"Sun Tree" Abstract Screenprint and Collage
By Sir Terry Frost
Located in Brecon, Powys
'Sun Tree' - A signed, limited edition 26-colour silkscreen print with 9 collage elements by renowned British abstract artist Sir Terry Frost RA. Medium: Screenprint with Collage ...
Screen
Two Nudes
By Sir Terry Frost
Located in Edinburgh, GB
Sir Terence Frost RA (1915-2003) was a British abstract artist, born in Warwickshire, who worked in Cornwall. Frost became a leading figure of abstract art and attended St Ives Schoo...
Acrylic
Sir Terry Frost RA: 'Untitled Landscape' oil on canvas 1991 painting
By Sir Terry Frost
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
Canvas, Oil
Sir Terry Frost, 'Ragatta', pencil and gouache, signed, British
By Sir Terry Frost
Located in Petworth, West Sussex
Terry Frost was one of the leading figures of post-war British abstraction, celebrated for his vibrant colour, dynamic forms, and deeply intuitive approach to composition. Associated...
Gouache, Pencil
$2,500
"At Five O'Clock In the Afternoon", Signed Ltd Ed Print by Sir Terry Frost
By Sir Terry Frost
Located in Brecon, Powys
At Five O'Clock In The Afternoon by Sir Terry Frost Signed and numbered 5/25 Image 55 x 37.7 cm Published by the artist 1990 On Somerset Satin Paper Contemporary black frame, behind...
Etching
Sir Terry Frost abstract painting, pastel colours, British Cornish school
By Sir Terry Frost
Located in Petworth, West Sussex
Sir Terry Frost RA (British, 1915 – 2003) Newlyn Rhythms Oil on canvas Signed and dated ’82 83 88’ (on the reverse) 29.1/4 x 29.1/8 in. (74.4 x 74.2 cm.) (including frame) This beau...
Canvas, Oil
Valentine - Blues and Purples
By Sir Terry Frost
Located in London, GB
Terry Frost Valentine - Blues and Purples, 1999 Collage and acrylic hand-signed and dated 99 (lower right); further hand-signed, dated 99 and dedicated (verso) 32 x 31 cm 40.5 x 41 c...
Acrylic
$6,940
British, St. Ives school collage by Sir Terry Frost, dancing figures on red back
By Sir Terry Frost
Located in Petworth, West Sussex
Terry Frost (British, 1915 – 2003) Dancing figure Mixed media Collage 16.1/2 x 18.1/2 in. (42 x 47 cm.) to slip edge Provenance: Created for and donated to the St. Ives Theatrical Pr...
Paper
RED AND BLACK ON GREEN
By Sir Terry Frost
Located in Portland, ME
Frost, Sir Terry (English, 1915-2003). RED AND BLACK ON GREEN. Screenprint in colors, 1968. Edition size not known. Signed and dated in pencil and inscribed "Artist's Proof." Printed...
Screen
Terry Frost 'Bottle and Statue' oil painting abstract still life interior
By Sir Terry Frost
Located in London, GB
Sir Terry Frost (1915-2003) Bottle and Statue Oil on board 38 x 46cm A distinctive still life featuring bottle, statue, and drapery. Terry Frost was a prominent British abstract artist. Frost is most noted for his simplistic abstract forms and unusual colour; he worked alongside the St Ives group...
Board, Oil
Circle Composition Abstract
By Sir Terry Frost
Located in New York, NY
A vibrant and fun work by the celebrated and beloved Sir Terry Frost - British artist. Framed in clean and contemporary white matting and lacquered frame this is an attention gettin...
Paper, Watercolor, Gouache
$940
H 25.6 in W 19.69 in D 0.04 in
"Free woman" Contemporary figurative nude woman acrylic painting on paper
Located in VÉNISSIEUX, FR
"Free woman" is a contemporary figurative nude painting by French artist Natalya, created in acrylic paints and acrylic pens on heavyweight acid-free paper, depicting a seated female...
Paper, Acrylic
$900
H 30.63 in W 38.5 in D 1.5 in
Black and White Abstract Figurative Etching Edition 98/200
By Jorge Castillo
Located in Houston, TX
Monochromatic abstract figurative etching by Spanish painter Jorge Castillo. The piece depicts an abstract landscape overlooking an empty view from what appears to be a cave. Figures...
Etching
The Robot
By Mary Weatherford
Located in Houston, TX
Mary Weatherford The Robot, 2018 Spit bite aquatint on gampi paper chine collé 35 1/4 x 28 1/2 in (89.5 x 72.4 cm) Edition of 25
Aquatint
$3,500
H 48 in W 60 in
Frêne Abstract Oil Painting on Canvas, 2010s, Excellent Condition
By Hédy Gobaa
Located in Montreal, Quebec
This series revolves around plants, plants, flowers, trees, and bushes. I first present a triptych, a darker, electric ambiance from a night photo of wild herbs illuminated by the ci...
Canvas, Oil
“Autumn Garden”
Located in Zofingen, AG
“Autumn Garden” Presence gives way to tone. Space is condensed into an inner sensation. Color retains warmth, depth, and emotion. This is a garden distilled to its essence, a quiet ...
Canvas, Oil
Dover’s Hill
By Rupert Aker
Located in Deddington, GB
Summer view over Dover’s Hill by Ruper Aker. The work is sold framed and ready to hang. It is green and yellow with thick oil paint on the canvas. The work is in the gallery.
Canvas, Oil
$560Sale Price|30% Off
H 37.41 in W 31.5 in D 0.4 in
Silence of the Animals, Abstract Oil Painting on Canvas, 95x80 cm
Located in Bogotá, Bogotá
"The Silence of the Animals" is an original oil painting on canvas by Colombian artist Luis Xiua, known for blending figurative and abstract elements inspired by nature and pre-Hispa...
Oil, Cotton Canvas, Acrylic
$1,769
H 21.26 in W 40.95 in D 1.18 in
Oil Tapestry #3, Original Painting, Floral, Abstract art, Blue, Green, White
Located in Deddington, GB
The third in my tapestry oil paintings - playing with subtle colours and not overdoing the lines - keeping it loose. ADDITIONAL INFORMATION: Oil, Pencil on Canvas 4 H x 2.98 W x 2.9...
Canvas, Oil
$22,000
H 27.5 in W 35 in D 2 in
Joyce Kozloff - Tepoztlan II unique, signed gouache & pencil, coveted 1970s work
By Joyce Kozloff
Located in New York, NY
Joyce Kozloff Tepoztlan II, 1973 Gouache and colored pencil on paper Signed, dated and titled twice: once on the back of the work (shown) and once on the original board which has bee...
Gouache, Color Pencil
Reclining Nude Goat
Located in Santa Monica, CA
Fantastic original artwork
Acrylic, Paper
$2,300
H 20 in W 16 in D 2 in
What Do I know of This Place 1 (Abstract Expressionist Painting on Canvas)
By Jenny Nelson
Located in Hudson, NY
Vertical, abstract expressionist oil painting on canvas in blue, stone blue, green and midnight blue, with pops of green, peach, and yellow on an off-white background 'What Do I know of This Place (1)' painted by Hudson Valley artist, Jenny Nelson, in 2021 Oil on canvas 20 x 16 x 2 inches, with white painted sides Excellent condition, ready to hang Signed, verso This vertical abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2021. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of stone blue, teal, and midnight blue. The contrasting patches of dusty yellow, peach, and green beautifully pop against the subtle pale beige-grey background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides so framing is optional. The artist's signature is located on the back of the painting. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox Gallery, Woodstock NY 2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY 2005 Group Exhibition, Chace Randall Gallery, Andes NY 2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY 2005 New Talent, Alpha Gallery, Boston MA 2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY 2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY 2003 Senate House Show, Kingston NY 2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY Juried Exhibitions: 2004 Woodstock Artists Association, Woodstock NY 2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY Selected Collections: Warren Bierwirth, Paris, France Cecilia Greene, New York NY Helen Chapman, New York NY Michael & Sheila Faharty, New York NY Christopher Dlutowski, New York NY Jim & Dianne Footlicke, New York NY Laurent Gaudry, New York NY Nancy Seigal, Boca Raton FL Holli Gersh, Boca Raton FL Kenneth & Margaret Uhle, Ridgefield CT Dr. Lee Sider, Mt. Tremper NY Friedrike Merck, Woodstock NY Weston & Julia Blelock, Woodstock NY Miller Howard Investments, Woodstock NY Kingston Hospital, Kingston NY Media: Jenny Nelson, Accidental Storyteller, Carrie Haddad Gallery, 2017 Jenny Nelson's chaos, Hudson Valley One, 2017 A Conversation with Artist Jenny Nelson,, Blog Talk Radio...
Canvas, Oil
Abstract Expressionist Etching by Harry Hoehn, c1963
By Harry Hoehn
Located in Long Island City, NY
Artist: Harry Hoehn, American (1917 - 1974) Title: Untitled Year: circa 1963 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 18/50 Image Size: 17.5 x 23 inches ...
Aquatint, Etching
Collage Painting
By Sir Terry Frost
Located in Bournemouth, Dorset
British painter, born in Leamington Spa, Warwickshire, one of the leading artists of the *St Ives School. He attended evening classes in art when he was sixteen, but then worked at various jobs, mainly concerned with electricity and radio, and did not take up painting until 1943, when he was a prisoner of war in Germany. His fellow prisoner Adrian *Heath encouraged him. After the war Frost studied at St Ives School of Art (1946) under its founder Leonard Fuller (1891–1973), then at Camberwell School of Art (1947–50) under *Coldstream and *Pasmore (whom he described as ‘my god’). In 1951 he worked as assistant to Barbara *Hepworth. His early work was in the sober realistic tradition of the *Euston Road School, but he soon turned to abstraction. His work remained based on observations of nature, however, often the harbour at St Ives where he spent a great deal of time up until 1963. Blue Movement (1953, Vancouver Art Gallery) is an attempt to render in abstract terms the effect of the rise and fall of boats in a harbour on a twilit evening. Characteristically he used patterns of interlinked shapes—strongly outlined but avoiding geometrical regularity. Frost taught at Bath Academy of Art, 1952–4, Leeds College of Art, 1956–9, and Reading University, 1965–81. He was appointed professor at Reading in 1977 and became emeritus professor on his retirement. He was knighted in 1998. His son Anthony Frost (1951– ) is also an abstract painter of the St Ives School. Further Reading C. Stephens, Terry Frost (2000) ‘Sir Terry Frost’, obituary, The Times (3 September 2003) Text source: A Dictionary of Modern and Contemporary Art (Oxford University Press) Sir Terry Frost Collage Painting...
Mixed Media
"Love Tree" Abstract Screenprint and Collage
By Sir Terry Frost
Located in Brecon, Powys
'Love Tree' - A signed limited edition 44-colour silkscreen print with collaged elements by Sir Terry Frost RA. TERRY FROST RA [1915-2003]. Love Tree, 200...
Screen
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H 15.75 in W 22.84 in D 0.04 in
Sir Terry Frost, Red Black and Yellow Autumnal Landscape, Modern British Art
By Sir Terry Frost
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
Watercolor
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H 18.31 in W 22.25 in D 0.08 in
Terry Frost, Thrust, Modern British Picture, Ink and Wash on Paper, 1950s
By Sir Terry Frost
Located in Eversholt, Bedfordshire
Sir Terry Frost (British,1915-2003) : Thrust Signed & dated 'Frost 58' in pencil, lower right Titled on reverse Ink and wash on paper Provenance: Austin Desmond Fine Art, label verso . The Mayor Gallery, label verso Exhibition history: Austin Desmond 'Terry Frost Works on Paper, 1947 – 1972' Very few artists are successful in monotone as it is brutally visual so any weaknesses in the composition and/or the technique used are laid bare. This is a rare work and the monotone is totally appropriate for the title, ie simple, focused energy in the motion, and also focuses the viewers attention on the movement in the work which you can feel. Measures: Sheet height 24 cm, 9 ½ in., length 34.5 cm, 13 ½ in., In a moulded, ebonized frame. Frame height 46.5 cm, 18 ¼ in, length 56.5 cm, 22 ¼ in, In 1958 Frost was working from Porthmeor Studios in St Ives, having returned with his family from his teaching post in Leeds the previous year. Contemporary St Ives was again a hotbed of artistic activity, with Roger Hilton, Barbara Hepworth, Bernard Leach, Peter Lanyon, Patrick Heron and Brian Wynter all working in the town or nearby. Terry Frost's studio in St Ives, circa 1960. Frost was already an established figure, with two solo shows at the Leicester Galleries to his name and a third that year. In the same year he moved to Waddington Galleries, where he would have exhibitions regularly until 1978. The Tate purchased a first picture in 1959, and Frost's career was also poised to go international with his first American solo show, in 1960, at the Bertha Schaeffer Gallery in New York - a critical success which was attended by American heavyweights de Kooning, Rothko, Kline, Newman, and Motherwell. Frost characterised these years as 'a period of total confidence any mark I made seemed to be fine.' This work Thrust is strongly situated in the development of themes from Frost's Leeds years of 1954 to 1957 and before, to those of his work of the Sixties; and demonstrates motifs present in work from across his career. In the preceding years in Leeds he made a series of paintings which represented a movement through a landscape in abstract, for example Winter 1956, Yorkshire (Tate Collection). The fascination with motion and force and how these could be rendered in composition was first explored earlier in the decade, and extended through to later work such as the Laced, and Suspended Forms series. Here this enquiry is clearly present, both in the title Thrust and in the strong sense of propulsion of the two emphasised v or u forms towards the centre of the image. In all of Frost's work there exists a tension between abstraction and figuration - he never relinquishes to the complete abstraction advanced by Ben Nicholson and Naum Gabo and others. From the late fifties into the sixties Frost had a particular approach to the issue: he gave his apparently abstract forms coded meanings. The clearest example of this is the V-shaped wedge, signifying the female nude, of which Frost himself explains firstly the compositional properties: I used wedges a lot to tighten up form... If you've got tightness on a flat surface, the structure is a certainty, it can't fall apart. He goes on to explain the motif's significance to a painting's content: The chevrons and wedges are all part of the figure. The chevrons become nipples often, and then the penetration is a chevron as well. In paintings of the following years, from Black Wedge and White Nude of 1959, to Three Graces and Force 8 of 1960 the wedges are strongly defined. Here in Thrust the motif in development is less sharp, but nonetheless present and active and fundamental to the image; pressing in from two sides and providing a strong contraction of focus. Frost mentions the contemporary domination of Henry Moore and 'his lying-down things' as contributing to his desire to represent the reclining female form. Equally: There was always that side of me. I have to face the fact that I was a terrific flirt. I think Hilton and I were having arguments about the figure at that time, and Lanyon had done a few figure paintings, so there was a bit of a battle on. I was trying to stick to abstraction, but occasionally my romantic side, my love-making side, would take over. Terry Frost, Grey Entry, 1962 (Private Collection) Chevrons continue to appear into Frost's late work, and the more rounded but still directional C- and D-forms are also a dominant motif. Terry Frost, Red and Black on Blue, 1968 (Tate Collection) For an artist often associated with colour the subtlety with which he manipulates a work in black and grey tones is masterly. Ronnie Duncan, friend of Frost from the Leeds years, and collector, writes: Frost uses black with an uncanny authority and with the ability to evoke more colour from it than any other artist of our time, including Kline and Motherwell. (No wonder his favourite quotation from Rochester is “All colours are contained in black”). Paintings in Museums and Public Art Galleries : UK • Aberdeen Art Gallery & Museums • Abbot Hall Art Gallery, Kendal • Arts Council of Great Britain, London • Birmingham Museums & Art Gallery, UK • British Council, London • Bolton Museum & Art Gallery • Cheltenham Art Gallery and Museum, UK • City Museum & Art Gallery, Bristol • City Museum & Art Gallery, Plymouth • Contemporary Art Society, London • Cornwall County Education Committee • Exeter University • Falmouth Art Gallery, England • Ferens Art Gallery, Hull • Fitzwilliam Museum, Cambridge • Glasgow University • Gulbenkian Foundation, London • Government Art Collection, London • Huddersfield Art Gallery • Leeds City Art Gallery • Leicestershire County Education Committee • Manchester City Art Gallery, England • National Galleries of Scotland, Edinburgh • National Museum of Wales, Cardiff • Northampton Museums & Art Gallery • National Portrait Gallery, London, UK • Norwich Museums, England • Peter Scott...
Paper
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H 17.63 in W 17.63 in D 1 in
A British 20th Century collage by Sir Terry Frost 'Blacks'
By Sir Terry Frost
Located in Petworth, West Sussex
Sir Terry Frost (British, 1915 - 2003) Blacks oil on canvas, collage signed 'terry Frost' (on the reverse, in pencil, including Terry Frost's own studio stamp) 17.5/8 x 17.5/8 in. (4...
Canvas, Oil
Black Moon and Ochre
By Sir Terry Frost
Located in Brecon, Powys
A visually stunning Sir Terry Frost silkscreen signed and numbered 41/125, depicting recurring motifs taken from nature and portrayed in abstract curves. Kemp 152. Picture 34" x 28" ...
Paper
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H 41.26 in W 59.06 in
Timberaine: E - Print, Woodcut, Abstract Art, Contemporary Art, Terry Frost
By Sir Terry Frost
Located in London, GB
Signed in pencil verso, numbered from the edition of 16. Printed on wove paper by Stoneman Graphics, Cornwall. Published by The Paragon Press, London. (Kemp 201)
Woodcut
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H 41.26 in W 59.06 in
Timberaine: A - Print woodcut abstract art contemporary art
By Sir Terry Frost
Located in London, GB
Each signed in pencil verso, numbered from the edition of 16. Printed on wove paper by Stoneman Graphics, Cornwall. Published by The Paragon Press, London.
Woodcut
Boats on the angle
By Sir Terry Frost
Located in Petworth, West Sussex
Sir Terry Frost (British, 1915 - 2003) Boats on the angle collage and gouache inscribed and signed as a card to the artist Sven Berlin (on the reverse) 7.1/8 x 13 in. (18 x 33cm.)
Gouache
TOLCARNE RHYTHM
By Sir Terry Frost
Located in Aventura, FL
Unsigned original painting. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.
Canvas, Acrylic
Red Yellow and Black 1997
By Sir Terry Frost
Located in Brecon, Powys
Signed and dated 1997. Stage Proof. On Arches paper printed to deckle edges. Published by Sir Terry Frost and printed by Alan Cox. Listed number 169 in Dominic Kemps' Catalo...
Color
Black Moon and Ochre
By Sir Terry Frost
Located in Brecon, Powys
A visually stunning Sir Terry Frost silkscreen signed and numbered 41/125, depicting recurring motifs taken from nature and portrayed in abstract curves. Kemp 152. Picture 34" x 28"...