"Sun Tree" Abstract Screenprint and Collage
By Sir Terry Frost
Located in Brecon, Powys
'Sun Tree' - A signed, limited edition 26-colour silkscreen print with 9 collage elements by renowned British abstract artist Sir Terry Frost RA. Medium: Screenprint with Collage ...
Screen
Sir Terry Frost RA: 'Untitled Landscape' oil on canvas 1991 painting
By Sir Terry Frost
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
Canvas, Oil
Two Nudes
By Sir Terry Frost
Located in Edinburgh, GB
Sir Terence Frost RA (1915-2003) was a British abstract artist, born in Warwickshire, who worked in Cornwall. Frost became a leading figure of abstract art and attended St Ives Schoo...
Acrylic
Sir Terry Frost, 'Ragatta', pencil and gouache, signed, British
By Sir Terry Frost
Located in Petworth, West Sussex
Terry Frost was one of the leading figures of post-war British abstraction, celebrated for his vibrant colour, dynamic forms, and deeply intuitive approach to composition. Associated...
Gouache, Pencil
Sir Terry Frost abstract painting, pastel colours, British Cornish school
By Sir Terry Frost
Located in Petworth, West Sussex
Sir Terry Frost RA (British, 1915 – 2003) Newlyn Rhythms Oil on canvas Signed and dated ’82 83 88’ (on the reverse) 29.1/4 x 29.1/8 in. (74.4 x 74.2 cm.) (including frame) This beau...
Canvas, Oil
$2,500
"At Five O'Clock In the Afternoon", Signed Ltd Ed Print by Sir Terry Frost
By Sir Terry Frost
Located in Brecon, Powys
At Five O'Clock In The Afternoon by Sir Terry Frost Signed and numbered 5/25 Image 55 x 37.7 cm Published by the artist 1990 On Somerset Satin Paper Contemporary black frame, behind...
Etching
RED AND BLACK ON GREEN
By Sir Terry Frost
Located in Portland, ME
Frost, Sir Terry (English, 1915-2003). RED AND BLACK ON GREEN. Screenprint in colors, 1968. Edition size not known. Signed and dated in pencil and inscribed "Artist's Proof." Printed...
Screen
Valentine - Blues and Purples
By Sir Terry Frost
Located in London, GB
Terry Frost Valentine - Blues and Purples, 1999 Collage and acrylic hand-signed and dated 99 (lower right); further hand-signed, dated 99 and dedicated (verso) 32 x 31 cm 40.5 x 41 c...
Acrylic
$6,925
British, St. Ives school collage by Sir Terry Frost, dancing figures on red back
By Sir Terry Frost
Located in Petworth, West Sussex
Terry Frost (British, 1915 – 2003) Dancing figure Mixed media Collage 16.1/2 x 18.1/2 in. (42 x 47 cm.) to slip edge Provenance: Created for and donated to the St. Ives Theatrical Pr...
Paper
Terry Frost 'Bottle and Statue' oil painting abstract still life interior
By Sir Terry Frost
Located in London, GB
Sir Terry Frost (1915-2003) Bottle and Statue Oil on board 38 x 46cm A distinctive still life featuring bottle, statue, and drapery. Terry Frost was a prominent British abstract artist. Frost is most noted for his simplistic abstract forms and unusual colour; he worked alongside the St Ives group...
Board, Oil
Circle Composition Abstract
By Sir Terry Frost
Located in New York, NY
A vibrant and fun work by the celebrated and beloved Sir Terry Frost - British artist. Framed in clean and contemporary white matting and lacquered frame this is an attention gettin...
Paper, Watercolor, Gouache
$400
H 12 in W 10 in D 1 in
High Slope, Abstract Expressionist Painting, Oil on Canvas, 2010+
Located in Kingston, WA
I blended abstract and realistic elements to capture the raw energy of a mountain’s slope, a natural expression of memory. I was born surrounded by mountains, steep imposing rocks o...
Cotton Canvas, Oil
$390
H 13 in W 9.45 in D 0.79 in
"For Granted I." (quiet, floral, soft, natural, abstract, antique French linen)
By Nicholas Evans
Located in Paris, IDF
"For Granted I.", 2024, Paris, France "For Granted I." is a quiet, rich and cerebral abstract painting using a subtle but powerful color palette of brown, magenta, purple, green and...
Oil, Acrylic, Canvas
$850
H 16.15 in W 13 in D 0.79 in
"Many For The Empath" (abstract, flora, fauna, roses, oil painting, green, pink)
By Nicholas Evans
Located in Paris, IDF
MANY FOR THE EMPATH 2026 Paris, France This complex and layered floral painting of an abundant, overflowing bouquet presents an energetic and mesmerizing subject. This original mixe...
Oil Crayon, Dye, Cotton Canvas, Ink, Oil, Acrylic
Reclining Nude Goat
Located in Santa Monica, CA
Fantastic original artwork
Acrylic, Paper
$22,000
H 27.5 in W 35 in D 2 in
Joyce Kozloff - Tepoztlan II unique, signed gouache & pencil, coveted 1970s work
By Joyce Kozloff
Located in New York, NY
Joyce Kozloff Tepoztlan II, 1973 Gouache and colored pencil on paper Signed, dated and titled twice: once on the back of the work (shown) and once on the original board which has bee...
Gouache, Color Pencil
$450
H 16.15 in W 13 in D 0.79 in
"Doves for the Dorians I" (pink, green, white, Greek warrior. sword, painting)
By Nicholas Evans
Located in Paris, IDF
The Dorians played a significant role in the development of the Greek city-states during the Bronze Age -- and Doves are widely recognized as symbols of peace, primarily in the bibli...
Canvas, Dye, Oil, Acrylic
$1,422
H 21.66 in W 18.12 in D 0.79 in
Holy Split II Mixed Media Painting on Canvas, Abstract Landscape, 2026
By Nicholas Evans
Located in Paris, IDF
HOLY SPLIT II 2026 Paris, France HOLY SPLIT II is an ethereal mixed medium painting on canvas depicting a surreal dreamlike rift in a serene landscape. Abstract fuchsia forms sugges...
Cotton Canvas, Oil, Acrylic, Pencil
$550
H 16.15 in W 10.63 in D 0.79 in
"Wraiths Petals" (abstract, dark, flora, floral landscape, black, pink, green)
By Nicholas Evans
Located in Paris, IDF
WRAITHS, PETALS 2024 Paris, France "Wraiths, Petals" is a dark, flora, atmospheric painting that blends organic forms with abstraction. Created using a mix of oil paint, oil stick, ...
Oil Crayon, Dye, Cotton Canvas, Ink, Oil, Acrylic
$6,500
H 50 in W 50 in D 2 in
Specifically Nowhere, Yellow (Abstract Geometric Painting with Grids on Yellow)
By Donise English
Located in Hudson, NY
Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
$8,439
H 35.12 in W 26.82 in D 1.58 in
Incredible framed artwork by contemporary artist (after Rembrandt) monochrome
By Glenn Brown
Located in London, GB
This is a truly stunning work by contemporary great, Glenn Brown. This work is an Artist Proof, one of only 12 created. The frame is handmade by famous London framers, Darbyshire. I...
Paper, Etching
$2,950
H 36 in W 48 in
Rural Life Remembrance, Abstract Oil Painting on Canvas, Floral Landscape, 36x48
Located in Baton Rouge, LA
I intuitively paint each of my paintings based on my mood of the day or at that moment. I never know what I am going to create until I see the end result. Sometimes it is a colorful,...
Canvas, Oil
$1,000
H 43 in W 35 in
"Untitled" by Peter Plagens. (Abstract, Formalist, Symbolism, Geometric, Print)
Located in New York, NY
Peter Plagens (b. 1941) received his B.F.A. from the University of Southern California and his M.F.A. from Syracuse University. He is well known for his abstract, formalist paintings...
Screen
Collage Painting
By Sir Terry Frost
Located in Bournemouth, Dorset
British painter, born in Leamington Spa, Warwickshire, one of the leading artists of the *St Ives School. He attended evening classes in art when he was sixteen, but then worked at various jobs, mainly concerned with electricity and radio, and did not take up painting until 1943, when he was a prisoner of war in Germany. His fellow prisoner Adrian *Heath encouraged him. After the war Frost studied at St Ives School of Art (1946) under its founder Leonard Fuller (1891–1973), then at Camberwell School of Art (1947–50) under *Coldstream and *Pasmore (whom he described as ‘my god’). In 1951 he worked as assistant to Barbara *Hepworth. His early work was in the sober realistic tradition of the *Euston Road School, but he soon turned to abstraction. His work remained based on observations of nature, however, often the harbour at St Ives where he spent a great deal of time up until 1963. Blue Movement (1953, Vancouver Art Gallery) is an attempt to render in abstract terms the effect of the rise and fall of boats in a harbour on a twilit evening. Characteristically he used patterns of interlinked shapes—strongly outlined but avoiding geometrical regularity. Frost taught at Bath Academy of Art, 1952–4, Leeds College of Art, 1956–9, and Reading University, 1965–81. He was appointed professor at Reading in 1977 and became emeritus professor on his retirement. He was knighted in 1998. His son Anthony Frost (1951– ) is also an abstract painter of the St Ives School. Further Reading C. Stephens, Terry Frost (2000) ‘Sir Terry Frost’, obituary, The Times (3 September 2003) Text source: A Dictionary of Modern and Contemporary Art (Oxford University Press) Sir Terry Frost Collage Painting...
Mixed Media
"Love Tree" Abstract Screenprint and Collage
By Sir Terry Frost
Located in Brecon, Powys
'Love Tree' - A signed limited edition 44-colour silkscreen print with collaged elements by Sir Terry Frost RA. TERRY FROST RA [1915-2003]. Love Tree, 200...
Screen
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H 15.75 in W 22.84 in D 0.04 in
Sir Terry Frost, Red Black and Yellow Autumnal Landscape, Modern British Art
By Sir Terry Frost
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
Watercolor
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H 18.31 in W 22.25 in D 0.08 in
Terry Frost, Thrust, Modern British Picture, Ink and Wash on Paper, 1950s
By Sir Terry Frost
Located in Eversholt, Bedfordshire
Sir Terry Frost (British,1915-2003) : Thrust Signed & dated 'Frost 58' in pencil, lower right Titled on reverse Ink and wash on paper Provenance: Austin Desmond Fine Art, label verso . The Mayor Gallery, label verso Exhibition history: Austin Desmond 'Terry Frost Works on Paper, 1947 – 1972' Very few artists are successful in monotone as it is brutally visual so any weaknesses in the composition and/or the technique used are laid bare. This is a rare work and the monotone is totally appropriate for the title, ie simple, focused energy in the motion, and also focuses the viewers attention on the movement in the work which you can feel. Measures: Sheet height 24 cm, 9 ½ in., length 34.5 cm, 13 ½ in., In a moulded, ebonized frame. Frame height 46.5 cm, 18 ¼ in, length 56.5 cm, 22 ¼ in, In 1958 Frost was working from Porthmeor Studios in St Ives, having returned with his family from his teaching post in Leeds the previous year. Contemporary St Ives was again a hotbed of artistic activity, with Roger Hilton, Barbara Hepworth, Bernard Leach, Peter Lanyon, Patrick Heron and Brian Wynter all working in the town or nearby. Terry Frost's studio in St Ives, circa 1960. Frost was already an established figure, with two solo shows at the Leicester Galleries to his name and a third that year. In the same year he moved to Waddington Galleries, where he would have exhibitions regularly until 1978. The Tate purchased a first picture in 1959, and Frost's career was also poised to go international with his first American solo show, in 1960, at the Bertha Schaeffer Gallery in New York - a critical success which was attended by American heavyweights de Kooning, Rothko, Kline, Newman, and Motherwell. Frost characterised these years as 'a period of total confidence any mark I made seemed to be fine.' This work Thrust is strongly situated in the development of themes from Frost's Leeds years of 1954 to 1957 and before, to those of his work of the Sixties; and demonstrates motifs present in work from across his career. In the preceding years in Leeds he made a series of paintings which represented a movement through a landscape in abstract, for example Winter 1956, Yorkshire (Tate Collection). The fascination with motion and force and how these could be rendered in composition was first explored earlier in the decade, and extended through to later work such as the Laced, and Suspended Forms series. Here this enquiry is clearly present, both in the title Thrust and in the strong sense of propulsion of the two emphasised v or u forms towards the centre of the image. In all of Frost's work there exists a tension between abstraction and figuration - he never relinquishes to the complete abstraction advanced by Ben Nicholson and Naum Gabo and others. From the late fifties into the sixties Frost had a particular approach to the issue: he gave his apparently abstract forms coded meanings. The clearest example of this is the V-shaped wedge, signifying the female nude, of which Frost himself explains firstly the compositional properties: I used wedges a lot to tighten up form... If you've got tightness on a flat surface, the structure is a certainty, it can't fall apart. He goes on to explain the motif's significance to a painting's content: The chevrons and wedges are all part of the figure. The chevrons become nipples often, and then the penetration is a chevron as well. In paintings of the following years, from Black Wedge and White Nude of 1959, to Three Graces and Force 8 of 1960 the wedges are strongly defined. Here in Thrust the motif in development is less sharp, but nonetheless present and active and fundamental to the image; pressing in from two sides and providing a strong contraction of focus. Frost mentions the contemporary domination of Henry Moore and 'his lying-down things' as contributing to his desire to represent the reclining female form. Equally: There was always that side of me. I have to face the fact that I was a terrific flirt. I think Hilton and I were having arguments about the figure at that time, and Lanyon had done a few figure paintings, so there was a bit of a battle on. I was trying to stick to abstraction, but occasionally my romantic side, my love-making side, would take over. Terry Frost, Grey Entry, 1962 (Private Collection) Chevrons continue to appear into Frost's late work, and the more rounded but still directional C- and D-forms are also a dominant motif. Terry Frost, Red and Black on Blue, 1968 (Tate Collection) For an artist often associated with colour the subtlety with which he manipulates a work in black and grey tones is masterly. Ronnie Duncan, friend of Frost from the Leeds years, and collector, writes: Frost uses black with an uncanny authority and with the ability to evoke more colour from it than any other artist of our time, including Kline and Motherwell. (No wonder his favourite quotation from Rochester is “All colours are contained in black”). Paintings in Museums and Public Art Galleries : UK • Aberdeen Art Gallery & Museums • Abbot Hall Art Gallery, Kendal • Arts Council of Great Britain, London • Birmingham Museums & Art Gallery, UK • British Council, London • Bolton Museum & Art Gallery • Cheltenham Art Gallery and Museum, UK • City Museum & Art Gallery, Bristol • City Museum & Art Gallery, Plymouth • Contemporary Art Society, London • Cornwall County Education Committee • Exeter University • Falmouth Art Gallery, England • Ferens Art Gallery, Hull • Fitzwilliam Museum, Cambridge • Glasgow University • Gulbenkian Foundation, London • Government Art Collection, London • Huddersfield Art Gallery • Leeds City Art Gallery • Leicestershire County Education Committee • Manchester City Art Gallery, England • National Galleries of Scotland, Edinburgh • National Museum of Wales, Cardiff • Northampton Museums & Art Gallery • National Portrait Gallery, London, UK • Norwich Museums, England • Peter Scott...
Paper
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H 17.63 in W 17.63 in D 1 in
A British 20th Century collage by Sir Terry Frost 'Blacks'
By Sir Terry Frost
Located in Petworth, West Sussex
Sir Terry Frost (British, 1915 - 2003) Blacks oil on canvas, collage signed 'terry Frost' (on the reverse, in pencil, including Terry Frost's own studio stamp) 17.5/8 x 17.5/8 in. (4...
Canvas, Oil
Black Moon and Ochre
By Sir Terry Frost
Located in Brecon, Powys
A visually stunning Sir Terry Frost silkscreen signed and numbered 41/125, depicting recurring motifs taken from nature and portrayed in abstract curves. Kemp 152. Picture 34" x 28" ...
Paper
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H 41.26 in W 59.06 in
Timberaine: E - Print, Woodcut, Abstract Art, Contemporary Art, Terry Frost
By Sir Terry Frost
Located in London, GB
Signed in pencil verso, numbered from the edition of 16. Printed on wove paper by Stoneman Graphics, Cornwall. Published by The Paragon Press, London. (Kemp 201)
Woodcut
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H 41.26 in W 59.06 in
Timberaine: A - Print woodcut abstract art contemporary art
By Sir Terry Frost
Located in London, GB
Each signed in pencil verso, numbered from the edition of 16. Printed on wove paper by Stoneman Graphics, Cornwall. Published by The Paragon Press, London.
Woodcut
Boats on the angle
By Sir Terry Frost
Located in Petworth, West Sussex
Sir Terry Frost (British, 1915 - 2003) Boats on the angle collage and gouache inscribed and signed as a card to the artist Sven Berlin (on the reverse) 7.1/8 x 13 in. (18 x 33cm.)
Gouache
TOLCARNE RHYTHM
By Sir Terry Frost
Located in Aventura, FL
Unsigned original painting. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.
Canvas, Acrylic
Red Yellow and Black 1997
By Sir Terry Frost
Located in Brecon, Powys
Signed and dated 1997. Stage Proof. On Arches paper printed to deckle edges. Published by Sir Terry Frost and printed by Alan Cox. Listed number 169 in Dominic Kemps' Catalo...
Color
Spirals
By Sir Terry Frost
Located in Brecon, Powys
Screen print and collage in 8 colours with 3 collage elements on arches paper. A visually exciting Frost of good size, it's image 256 in Domin...
Mixed Media