Grey Village Scene
By Toshi Yoshida 1
Located in Austin, TX
Woodblock etching of a Japanese village by Toshi Yoshido 11" x 15"
20th Century Toshi Yoshida Prints and Multiples
Etching
Grey Village Scene
By Toshi Yoshida 1
Located in Austin, TX
Woodblock etching of a Japanese village by Toshi Yoshido 11" x 15"
Etching
Impression B
By Toshi Yoshida 1
Located in Fairlawn, OH
Impression B Color woodcut, 1959 Signed and dated lower right (see photo) Titled lower left (see photo) A trial proof, prior to the edition of 100, signed and numbered Condition: Excellent Image size: 14 1/2 x 9 3/4 inches Provenance: Estate of the artist by decent to his heirs "Printmaker and painter Toshi Yoshida was born on July 25, 1911, into the respected Yoshida family of artists of Tokyo, Japan. Father Hiroshi was a celebrated landscape painter and printmaker, and mother Fujio established herself as the first female Yoshida artist as well as an Abstract artist later in her career. Younger brother Hodaka was an Abstract printmaker whose style, completely separate from his family's historic traditional bent, later influenced Toshi. Hodaka's wife Chizuko would become a pioneering female Japanese artist whose own exploration of Surrealism and Abstraction challenged the status quo. Toshi, however, as the eldest sibling, was expected to follow in his father's footsteps, and from an early age he was trained by Hiroshi in his studio. Unable to attend formal schooling due to the polio-induced paralyzation of his leg, Toshi would instead help with his family's printmaking studio and go on sketching trips with Hiroshi. As he got older, these trips would include India and Southeast Asia, working from morning to night taking night trains to get from one destination to another. Among Toshi's favorite subjects were the animals he discovered along the way. However, these trips ended as Japan entered military dictatorship in the mid 1930s, and artists whose work showed signs of Western influence were barred from exhibiting. At this time, Toshi left Japan for China and Korea, where he would remain for the duration of the war. He stuck to patriotic themes to remain in business, and after the end of World War II, as Japan struggled to recover from wartime economic depression, he earned his living creating traditional Japanese woodcut landscapes...
Woodcut
Impression B
By Toshi Yoshida 1
Located in Fairlawn, OH
Impression B Color woodcut, 1959 Signed and dated lower right (see photo) Titled lower left (see photo) A trial proof, prior to the edition of 100, signed and numbered Condition: Excellent Image size: 14 1/2 x 9 3/4 inches Provenance: Estate of the artist by decent to his heirs "Printmaker and painter Toshi Yoshida was born on July 25, 1911, into the respected Yoshida family of artists of Tokyo, Japan. Father Hiroshi was a celebrated landscape painter and printmaker, and mother Fujio established herself as the first female Yoshida artist as well as an Abstract artist later in her career. Younger brother Hodaka was an Abstract printmaker whose style, completely separate from his family's historic traditional bent, later influenced Toshi. Hodaka's wife Chizuko would become a pioneering female Japanese artist whose own exploration of Surrealism and Abstraction challenged the status quo. Toshi, however, as the eldest sibling, was expected to follow in his father's footsteps, and from an early age he was trained by Hiroshi in his studio. Unable to attend formal schooling due to the polio-induced paralyzation of his leg, Toshi would instead help with his family's printmaking studio and go on sketching trips with Hiroshi. As he got older, these trips would include India and Southeast Asia, working from morning to night taking night trains to get from one destination to another. Among Toshi's favorite subjects were the animals he discovered along the way. However, these trips ended as Japan entered military dictatorship in the mid 1930s, and artists whose work showed signs of Western influence were barred from exhibiting. At this time, Toshi left Japan for China and Korea, where he would remain for the duration of the war. He stuck to patriotic themes to remain in business, and after the end of World War II, as Japan struggled to recover from wartime economic depression, he earned his living creating traditional Japanese woodcut landscapes...
Woodcut
Untitled
By Thomas Nozkowski
Located in New York, NY
Solidly grounded in Abstract Expressionist tradition, process-oriented painter Thomas Nozkowski’s method is predicated on relinquishing the idea of an end result. To highlight this, ...
Woodcut
CIRCLE IMAGE NO. 25
By Louis Schanker
Located in Portland, ME
Schanker, Louis. CIRCLE IMAGE NO. 25. Relief Print in color, 1954-1955. Edition of 210 published by IGAS. Signed and numbered 17/200 (the edition included 10 artist's proofs). 14 x 1...
Woodcut
$6,760
H 25.6 in W 19.69 in D 0.4 in
Salvador Dali - Mission Dolores - San Francisco - Original Hand-Signed Etching
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Mission Dolores - San Francisco - Original Hand-Signed Etching Title: Mission Dolores - San Francisco Drypoint Handsigned Dimensions: 65 x 50 cm Edition EA Catalogue ...
Etching
$900
H 14.82 in W 9.88 in
'Woman In Bagdad' — 1950s Japanese Sôsaku-hanga Signed Woodblock Print
Located in Myrtle Beach, SC
Toshi Yoshida, 'Woman In Bagdad', color woodblock print, 1954, edition not stated. Signed, dated, and titled, in pencil. A fine, richly-inked impression, with fresh colors, on cream-wove Japan paper; the full sheet with margins (1/2 to 7/8 inch); minor toning in the margins, otherwise in excellent condition. Self-carved, self-printed. Archivally sleeved, unmatted. Image size 14 13/16 x 9 7/8 inches; sheet size 16 1/4 x 11 inches (oban tate-e). Exhibited: 'Color in Relief: Wood Block Prints from Origins to Abstraction', Georgetown University Library, 2016. Literature: Oliver Statler, Modern Japanese Prints: An Art Reborn, 1959, pp.168-169; Eugene M. Skibbe, Yoshida Toshi 1911-1999: Diversity, Change, and Continuity in the Yoshida Art Tradition, Andon 53, Society for Japanese Arts, 1996, pp. 5-14; Kendall H. Brown, Yoshida Toshi: The Nature of Tranquility, in, A Japanese Legacy: Four Generations of Yoshida Family Artists, The Minneapolis Institute of Arts, 2002, pp. 72-80; p. 91, no. 55 Exhibition: Japan & Beyond: The Yoshida Family Legacy in Japanese Woodblock Prints, curated by Kendall Brown and Quyen Le, The Ruth and Sherman Lee Institute for Japanese Art, Hanford, CA. February 3, 2004 - March 27, 2004. Collections: Art Institute of Chicago, Clark Center for Japanese Art and Culture, Minneapolis Institute of Art, University of California Merced, University of Oregon (The Lavenberg Collection of Japanese Prints). ABOUT THE ARTIST Yoshida Toshi (1911-1995) began training at the age of 14 under his father, Yoshida Hiroshi, one of the most acclaimed artists of the Japanese 20th-century printmaking revival movement shin-hanga (’new prints’ created in the traditional collaborative system of Japanese printmaking). He studied from 1932 to 1935 at the Taiheiyo-Gakai (Pacific Painting Association), co-founded by his father. Before the Pacific War, Toshi traveled widely with his father in Asia, Europe, Egypt, and the United States. Later he continued his worldwide travels, especially in Mexico, the United States, Canada, and Africa. Following his father’s death in 1950, Toshi began his very personal exploration of abstraction, joining the sôsaku-hanga movement (’creative prints’ wherein the artist is creator, carver, and printer). During this richly creative period (1954 to 1973), Toshi created over three hundred nonobjective designs. In the early 1960s, Toshi returned to large-scale figurative work, concentrating on scenes of African wildlife in its natural habitat, and in 1984 he published the first of many illustrated children's books on African wildlife (Dobutsu Ehon Shirizu), which he continued to produce until the early 1990s. In 1966 he published a book with the artist Yuki Rei...
Woodcut
Untitled (Edition 6/200)
Located in New York, NY
Unknown/ Unidentified Artist, "Untitled" Edition 6/200, Abstract Woodcut Print numbered and signed in pencil, 22.50 x 17, Late 20th Century, 1963 Colors: Black. White, Red *Unident...
Woodcut
Untitled
Located in New York, NY
Unknown/ Unidentified Artist, "Untitled" Abstract Woodcut Print numbered 86/200 and signed in pencil 22.50 x 17 in. Late 20th Century, 1963 Colors: Black. White *Unidentified Arti...
Woodcut
$3,250
H 15.875 in W 11.75 in
"Head of Woman, ed. 1/6" Woodcut on Yellow Paper signed by David Barnett
By David Barnett
Located in Milwaukee, WI
"Head of Woman" is an original woodcut on yellow paper by David Barnett. The artist signed the piece in the lower right, and wrote the title lower center, and the edition number (1/6...
Woodcut
Flute-Like Voices, Abstract Woodcut Print by Bruce Porter
By Bruce Porter
Located in Long Island City, NY
Artist: Bruce Porter, American (1948 - ) Title: Flute-Like Voices Year: 1993 Medium: Woodcut on Wove paper, signed and numbered in pencil Edition: 11/20 Image Size: 33 x 23.5 inches
Woodcut
$2,564
H 29.93 in W 22.05 in D 0.4 in
Salvador Dali - Les Songes Drolatiques - Handsigned Lithograph
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Hand-Signed Lithograph by Salvador Dali This edition is on Japan Paper Title: Pantagruel's Dreams Signed in Pencil by Salvador Dali Dimensions: 76 x 56 cm Edition: EA 1973 References...
Etching
$95
H 5.52 in W 9.06 in
Michel Grove, Sussex English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Michel Grove, Seat of Thomas Walker Esq'. Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape. Published by Rudo...
Engraving, Etching, Aquatint
Leonard Baskin Abstract Woodcut, Signed
By Leonard Baskin
Located in New York, NY
Leonard Baskin (1922-2000) Untitled, Late 20th Century Woodcut Framed: 32 x 24 1/4 x 1/4 in. Edition 26/50 Signed and numbered lower right A highly respected draftsman, printmaker, ...
Woodcut
Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369
By William Curtis
Located in Columbia, MO
Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Etching
PINE TREE OF THE FRIENDLY GARDEN
By Toshi Yoshida 1
Located in Portland, ME
Yoshida, Toshi. A PINE TREE OF THE FRIENDLY GARDEN. Color woodblock print, 1980. Signed in Pencil in Japanese. Commissioned by the Franklin Mint, and printed and published by the Yo...
Woodcut
"Green Farming" Japanese Landscape Woodblock Print
By Toshi Yoshida 1
Located in Austin, TX
Japanese woodblock print (etching) of a landscape by Toshi Yoshida 11" x 15" - Page Size 17 x 21.25 - Frame Size
Etching
"Purple Farming" Japanese Woodblock Landscape Print
By Toshi Yoshida 1
Located in Austin, TX
A woodblock print etching of a Japanese farm by Toshi Yoshida 11" x 15"
Etching
Sold
H 19.63 in W 14.5 in
'Transcendance' — 1960s Japanese Sôsaku-hanga Abstraction
By Toshi Yoshida 1
Located in Myrtle Beach, SC
Toshi Yoshida, 'Transcendance', color woodblock print, 1968, edition 120. Signed, dated, titled, and numbered '71/120' in pencil. A fine, richly-inked impression, with fresh colors, on cream-wove Japan paper; the full sheet with margins (9/16 to 1 inch); slight toning on the top and right sheet edges, well away from the image, otherwise in very good condition. Image size 19 5/8 x 14 1/2 inches; sheet size 21 1/4 x 16 1/16 inches (double Oban). Archivally sleeved, unmatted. Exhibited: 'Color in Relief: Wood Block Prints from Origins to Abstraction', Georgetown University Library, 2016. Collection: Georgetown University Library. ABOUT THE ARTIST Yoshida Toshi (1911-1995) began training at the age of 14 under his father, Yoshida Hiroshi, one of the most acclaimed artists of the Japanese 20th-century printmaking revival movement shin-hanga (’new prints’ created in the traditional collaborative system of Japanese printmaking). He studied from 1932 to 1935 at the Taiheiyo-Gakai (Pacific Painting Association), co-founded by his father. Before the Pacific War, Toshi traveled widely with his father in Asia, Europe, Egypt, and the United States. Later he continued his worldwide travels, especially in Mexico, the United States, Canada, and Africa. Following his father’s death in 1950, Toshi began his very personal exploration of abstraction, joining the sôsaku-hanga movement (’creative prints’ wherein the artist is creator, carver, and printer). During this richly creative period (1954 to 1973), Toshi created over three hundred nonobjective designs. In the early 1960s, Toshi returned to large-scale figurative work, concentrating on scenes of African wildlife in its natural habitat, and in 1984 he published the first of many illustrated children's books on African wildlife (Dobutsu Ehon Shirizu), which he continued to produce until the early 1990s. In 1966 he published a book with the artist Yuki Rei...
Woodcut
'Transcendance' — Sôsaku-hanga abstraction
By Toshi Yoshida 1
Located in Myrtle Beach, SC
Toshi Yoshida, 'Transcendance', color woodblock print, 1968, edition 120. Signed, dated, titled, and numbered '117/120' in pencil. A fine, richly-inked impression, with fresh colors, on cream wove Japan paper; the full sheet with margins (9/16 to 1 inch); slight toning on the top and right sheet edges, well away from the image, otherwise in very good condition. Image size 19 5/8 x 14 1/2 inches; sheet size 21 3/8 x 16 1/16 inches (double Oban). Archivally sleeved, unmatted. Exhibited: 'Color in Relief: Wood Block Prints from Origins to Abstraction', Georgetown University Library, 2016. Collection: Georgetown University Library. ABOUT THE ARTIST Yoshida Toshi (1911-1995) began training at age 14 under his father Yoshida Hiroshi, one of the most acclaimed artists of the Japanese 20th-century printmaking revival movement shin-hanga (’new prints’ created in the traditional collaborative system of Japanese printmaking). He studied from 1932 to 1935 at the Taiheiyo-Gakai (Pacific Painting Association), which was co-founded by his father. Before the Pacific War, Toshi traveled widely with his father in Asia, Europe, Egypt, and the United States. Later he continued his worldwide travels, especially in Mexico, the United States, Canada, and Africa. Following his father’s death in 1950, Toshi began his very personal exploration of abstraction, joining the sôsaku-hanga movement (’creative prints’ wherein the artist is creator, carver, and printer). During this richly creative period (1954 to 1973), Toshi created over three hundred nonobjective designs. In the early 1960s, Toshi returned to large-scale figurative work, concentrating on scenes of African wildlife in its natural habitat, and in 1984 he published the first of many illustrated children's books on African wildlife (Dobutsu Ehon Shirizu), which he continued to produce until the early 1990s. In 1966 he published a book with the artist Yuki Rei...
Woodcut
Madurai
By Toshi Yoshida 1
Located in Fairlawn, OH
Signed in pencil Stamp title lower left of image Image: 6 15/16 x 4 3/4" Note: Madurai is an ancient city on the Vaigai River in the South Indian state of Tamil Nadu. Its skyline ...
Woodcut