Tanner Steed Landscape Paintings

This atmospheric early 20th-century landscape depicts a quiet river bend bordered by leafless trees, rendered in a restrained tonal palette of soft greens, muted blues, warm browns, ...

A beautful early 20th century French imprressionist oil on panel depicting a wooded river landsape with a wonderful dappled light. The work is superbly executed, very atmospheric an...

Hayley Lever (1876 - 1958) Concarneau, Brittany, France, 1905 Oil on panel 6 3/4 x 9 1/2 inches Signed by the artist lower left Inscribed by another hand on the reverse Provenance: Clayton-Liberatore Galleries, Bridgehampton, New York Hayley Lever’s (1875-1958) versatility has worked against his posthumous reputation. He was never associated with a single artistic movement, instead producing impressionist, post-impressionist, and expressionist works. While best known as a painter of post-impressionist marine scenes, his subject matter included landscapes, urban scenes, and still lifes across his 60-year career. This lack of a singular style or subject has given him an amorphous place in U.S. art history despite his obvious accomplishments. [Richard] Hayley Lever was born in Bowden, South Australia in 1875. He excelled in painting classes at Prince Alfred College (1883-91) and Norwood Art School (1891-93) in Adelaide. In the 1890s, Lever moved to England, studying art in London and painting at St. Ives, a fishing port and popular artistic colony on the Cornish coast. In St. Ives, Lever shared a studio with Frederick Waugh, and studied painting with Albert Julius Olsson and Algernon Talmage. Lever was a plein air painter particularly interested in the effect of sunlight on the sea. He painted in a distinctive style, strongly influenced by the works of Vincent van Gogh, that might now be called post-impressionism. He used a limited palette to paint the St. Ives harbor, particularly at dusk or in the moonlight. His strong contrasting colors and thick use of paint created a crisp and physical surface that earned him acclaim in Europe. Lever’s many St. Ives seascapes are among his most popular works. In 2017, his painting entitled “The Old Lighthouse and Fleets of St. Ives” sold at auction for $162,500. In 1912, Lever moved to New York to test the art market in the United States. In Manhattan, Lever met prominent U.S. painters such as Ernest Lawson, Robert Henri, William Glackens, John Sloan, and George Bellows. Lever exhibited with this group regularly in New York City, painting parks, streets, bridges and the Manhattan waterfront. However, he soon discovered the scenic potential of Gloucester, Rockport, and Marblehead in the Cape Ann area of Massachusetts...

Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 17.75" x 21.75" x 1.25" Signed "K Dempwolf" on lower left Artist Statement "When heading north on Hwy...

Augustus Daggy was born in Paris, Illinois and studied at the Pennsylvania Academy of Fine Arts, where his work was later exhibited in annual shows from 1879 to 1887. Daggy was a mem...

Guy Wiggins Clearing after a Shower Signed lower right, titled on verso Oil on panel 12 x 16 inches Guy Carleton Wiggins is best known for his impressionistic snow scenes of New Yo...

A fine impressionist scene of a family playing under the trees near a stone wall by American artist Will Howe Foote (1874-1965). Foote was born and raised in Grand Rapids, Michigan w...

Signed "Ciani" in the lower left corner. This lively street scene captures the bustle of a village market day, where townspeople gather, converse, and conduct daily business amid ho...

Verbrugghe Charles Bruges 1877 – 1974 Paris Belgian Painter 'A View of Damme' Signature: Signed bottom right, on reverse placed "Damme" Medium: Oil on panel Dimensions: Image size 3...

Nicolai S. Cikovsky (1894 - 1984) On the Beach Oil on panel 15 1/4 x 20 inches Signed lower right Provenance: ACA Galleries, New York

Dimensions with frame: 40,8 x 35 x 2,8 cm. Signed "B. Ciappa" in the lower left corner. This lively oil painting captures the bustle of a European city square. The composition is animated by a steady flow of pedestrians, elegantly dressed figures, and a horse-drawn carriage advancing through a reflective, rain-washed street. Executed in a fluid, impressionistic manner, the artist emphasizes atmosphere and movement over strict detail. Quick, confident brushstrokes define the architecture and figures, while the wet pavement subtly mirrors the activity, enhancing depth and visual rhythm. The soft, diffused light and muted palette, punctuated by touches of color in clothing, evoke a transient moment in urban life, likely inspired by late 19th to early 20th century Parisian scenes. The architectural framing on both sides guides the eye toward the center, creating a sense of perspective and dynamism. This work reflects the enduring appeal of Impressionist and Post-Impressionist cityscapes, where modern life, leisure, and movement converge. This painting offers both decorative charm and collectible value, ideal for collectors of European street scenes and Impressionist-inspired works. Paris street scene painting, impressionist cityscape, European city painting, Arc de Triomphe painting...

E. Scattolini (active in Venice in the early 20th century) - Fishing boats on the lagoon with a view of Burano. 112 x 68 cm (without frame) - 126 x 81 cm (with frame). Oil on panel...