Manufacture Nationale de Sèvres Decorative Objects

This is a very old gilt and pale pink background urn depicting a continuous hand-painted scene of a lady sitting in a pastoral landscape holding her fan and observing nature. In the ...

A Very Fine French 19th Century Royal Louis XVI Style Three-Piece Sèvres Gilt and Cobalt-Blue Ground Ormolu-Mounted Porcelain Urn and Clock Garniture Set. The finely decorated figura...

Early 20th century Art Nouveau enameled and gilt blue Sèvres porcelain vase by Paul Milet, France By: Paul Milet, Manufacture Nationale de Sèvres Material: porcelain, ceramic, ename...

Pair of Sèvres porcelain covered vases, Napoleon III period. A pair of 19th century Sèvres painted, enamelled and gilt porcelain covered vases with gilt bronze mounts, Napoleon III ...

"Cup in 19th century Sèvres porcelain, Napoleon III period." Gilt bronze and Sèvres porcelain bowl, 19th century, Napoleon III period. h: 12.5cm, w: 32.5cm, d: 27cm

Antique Rococo style porcelain centrepiece by Sèvres French, 1876 Height 24cm, diameter 33.5cm Crafted in 1876 by Sèvres, this exceptional centrepiece is adorned with brilliant hand...

A very impressive late 19th century gilt bronze mounted cobalt blue Sèvres style porcelain three piece garniture. The impressive...

Dimensions - H: 5 1/4 in W: 6 3/4 in D: 5 in This exquisite small antique Sevres porcelain urn is a stunning example of 19th to early 20th century French artistry and elegance. Fin...

Pair of candelabras in gilded bronze and blue Sèvres porcelain dating from the end of the 19th century. Vases adorned with branches of roses and different flowers (a few pistils miss...

These bronze-mounted Sèvres porcelain urns are monumental in both size and quality and feature the renowned manufactory’s signature deep cobalt blue glaz...

Pair of Sèvres porcelain vases, Napoleon III period, 19th century. A pair of Sèvres porcelain vases, Napoleon III period, 19th century. H: 28cm, D: 17cm

Very beautiful porcelain vase by Manufacture Nationale de Sèvres Most famous porcelain factory in the world. Vase signed by Andre Plantard Dated 1963 This is a rare piece located in...

Pair of Antique French 'Sevres' porcelain lidded pot pourri and gilded bronze lidded urns, 1804-1809. The urns having a rich red ground with gilded panels, the domed lids with gilded bronze eagle...

An exceptional & monumental pair of antique Sevres style porcelain & ormolu handpainted lidded urns, circa 1860. Each urn having a cobalt ...

This is a pair of Sevres hand painted porcelain turquoise lidded urns. Both of them are depicting in the front a sea shore fishermen scenes. In one, a group of fishermen are preparing a sailboat and in the other one, they are pulling the net. The back are adorned with some gilt fishing tools and baskets with foliages. Both scenes are golden framed with scrolls of acanthus and flowers beside them. Gilt white concave long oval shaped rings alternated with gilt foliages and shamrocks decorate the necks of the urns. The same pattern are repeated in the lids, but no white color in the center. The bell shaped lids ended with pinecones finials. A mix of scrolls and Greek keys serve as handles. The round bases are also decorated with gilt foliages. The Sevres hallmark appears in the lids and below the bases. One of the urn’s painting...

Pair of Sèvres porcelain and gilt bronze cassolettes in the Empire style, 19th century, Napoleon III period. Pair of 19th century cassolettes...

A gorgeous and very unusual 19th century French dore bronze mounted Sevres white porcelain three-piece clock and three-light candelabra garniture set. The Lyre shaped clock and cande...

A Large & Important French 19th C. Louis XVI Style Sevres Porcelain Ormolu Mounted Jardiniere. This magnificent piece is of a baluster form wi...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Each circular bowl with putti jard...

A very rare Ormolu Sèvres Porcelain Gilt Bronze Candlesticks Candelabra with a hand painted scene by François Boucher. ‘P . F . Boucher’ original mark o...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Signed/dated 1984 on bottom.

Incredible SEVRES france Art Deco porcelain cobalt blue and gold 1930.

A monumental palace size Sèvres Porcelain blue lapis painted vase. Beautifully hand-painted to imitate natural Lapis Lazuli stone. Hand-painted in R...

A stunning and extremely decorative true pair of French 19th century Louis XVI st. Sèvres porcelain and ormolu lidded urns. Each urn is raised by a square ormolu base with concave corners, decorated with fitted decorative interlocking designs and a fine wrap around beaded band. The beautifully shaped vase displays a lovely lightly curved design decorated with exceptional wonderfully executed hand painted floral designs and striking gold tooled patterns. At the center is a circular reserve with a charming finely detailed cherub holding flowers amidst a ribbon flanked by beautiful cornucopias and lovely foliate designs set on a striking gold tooled background. Impressive scrolled acanthus leaf ormolu handles lead up each side with unique berries and lovely beaded trim centering the elegantly curved neck with a most decorative mottled and beaded wrap around band at the rim. Above is the stunning crown shaped removable lid with additional lovely gold tooled foliate designs and a majestic floral finial above. Also finished inside and all original gilt throughout. André Rivaud...

Pair of Sevres Gilt Metal Mounted Green Ground Porcelain Two Handle Vases Mounted as Lamps, early 20th century, each painted with romantic panels of courting couples and landscapes, ...

A beautiful antique decorative pink porcelain Sèvres Style urn with a hand-painted background of a guitar musician and his lady. A Serenata scene. In the back a lake scene with a ca...

Very beautiful porcelain vase by Manufacture Nationale de Sèvres Most famous porcelain factory in the world. Vase signed by Marcel Prunier Dated 1955 This is a rare piece located in...

French Victorian monumental turquoise Sevres porcelain vase with cupids in relief on round pedestal base (signed JOSEPH CHERET)

Porcelain and gilt bronze vase signed Sèvres, France, late 19th century.

Decorate a mantel or a console with this important pair of porcelain and bronze Sèvres urns. Created in Paris, France, circa 1870, each impressive vase sits on a square bronze base w...

A 19th century French Sèvres biscuit porcelain figurine of a couple seated in the garden. The gentleman is feeding grapes to the lady, whose l...

A good quality French, 19th century pink sevres porcelain and gilded ormolu clock set. Having a classical urn to the top, an eight day chiming movement. A romantic scene painted to t...

A stunning and extremely high quality French 19th century Louis XVI st. Belle Époque period Sèvres porcelain and ormolu lidded urn signed Sèvres. The cobalt blue urn is raised by an ...

France, mid-19th century, Sevres, gilt bronze base, two stylized swans, carrying a leaf-shaped porcelain bowl, stylized leaf handles on the sides, painting of a cupid on the mirror, ...

This beautiful urn (or vase) was crafted in 1875 by the famous Sèvres Porcelain Manufactory. The urn exhibits the fine detailing and gilding that Sèvres Porcelain was renowned for in the 18th and 19th century. The inside of the urn is signed, ‘S.73’, ‘DECORE A SEVRES/ RF/ 75’. The conical porcelain urn has been painted a speckled royal blue colour and decorated with parcel gilt, navy floral motifs. The body is ornamented around its base with stylised leaf forms, and its centre features a large painting of a flower. Navy porcelain...

A pair of 19th century Napoleon III period Sèvres porcelain vases. A pair of 19th century Napoleon III period Sèvres porcelain vases with gilt bronze and cloisonné mounts. H: 30.5cm...

White round Sèvres box rococo style perfect condition origin France, circa 1900.

This beautiful pair of covered vases made of porcelain originally comes from the Manufacture of Sèvres where the white pieces were bought in 1869, decorated then mounted in gilt bron...

A monumental and important 19th century French sevres porcelain ormolu-mounted two-handle campana form centerpiece/vase. This is a truly Sevres...

Rare pair of Sèvres golden vases, beginning 19th century, original without bronze - Hand painted - Also told "krater vases" - The manufacture of Sèvres is one of the most famous po...

French porcelain, Sevres, and bronze planter from the 19th century Sevres porcelain planter in an off-white tone with bronze base, handles and details. Hand painted with the artist's...

A late 19th century Sèvres style parcel-gilt porcelain jardinière Finely painted with numerous colored flowers with green and gold trim, gilt ram heads on either side. In late ...

Very large coloquinte vase from the Manufacture nationale de Sèvres. Hard porcelain with gold decoration of water lily leaves and butterflies on a shaded midnight-blue ground. Neck and heel highlighted with a gilded listel border. Green triangular stamp dated 1902. The coloquinte vase is a reference to its original shape, inspired by the vegetables of the cucurbit family, which are not edible but often used as decorative gourds.

French Sevres painted ram's head bronze mounted lidded vase. This wonderfully detailed vase has been professionally cleaned on a revolving base with fine doré bronze mounts. Artist a...

Faceted porcelain vase in warm colours with bronze details. Signed M SEVRES France, CIRCA 1930.

With its delightful painted representations of the four seasons and bacchanalian scenes, this ‘bleu celeste’ garniture demonstrates the technical excellence of Sevres factory porcelain. On top of this, the porcelain vases are beautifully decorated with gilt bronze (ormolu) mounts, expertly cast by Henri Picard, the manufacturer and gilder to Emperor Napoleon III. This garniture is comprised of a central jardinière and a pair of flanking vases. The jardinière features a wide porcelain body, which is topped by a gilt bronze guilloche-patterned neck. This is fitted with two geometric handles, which terminate in cherubs masks. The jardinière body is finely decorated with a continuous painting of putti playing together in a woodland setting. One putti holds the pinecone-tipped staff carried by followers of Bacchus (or Dionysus), the god of wine and ecstasy. Several putti ride on a goat, led on a harness by other putti. This painting is edged with jewelled and parcel gilt decoration, set against a bright ‘bleu celeste’ ground. The jardinière stands on a shaped gilt bronze stem, its top encircled by a band of stiff leaves, its middle by a laurel wreath, and its foot by beading. The jardinière is placed on a square gilt bronze plinth, which is decorated with grape-form finials, hung draperies and foliate motifs, and is set on four beaded toupie feet. The pair of vases are similar to the jardinière in their design. They feature ovoid ‘bleu celeste’ porcelain bodies, which are decorated with continuous paintings of the four seasons, within gilt and jewelled frames. Winter is depicted in a scene showing putti huddled together on a sleigh in a snowy landscape, and autumn by cherubs reaping crops with a sickle. Spring is shown by cherubs wearing flower wreaths and dancing while holding garlands, and summer by putti picking grapes and drinking wine. The vases’ bodies are topped by pointed gilt and jewelled ‘bleu celeste’ porcelain lids, crowned by gilt bronze grape finials. Like the jardinière, the vases are fitted with gilt bronze cherub...

A fine quality 19th century French Sevres porcelain and gilded ormolu clock garniture. Having a very impressive pair of five branch candelabra each...

Pair of porcelain vases, French, 19th century, mark for Sevres Hand painted porcelain with very refined floral design. The flower painted in free style reflects the high artistic ach...

A magnificent and large pair of 19th century French Royal cobalt blue Sèvres Porcelain and bronze mounted covered vases. Each panel is bea...

A rare antique French gilt bronze and silver Sevres porcelain casket finely painted with neoclassical figures on two round and two rectangular ...

This striking pair of 13-inch Sèvres Paul Millet vases features a deep Sang de Boeuf glaze, a rich oxblood red that complements the ornate ormolu mounts. Crafted in the early 20th ce...

A fine example of sevres biscuit porcelain showing an allegorical group of three classically draped young figures, two embracing; all standing beside the clock case which is surmount...

Large and unusual 19th century French Sevres gilt bronze mounted covered urn / vase of tapering ovoid form in cobalt-blue ground. Bearded man with horns ...

Gaston Le Bourgeois (1880 - circa 1956) 1928, ostrich sculpture made of stoneware from "Manufacture Nationale de Sèvres" This item was produced only 5 times from 1928 to 1930! Mon...

Sevres porcelain and silver flower vase, France, circa 1870.

A magnificent and large pair of signed Sèvres Art Nouveau period ‘Third Republic’ Pate Nouvelle pale yellow ground vases (Vase De Lesbos 1 Grandeur)...

An elegant and high quality pair of French 19th century Louis XVI st. Sèvres Porcelain and Ormolu Jardinière planters. This striking pair of square planters are raised by scrolled Or...

A finely rendered Sevres porcelain covered urn with bronze mounts, decorated overall in a colorful floral design with gilded details, the lid wi...