Tropi-cal Tables

This lovely California Modern low dining table by Danny Ho Fong for Tropi-cal features an iron frame that holds a woven cane rattan top, along with a glass pane to use as a solid surface over the caned rattan. Somewhat lower than traditional dining tables, this table would be ideal to pair with stools opposed to standard dining tables. Or another idea is using cushions to sit on, could even use low seating such as a Roche Bobois Mah Jong cushions or Togo lounge chair, loveseat or sofa. Great for patios and other outdoors spaces. This laid-back casual cool dining table...

Classic Mid-Century Modern wicker and iron cocktail table by Danny Ho Fong.

1950s Reed Furniture Rattan dining with formica finish top. Table is in great structural condition. Some wear and light scratches appropriate with age age and normal. Make it a small square kitchen table...

Wonderful Italian Mid-Century round table in blue enameled metal and brass with a charming blue-gray laminated top. This stylish piece was designed by Ignazio Gardella and produced i...

Super cabin-modern and hard to find California design outdoor patio set. The wicker on all pieces is still in very good condition! All these pieces were procured together, and are in original unrestored condition. The upholstery on the 4 stools okay, two stools each have a puncture each to the tops, and one a hole/nick to the edge. It is recommended you recover the stools to match your situation/uses...

Robert and Jean Cloutier, coffee table in ceramic and metal, 1950s 2900,00€ Robert et Jean Cloutier, realized by. Coffee table. Lava tray...

Italian mid-century modern round yellow laminate and black metal high bar table, 1950s. Bar, dining or coffee table with round top in yellow laminate with black edge. The three black...

TL30 table with a round top in wood and a base in black lacquered metal, designed by Franco Albini and produced by Poggi in the 1950s. After spending his childhood and part of his youth in Robbiate in Brianza, where he was born in 1905, Franco Albini moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He starts his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborates for three years. He probably had his first international contacts here In those three years, the works carried out are admittedly of a twentieth-century imprint. It was the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the rapprochement with the group of editors of “Casabella”. The new phase that that meeting provoked starts with the opening of the first professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca neighborhood in San Siro in 1932 and then creating the Ifacp neighborhoods: Fabio Filzi (1936/38), Gabriele D’Annunzio and Ettore Ponti (1939). Also in those years Albini worked on his first villa Pestarini. But it is above all in the context of the exhibitions that the Milanese master experiments his compromise between that “rigor and poetic fantasy” coining the elements that will be a recurring theme in all the declinations of his work – architecture, interiors, design pieces . The opening in 1933 of the new headquarters of the Triennale in Milan, in the Palazzo dell’Arte, becomes an important opportunity to express the strong innovative character of rationalist thought, a gym in which to freely experiment with new materials and new solutions, but above all a “method”. Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano sets up the steel structure house, for which he also designs the ‘furniture. At the subsequent Triennale of 1936, marked by the untimely death of Persico, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini takes care of the preparation of the exhibition of the house, in which the furniture of three types of accommodation. The staging of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach that is part of Albini, as a man and as a designer: the theme addressed is that of the existenzminimum and the reference of the project is to the fascist myth of the athletic and sporty man, but it is also a way to reflect on low-cost housing, the reduction of surfaces to a minimum and respect for the way of living. In that same year Albini and Romano designed the Ancient Italian Goldsmith’s Exhibition: vertical uprights, simple linear rods, design the space. A theme, that of the “flagpole”, which seems to be the center of the evolution of his production and creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian planning: in the setting up of the Scipio Exhibition and of contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases are hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take on the V shape; in the Olivetti store in Paris (1956) the uprights in polished mahogany support the shelves for displaying typewriters and calculators. The reflection on this theme arises from the desire to interpret the architectural space, to read it through the use of a grid, to introduce the third dimension, the vertical one, while maintaining a sense of lightness and transparency. The flagpole is found, however, also in areas other than the exhibition ones. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing spaces. The Veliero bookcase...

Mid-century design Italian coffee table, circa 1950s, in wood, brass and painted metal. Dimensions: H 50 x W 105 x W 61 cm.

This coffee table is made of lacquered metal, brass and glass. This is a very simple and chic model. French work attributed to famous French designer Jacques Adnet. Circa 1950

Chic California modern woven cane top dining table designed by Danny Ho Fong for Tropi-cal. Rare white finish with an iron frame that holds the w...

An off-white paint decorated coffee - low table by Grosfeld House. The pilaster column base supporting a wooden gallery mirrored top.