Tamar Sulakvelidze Paintings

Contemporary Oil Painting – Original Artwork on Stretched Canvas, Ready to Hang (60 × 50 × 1.5 cm / 23.6 × 19.7 × 0.6 in) – "Wine-Tasting Holiday in Provence" “Wine-Tasting Holiday ...

At the heart of the composition is a woman with a cello, immersed in her playing — a sound that flows not just from her hands, but from her entire being. Her face is calm and focused...

[Hippolyte-Alexandre Michallon] Le Soldat de Marathon (The soldier of the Marathon), 1869 n.d. Signed, l.l. Oil on canvas 57 x 45 inches 66 x...

"The Music Room #2 (interior with Piano)" Original painting. Size 39x23.5in / 100x60cm . Oil on canvas. Part of Interior series. "The Music Room" was part of Mixed Moods, solo sh...

This painting by Mark Beard depicts a man climbing ladders and ropes. The listed price includes the cost of framing.

At the center of the painting stands a woman immersed in a state of inner harmony, playing the flute as if the very space around her responds to her melody. Her figure is gentle and ...

Immerse yourself in the legendary world of motorsport with this 917K art, inspired by the iconic number 23 endurance race car that was the first 917 to conquer Le Mans. This stunning...

This work is offered by CLAMP in New York City.

This is a contemporary figurative queer painting of a man's face by Mark Beard under his alter ego "Bruce Sargeant. The painting canvas is 14 x 11 inche...

'Cat' - Original oil painting on canvas 40 x 40 cm, 2024. 

A classical anatomical figure in an artist's studio, surrounded by brushes and a palette, with muted tones creating a contemplative and intimate atmosphere. Contemporary figurative painting by Mark Beard [Bruce Sargeant (1898-1938)] Artist’s Studio n.d. Signed in red, u.r. Oil on canvas 36 x 18 inches $4,000 + $300 framing The pure and brilliant world of Bruce Sargeant’s art seems terribly removed from our own, unhampered by the prevalent inconsistencies of today’s world. Peopled with comely thoroughbreds, his paintings project a world vision unchanged from the models cherished by idealist writers like E. M. Forster and Rupert Brooke in that golden decade that led up to the Great War. Neither buff nor narcissistic, his fair-haired young athletes pose, somewhat uncomfortably, before the painter’s gaze, not wanting the attention yet feeling their duty to submit. Though tantalized by the New World dabbings of Robert Henri and John Sloan, Sargeant found his true inspiration in the art and ethos of fifth-century Athens, where the achievement of the kaloi kagathoi, young men who were “beautiful to look at and worthy of admiration,” were the perfect models for artistic rendering and public adulation. At base, Sargeant’s models, like the sculptures of Lysippus and Praxiteles, are idealized heroes whose achievements on the playing field earn them their renown. However, unlike his precursors, the painter requires no civic responsibility from his ephebes, only physical stamina, gymnastic prowess, and good looks. His work bespeaks a class that existed briefly, but was prolonged and attenuated in the languorous novels of writers such as Denton Welch...

A painting by Mark Beard/Bruce Sargeant of two male wrestlers in athletic wear grapple on a mat, their muscular bodies highlighted by soft light, capturi...