By Tao Ruspoli
Located in Morongo Valley, CA
El Pulpo Mechanico (Black Rock City), Edition 1/10, 20x30cm, 2010, digital Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate.
Published in Tao Ruspoli's Monography 'Midway on our Life's Journey’, 2018
The Exaltation of Imagination
Photographs and Musings in Defense of Burning Man
by Tao Ruspoli
The press around Burning Man had gotten so bad that I almost felt embarrassed to be going this year. Even Daniel Pinchbeck, famed psychonaut and burner par excellence, had written a thoughtful piece explaining why, after 15 consecutive years, he wasn’t going back this year: the festival had changed too much--the rich had taken over, it had gone from a relevant and fascinating social experiment to epitomizing the worst elements of capitalist excess. Besides, he seemed to be saying, the world is going through too many crises, both ecological and humanitarian, to justify the extravagance of an event like this.
Two burners heading to Temple, one of the massive temporary structures in Black Rock City
The burning of the Temple which happens every year the night after the man burns.
Keith Spencer...
Category
2010s Contemporary Tao Ruspoli
MaterialsArchival Ink, Archival Paper, Color, Archival Pigment