Will Barnet Prints

Print Archival pigment print on Moab Entrada Measures: 20.00 x 20.00 in 50.8 x 50.8 cm Edition of 50 This work comes with a signed Certificate of Authenticity. Frances Goodman...

Photograph Color photograph made with archival pigments on fine art rag paper with matte finish Size varies based on edition This work comes with a "Certificate of Authenticity". Luke Butler...

Print Archival pigment print Measures: 20.00 x 16.00 in 50.8 x 40.6 cm Edition of 100 This work is signed on a label on the verso. David Byrne, legendary frontman of American band The Talking Heads and author of How Music Works, was born in Dumbarton, Scotland in 1952. Byrne is a multi-intrumentalist most known for his high-energy performances and distinctive, wide-ranging voice. He formed The Talking Heads with fellow RISD student, Chris Frantz, and Frantz's girlfriend, Tina Weymouth, in 1975 while living in New York City. In 1990 he founded the world music record label Luaka Bop, which released music from artists including Os Mutantes, Tom Ze, and Zap Mama. Byrne's solo career has been broad and multi-disciplinary. Since the 1990s, Byrne has exhibited his visual artwork at numerous galleries including Pace/MacGill Gallery in New York City. In 2006 he released Arboretum, a collection of his philosophical drawings, published by McSweeney's. Byrne's drawings are what he calls "mental maps of imaginary territory." Says Byrne, "if you can draw a relationship, it can exist... the world keeps opening up, unfolding, and just when we expect it to be closed—to be a sealed sensible box—it shows us something completely surprising." In 2010, Byrne exhibited his piece "Guitar Pedals...

Nicolas Mordvinoff Images of love relief etchings 100/100 with forward by Leo Russel with all the permutations of "Love" including Homoerotic images...

Print Digital archival print on Moab Entrada 335 gsm Measures: 16.00 x 13.00 in 40.6 x 33.0 cm Edition of 50 This work comes with a signed Certificate of Authenticity. In partnership with Maison de...

Rare signed and numbered serigraph print by American artist Allan D'Arcangelo (1930-1998) Artist: Allan D'Arcangelo, American (1930-1998) Title: Untitled - Under Overpass Year:...

Photograph Inkjet print Measures: 14.59 x 24.00 in 37.1 x 61.0 cm Edition of 50 This work comes with a Certificate of Authenticity. This Artspace edition print supports the Stanlee and Gereald Rubin Center for the Visual Arts' 10th anniversary featuring artists who engage in disruptive, alternative, and collective interactions with space and space technology. This print by Tomás Saraceno...

Photograph Photograph taken with a digital single-lens reflex camera and printed with archival pigments on fine art rag paper Measures: 30.00 x 40.00 in 76.2 x 101.6 cm Edition...

Print Digital Print on Moab Entrada Measures: 15.87 x 12.00 in 40.3 x 30.5 cm Edition of 100 Art by Garrick Gott This print is from Oh So Pretty: Punk in Print 1976-80—an unrivalled collection of visually striking ephemera from Britain’s punk subculture. The volume presents 500 artefacts, 'zines,' gig posters...

The dramatic large, almost 4 foot tall etching is framed with a green ground and gold double border with cream French matting. Copper-plate engraving by Italian artist Giovanni Piran...

Photograph Color photograph made with archival pigments on fine art rag paper Size varies based on edition This work comes with a Certificate of Authenticity and an artist signed label on verso. For over a decade Maxi Cohen has been photographing and filming lush abstract images of water from Bali to Botswana to Brazil which are mesmerizing, meditative, and colorful. The Zambezi River Stacking Tables was her first in an on-going progression of video multimedia sculptures. Here she is offering a photographic series of water lilies from the Okavango Delta...

Archival pigment print on Moab Entrada 290gsm Measures: 23.75 x 18.75 in 60.3 x 47.6 cm Edition of 100 This work is signed and numbered by the artist, (2016) Images in Debris depicts time lapse photographs of the sky, taken by the artist, at sunrise and sunset. The images, captured digitally, are then printed via a 4-color screen printing process. Each color separation is screen printed and then smeared while the ink is still wet, foregrounding a handmade process that involves tactility, registration, wetness, and specificity of touch. The images of the sun at dusk and dawn are at once universal and highly specific, recording a period of time on a particular day and in a particular place. By objectively recording the images and then breaking them apart and putting them back together, Sze explores the fragility of time passing and our desire for intimacy and touch in the face of both overwhelming natural forces and the ubiquitous images that surround us daily. Sarah Sze...