. The bases are a very unusual hand painted faux porphyry porcelain. Each vase and base is marked with various pressnumera and Sèvres signs...

19th century Sevres biscuit group of three frolicking puttos France, Date Lettered 1884 A splendid example of 19th century Sevres biscuit porcelain...

Large and unusual 19th century French Sevres gilt bronze mounted covered urn / vase of tapering ovoid form in cobalt-blue ground. Bearded man with horns ...

A 19th century French Sèvres biscuit porcelain figurine of a couple seated in the garden. The gentleman is feeding grapes to the lady, whose l...

Early 20th century Art Nouveau enameled and gilt blue Sèvres porcelain vase by Paul Milet, France By: Paul Milet, Manufacture Nationale de Sèvres Material: porcelain, ceramic, ename...

A breathtaking example of French artistry, this Antique Sèvres Bleu Céleste Porcelain Jewelry Casket epitomizes opulence and refinement. Crafted in...

One of the most exquisitely designed and painted Art Deco pieces we have ever seen, this flaring vase by Anne Marie Fontaine for Sevres features a flaring, trumpet-form upper section...

This striking pair of 13-inch Sèvres Paul Millet vases features a deep Sang de Boeuf glaze, a rich oxblood red that complements the ornate ormolu mounts. Crafted in the early 20th ce...

A gorgeous hand-painted oval porceclain box with a highly decorated lid. This lovely Neoclassical Revival piece is created from porcelain, and features an oval shape, with a removabl...

A beautiful 20th century large Sèvres crystal vase, organically shaped with an asymmetric flared rim and flat base, ideal as a table centrepiece or...

Fantastic Art Deco vase in gilt decor over rich turquoise ground. Form designed by Emile Decoeur (1876-1953) Decoration possibly designed by Suzanne Lalique-Haviland or Emile-Jacques...

An exceptional & monumental pair of antique Sevres style porcelain & ormolu handpainted lidded urns, circa 1860. Each urn having a cobalt ...

This is a superb, royal blue figural decorated Sevres urn with a bronze base and gorgeous gilded details and of wonderful form. The urn dates to the 1900-1910s era and is in very goo...

Stunning midcentury clear crystal sculptural centerpiece from the 1950s-1960s by Sevres France. This crystal piece is absolutely beautiful in its organ...

Elegant pair of Sèvres-style porcelain vases, crafted in France circa 1900, Napoleon III These vases are finely hand-painted with detailed gallant scenes on the front and landscapes ...

Art Deco textured glaze ceramic vase by Paul Milet (1870-1950) for Sèvres. Phillipe Garner (1978) "The Encyclopedia of Decorative Arts 1890-1940". France, CIRCA 1930.

Sevres porcelain vase signed C.H. This elegant French Sevres porcelain vase is a collectible piece that exudes sophistication and refinement. Signed C.H., this vase stands out for it...

Unusual pair of Sevres porcelain vases in medium blue ground with gilt decorations 1949-1950. Form Decoeur Number 25 - refer to image from archival catalogue page. Designed by Lenard - by refer to image from book on Sevres. Signed as photographed... Brown Sevres mark 49 / Red Sevres...

Sèvre -Cup Pop shade of green porcelain cup Manufacture de Sèvres, dated 1962 Decor in shades of green by Bernard Bannier. Measures: H 5.5 cm / 2,2 in. Ø 18 cm / 7 in.

Sevres Blue Ground Baluster Vase and Cover, late 19th century, painted with a courting couple and cupid within a romantic landscape, signed "Maxant", with elaborate gilded borders. 2...

An Art Deco large Sèvres ceramic box,1933 Large Sèvres Glazed ceramic box with stylized Art Deco floral decoration Shape created by Gensoli Designed by André Naudy Sèvres stamp unde...

Pair of early 20th century Sèvres porcelain vases. A pair of early 20th century Sèvres porcelain vases, circa 1936, stamped Sèvres Manuf...

A pair of vase -Sèvres Manufacture Nationale de Sèvres France, Sèvres, 1986. Unique pieces Pair of oval-roll-shape porcelain vases, each presents a unique decor of fine crysta...

French Victorian monumental turquoise Sevres porcelain vase with cupids in relief on round pedestal base (signed JOSEPH CHERET)

A large Sèvres style porcelain urn raised on a bronze plinth. France, circa 1880. Measures: Height 25" x width 11". CW5129.

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Overscale antique Sèvres Porcelain urn vases in cobalt blue with gilt accents Offered for sale is a striking pair of overscale cobalt blue handled Sèvres Porcelain urn vases with ...

A cobalt blue porcelain mounted ormolu vase from Sèvres with gilded bronze stands, decorated with Rococo gold enamel florals and polychrome floral swirls, gallant decoration in the c...

sevres box circa 1900 perfect state cobalt blue with gold hand painted origin france. The Manufacture nationale de Sèvres is one of the most important and w...

Signed/dated 1984 on bottom.

Sevres porcelain chest romantic scene (Lux) signed Lux 19th century crica 1900.

A pair of cobalt blue porcelain mounted ormolu vases from Sèvres with gilded bronze stands, decorated with Rococo gold enamel florals and polychrome floral swirls, gallant decoration...

Pair of Sèvres porcelain and gilt bronze cassolettes in the Empire style, 19th century, Napoleon III period. Pair of 19th century cassolettes...

White round Sèvres box rococo style perfect condition origin France, circa 1900.

A very rare Ormolu Sèvres Porcelain Gilt Bronze Candlesticks Candelabra with a hand painted scene by François Boucher. ‘P . F . Boucher’ original mark o...

Rococo ceramic sevres chest hand painted signed Rochette perfect condition 19th century circa 1870.

A cobalt blue porcelain mounted ormolu vase from Sèvres with gilded bronze stands, decorated with Rococo gold enamel florals and polychrome floral swirls, gallant decoration in the c...

Blue vase in enameled ceramic Signed under the base "Sevres, Made in France".

The Vincennes factory, the forerunner of the Sèvres factory, was founded in 1740 by workers who had transferred from the Chantilly factory. The Vincennes factory became royal in 1752...

IMPORTANT CUT-OUT BOX, SÈVRES 18th Century Sèvres. Polychrome and gold decoration with reserves with landscape and figures. Rims and clasp in relief bronz...

A pair of amphorae Sevres hand-painted porcelain with champlevé glaze Origin France perfect condition. The Manufacture nationale de Sèvres is one of the most important and well-known European madame-de-pompadour porcelain...

"Medallion of the king of France Louis XVIII, in sèvres biscuit". Beautiful Medallion of Louis XVIII in sèvres biscuit and gilded brass, restoration ...

A rare antique French gilt bronze and silver Sevres porcelain casket finely painted with neoclassical figures on two round and two rectangular ...

These pieces are dual-purpose — they serve as decorative urns, and they transform into candlestick candelabras with candleholders. The urns feature intricately sculpted gilt bronze ...

A sensational and high quality French 19th century Louis XVI st. Sévres porcelain and Ormolu annular clock. The clock is raised by a square Ormolu base with a Coeur de Rai border des...

Beautiful porcelaine vase with blue birds Designed in 1947 Signed with stamps This is a rare piece from the most prestigious porcelain firm in the ...

A charming pair of French 19th century Louis XVI st. Sèvres Porcelain and Ormolu lidded urns. The pair of urns are raised on square Ormolu bases supported by topie shaped feet. The e...

A stunning and extremely high quality French 19th century Louis XVI st. Belle Époque period Sèvres porcelain and ormolu lidded urn signed Sèvres. The cobalt blue urn is raised by an ...

Pair of silver and porcelain sevres vases, 19th century Beautiful pair of sevres porcelain vases in blue and white with gold floral details, with silver neck, mouth and base. Texture...

A very rare Ormolu Sèvres Porcelain Gilt Bronze Candlesticks Candelabra with a hand painted scene by François Boucher. ‘P . F . Boucher’ original mark o...

A Large and very fine French Sevres green ground porcelain framed charger depicting the consecration of the Emperor Napoleon I and coronation of the...

Beautiful 19th century French porcelain inkwell from the imperial manufacture of Sevres. Green and gold decor with dolphin's head. Stamped Sevres at the back. Rare item.

Antique Rococo style porcelain centrepiece by Sèvres French, 1876 Height 24cm, diameter 33.5cm Crafted in 1876 by Sèvres, this exceptional centrepiece is adorned with brilliant hand...

Onyx, porcelain, gilt bronze and cloisonnè Sevres center. Neoclassical Style. France late 19th century.

A Wonderful Late 19th Century Red and White Sèvres Style Porcelain Vase and Cover Signed by the artist L. Bertren Four beautiful painted panels, the center with a love scene, the r...

A beautiful late 19th century gilt bronze-mounted sèvres style porcelain lamp. Raised gilt decorations, the front scene is of a reclining maiden among flowers being attended by c...